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Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of Victorian burlesque, and pantomime, in a spectacular production and characterized by freedom of style and structure. The term is derived from the Italian word ''stravaganza'', meaning extravagance. It sometimes also has elements of music hall, cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' came, in the 20th century, to more broadly refer to an elaborate, spectacular, and expensive theatrical production. Professor Carolyn Wiliams writes that playwrights, producers and critics have often muddled the distinction between burlesque and extravaganza, but she describes the genre this way: "Sexy yet free of "offensive vulgarity", silly yet intelligent, raucus yet spectacularly beautiful, extravaganza was a relatively "high" form of burlesque, intended for an urbane adult audience." She notes that the definition of extravaganza changed during the 19th century, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Planché
James Robinson Planché (27 February 1796 – 30 May 1880) was a British dramatist, antiquary and officer of arms. Over a period of approximately 60 years he wrote, adapted, or collaborated on 176 plays in a wide range of genres including extravaganza, farce, comedy, burletta, melodrama and opera. Planché was responsible for introducing historically accurate costume into nineteenth century British theatre, and subsequently became an acknowledged expert on historical costume, publishing a number of works on the topic. Planché's interest in historical costume led to other antiquarian research, including heraldry and genealogy. He was elected a Society of Antiquaries of London, Fellow of the Society of Antiquaries in 1829, and was influential in the foundation of the British Archaeological Association in 1843. Appointed Rouge Croix Pursuivant in 1854 and promoted to Somerset Herald in 1866, Planché undertook heraldic and ceremonial duties as a member of the College of Arms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces were staged as extravaganzas. Many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thespis (opera)
''Thespis, or The Gods Grown Old'', is an operatic extravaganza that was the first collaboration between dramatist W. S. Gilbert and composer Arthur Sullivan. No musical score of ''Thespis'' was ever published, and most of the music has been lost. Gilbert and Sullivan went on to become the most famous and successful artistic partnership in Victorian era, Victorian England, creating a string of enduring comic opera hits, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. ''Thespis'' premièred in London at the Gaiety Theatre, London, Gaiety Theatre on 26 December 1871. Like many productions at that theatre, it was written in a broad, Victorian burlesque, burlesque style, considerably different from Gilbert and Sullivan's later works. It was a success, for a Christmas entertainment of the time,Walters, Michael. "Thespis: a reply", ''W. S. Gilbert Society Journal'', Vol. 4, part 3, Issue 29. Summer 2011. and closed on 8 March 1872, after a run of 63 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spectacle
In general, spectacle refers to an event that is memorable for the appearance it creates. Derived in Middle English from c. 1340 as "specially prepared or arranged display" it was borrowed from Old French ''spectacle'', itself a reflection of the Latin">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''spectacle'', itself a reflection of the Latin ''spectaculum'' "a show" from ''spectare'' "to view, watch" frequentative form of ''specere'' "to look at." The word ''spectacle'' has also been a term of art in theater dating from the 17th century in English drama. The masque and spectacle Court masques and masques of the nobility were most popular in the James I of England, Jacobean and Charles I of England, Caroline era. Such masques, as their name implies, relied heavily upon a non-verbal theater. The character lists for masques would be quite small, in keeping with the ability of a small family of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empyrean
In ancient European cosmologies inspired by Aristotle, the Empyrean heaven, Empyreal or simply the Empyrean, was the place in the highest heaven which was supposed to be occupied by the element of fire (or aether in Aristotle's natural philosophy). Later early and medieval Christian cosmology incorporated the concept in descriptions of the Christian notion of heaven. Etymology The word derives from the Medieval Latin ''empyreus'', an adaptation of the Ancient Greek ''empyros'' (), meaning "in or on the fire (''pyr'')". The word is used both as a noun and as an adjective, but ''empyreal'' is an alternate adjective form. The scientific words ''empyreuma'' and ''empyreumatic'', applied to the characteristic smell of the burning or charring of vegetable or animal matter, have the same Greek origin. In Christianity Early Christians took inspiration from Aristotle's cosmology in their reckoning of heaven. From the 7th century onwards, the idea of the Empyrean gained traction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Genres
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical termino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatre, theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Edward Harrigan, Harrigan and Tony Hart (theater), Hart in America. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Words And Phrases
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. Origins Comedy originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in Ancient Greek theatre, theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing ''agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequinade
''Harlequinade'' is an English comic theatrical genre, defined by the ''Oxford English Dictionary'' as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the ''commedia dell'arte'', which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbina, Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman. Originally a mime (silent) act with music and stylised dance, the harlequinade later employed some dialogue, but it remained primarily a visual spectacle. Early in its dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rice & Barton's Big Gaiety Spectacular Extravaganza Co
Rice is a cereal grain and in its Domestication, domesticated form is the staple food of over half of the world's population, particularly in Asia and Africa. Rice is the seed of the grass species ''Oryza sativa'' (Asian rice)—or, much less commonly, ''Oryza glaberrima'' (African rice). Asian rice was domesticated in China some 13,500 to 8,200 years ago; African rice was domesticated in Africa about 3,000 years ago. Rice has become commonplace in many cultures worldwide; in 2023, 800 million tons were produced, placing it third after sugarcane and maize. Only some 8% of rice is traded internationally. China, India, and Indonesia are the largest consumers of rice. A substantial amount of the rice produced in developing nations is lost after harvest through factors such as poor transport and storage. Rice yields can be reduced by pests including insects, rodents, and birds, as well as by weeds, and by List of rice diseases, diseases such as rice blast. Traditional rice polyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Hetherington Fitzgerald
Percy Hetherington Fitzgerald (26 April 1830 – 24 November 1925) was an Anglo-Irish author and critic, painter and sculptor. Fitzgerald was born in Ireland at Fane Valley, County Louth, the son of Thomas FitzGerald. He was educated at Belvedere college Dublin, Stonyhurst College, Lancashire, and at Trinity College, Dublin. He was called to the Irish bar and was for a time crown prosecutor on the northeastern circuit. After moving to London, he became a contributor to Charles Dickens's magazine, ''Household Words'', and later dramatic critic for the ''Observer'' and the '' Whitehall Review''. Among his many writings are numerous biographies and works relating to the history of the theatre. He wrote: ''Life of Sterne''(1864) (See Sterne.); 2nd edition; revised & enlarged (1896); reprinted 1904 * ''Charles Lamb'' (1866) (See Charles Lamb.) ''Life of David Garrick''(1868) (See David Garrick.) The Kembles(1871) ''The Romance of the English Stage''(1874) * ''Croker’s Bosw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
