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Féerie
''Féerie'' (), sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Ambigu-Comique
The (, literally, Theatre of the Comic-Ambiguity), a former Parisian theatre, was founded in 1769 on the boulevard du Temple immediately adjacent to the Théâtre de Nicolet. It was rebuilt in 1770 and 1786, but in 1827 was destroyed by fire. A new, larger theatre with a capacity of 2,000 as compared to the earlier 1,250 was built nearby on the at its intersection with the rue de Bondy and opened the following year. The theatre was eventually demolished in 1966. History of the first theatre in the boulevard du Temple It was founded in 1769 on the boulevard du Temple, originally known as the Promenades des Ramparts, in Paris by Nicolas-Médard Audinot, formerly a comedian of the Opéra-Comique, which he had left to become a puppet-master at the Paris fairs. Audinot had already been a success in one of the sites of the Saint-Germain Fair, where his large marionettes (called "bamboches") were in vogue. Under the name of his foundation, the "Comédiens de bois", the Opéra-C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blue Bird (play)
''The Blue Bird'' () is a 1908 play by Belgian playwright and poet Maurice Maeterlinck. It premiered on 30 September 1908 at Konstantin Stanislavski's Moscow Art Theatre, and was presented on Broadway in 1910. It was translated into English by Alexander Teixeira de Mattos. In 1919 Maeterlinck was awarded the Nobel Prize for Literature. The French composer Albert Wolff wrote an opera (first performed at the New York Metropolitan Opera in 1919) based on Maeterlinck's original play, and Maeterlinck's inamorata Georgette Leblanc produced a novelization. The story is about a girl called ''Mytyl'' and her brother ''Tyltyl'' seeking happiness, represented by ''The Blue Bird of Happiness'', aided by the good fairy ''Bérylune''. Maeterlinck also wrote a relatively little known sequel to ''The Blue Bird'' titled ''The Betrothal; or, The Blue Bird Chooses''. The play has been adapted for several films and a TV series. Story In the opening scene, the two children gleefully describe t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV Of France
Henry IV (; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry (''le Bon Roi Henri'') or Henry the Great (''Henri le Grand''), was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He pragmatically balanced the interests of the Catholic and Protestant parties in France, as well as among the European states. He was assassinated in Paris in 1610 by a Catholic zealot, and was succeeded by his son Louis XIII. Henry was baptised a Catholic but raised as a Huguenot in the Protestant faith by his mother, Queen Jeanne III of Navarre. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry inherited the thro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine De' Medici
Catherine de' Medici (, ; , ; 13 April 1519 – 5 January 1589) was an Italian Republic of Florence, Florentine noblewoman of the Medici family and Queen of France from 1547 to 1559 by marriage to Henry II of France, King Henry II. She was the mother of French kings Francis II of France, Francis II, Charles IX of France, Charles IX, and Henry III of France, Henry III. She was a cousin of Pope Clement VII. The years during which her sons reigned have been called "the age of Catherine de' Medici" since she had extensive, albeit at times varying, influence on the political life of France. Catherine was born in Florence to Lorenzo de' Medici, Duke of Urbino, and Madeleine de La Tour d'Auvergne. In 1533, at the age of 14, Catherine married Henry, the second son of King Francis I of France, Francis I and Queen Claude of France, who would become Dauphin of France (heir to the throne) upon the death of his elder brother Francis III, Duke of Brittany, F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet De Cour
''Ballet de cour'' ("court ballet") is the name given to ballets performed in the 16th and 17th centuries at courts. The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance. Where early court ballet differed from its predecessors, is that it was a secular, not religious happening. It was a carefully crafted mixture of art, socializing, and politics, with its primary objective being to exalt the State. Because these celebrations occurred long before the proscenium stage had been invented, and were instead executed in large halls with audience members stacked up on three sides of the performance, early court ballet's choreography was constructed as a series of patterns and geometric shapes that were intende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Set Design Act2 Of Andromède By P Corneille 1650 - Gallica 2010
Set, The Set, SET or SETS may refer to: Science, technology, and mathematics Mathematics *Set (mathematics), a collection of elements *Category of sets, the category whose objects and morphisms are sets and total functions, respectively Electronics and computing *Set (abstract data type), a data type in computer science that is a collection of unique values ** Set (C++), a set implementation in the C++ Standard Library * Set (command), a command for setting values of environment variables in Unix and Microsoft operating-systems * Secure Electronic Transaction, a standard protocol for securing credit card transactions over insecure networks * Single-electron transistor, a device to amplify currents in nanoelectronics * Single-ended triode, a type of electronic amplifier * Set!, a programming syntax in the scheme programming language Biology and psychology * Set (psychology), a set of expectations which shapes perception or thought *Set or sett, a badger's den *Set, a small tuber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talisman
A talisman is any object ascribed with religious or magical powers intended to protect, heal, or harm individuals for whom they are made. Talismans are often portable objects carried on someone in a variety of ways, but can also be installed permanently in architecture. Talismans are closely linked with amulets, fulfilling many of the same roles, but a key difference is in their functions. An amulet protects a person or possession against evil forces while a talisman provides good fortune. Talismans have been used in many civilizations throughout history, with connections to astrological, scientific, and religious practices; but the theory around preparation and use has changed in some cultures with more recent, new age, talismanic theory. Talismans are used for a wide array of functions, such as: the personal protection of the wearer, loved ones or belongings, aiding in fertility, and helping crop production. Etymology The word ''talisman'' comes from French , via Arabic (, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valet
A valet or varlet is a male servant who serves as personal attendant to his employer. In the Middle Ages and Ancien Régime, ''valet de chambre'' was a role for junior courtiers and specialists such as artists in a royal court, but the term "valet" by itself most often refers to a normal servant responsible for the clothes and personal belongings of an employer, and making minor arrangements. In the United States, the term most often refers to a parking valet, and the role is often confused with a butler. Word origins In English, ''valet'' as "personal man-servant" is recorded since 1567, though use of the term in the French-speaking English medieval court is older, and the variant form ''varlet'' is cited from 1456 ( OED). Both are French importations of ''valet'' or ''varlet'' (the "t" being silent in modern French), Old French variants of ''vaslet'' "man's servant", originally "squire, young man", assumed to be from Gallo-Romance Vulgar Latin *''vassellittus'' "young noble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Thousand And One Nights
''One Thousand and One Nights'' (, ), is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Persian, and Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are probably drawn from the Pahlavi Persian work (, ), which in turn may be translations of older Indian texts. Common to all the editions of the ''Nights'' is the framing device of the story of the ruler Shahryar being narrated the tales by his wife Scheherazade, with one tale told ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame D'Aulnoy
Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy (September 1652 – 14 January 1705), also known as Countess d'Aulnoy, was a French author known for her literary fairy tales. Her 1697 collection ''Les Contes des Fées'' (Fairy Tales) coined the literary genre's name and included the first story to feature "Prince Charmant" or Prince Charming. She is considered to have been a member of '' les conteuses'' group of French female authors. Biography D'Aulnoy was born in Barneville-la-Bertran, in Normandy, as a member of the noble family of Le Jumel de Barneville. She was the niece of Marie Bruneau des Loges, the friend of François de Malherbe and of Jean-Louis Guez de Balzac. In 1666, she was given at the age of fifteen (by her father) in an arranged marriage to a Parisian thirty years older— François de la Motte, Baron d'Aulnoy, of the household of the Duke of Vendôme. The baron was a freethinker and a known gambler. In 1669, the Baron d'Aulnoy was accused of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
