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Éléonore Tenaille De Vaulabelle
Éléonore Tenaille de Vaulabelle (12 Oct. 1801 – 12 October 1859 ) was a French writer and playwright. He published his novels under the pseudonym Ernest Desprez and all his plays under the name Jules Cordier. Biography After he spent his youth in Bourgogne, Éléonore de Vaulabelle moved to Paris at the end of the Bourbon restauration. There he authored articles in several satirical newspapers as well as a daily pamphlet for ''Le Figaro'', where he met Alphonse Karr and George Sand. He wrote two novels under the pseudonym Ernest Desprez and a fictionalized autobiography: ''Un enfant''. In ''Les Femmes vengées'', he developed a theory inspired from Molière: "Women are what we make of them". Vaulabelle adds, "If women lie it is because we teach them to lie". But he devoted most of his work to theatre under the pseudonym Jules Cordier, most of the time in collaboration with Clairville. Only the collection of short stories ''Les Jours heureux'' appeared under his real na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use them because they wish to remain anonymous and maintain privacy, though this may be difficult to achieve as a result of legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamertags, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts: to provide a more clear-cut separation between one's privat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-François Ancelot
Jacques-Arsène-Polycarpe-François Ancelot (9 January 1794 – 7 September 1854) was a French dramatist and litterateur. Biography Born in Le Havre, Ancelot became a clerk in the admiralty, and retained his position until the July Revolution, Revolution of 1830. In 1816 his play ''Warwick'' was accepted by the Théâtre Français, but never produced, and three years later a five-act tragedy, ''Louis IX'', was staged. Three editions of the play were speedily exhausted; it had a run of fifty representations, and brought him a pension of 2000 francs from Louis XVIII of France, Louis XVIII. His next work, ''Le Maire du palais'', was played in 1825 with less success; but for it he received the cross of the Légion d'honneur. In 1824 he produced ''Fiesque'', a clever adaptation of Friedrich Schiller, Schiller's ''Fiesco (novel), Fiesco''. In 1828 appeared ''Olga, ou l'orpheline russe'', the plot of which had been inspired by a voyage he made to Russia in 1826. About the same per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatre, theatrical entertainment that combines music, dance, and sketch comedy, sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, wikt:ribald, ribald publicity campaigns and the occasional use of wikt:prurient, prurient material, the revue was typically patronized by audience members who earned mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
