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Éléonore Tenaille De Vaulabelle
Éléonore Tenaille de Vaulabelle (12 Oct. 1801 – 12 October 1859 ) was a French writer and playwright. He published his novels under the pseudonym Ernest Desprez and all his plays under the name Jules Cordier. Biography After he spent his youth in Bourgogne, Éléonore de Vaulabelle moved to Paris at the end of the Bourbon restauration. There he authored articles in several satirical newspapers as well as a daily pamphlet for ''Le Figaro'', where he met Alphonse Karr and George Sand. He wrote two novels under the pseudonym Ernest Desprez and a fictionalized autobiography: ''Un enfant''. In ''Les Femmes vengées'', he developed a theory inspired from Molière: "Women are what we make of them". Vaulabelle adds, "If women lie it is because we teach them to lie". But he devoted most of his work to theatre under the pseudonym Jules Cordier, most of the time in collaboration with Clairville. Only the collection of short stories ''Les Jours heureux'' appeared under his real na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use them because they wish to remain anonymous and maintain privacy, though this may be difficult to achieve as a result of legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamertags, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts: to provide a more clear-cut separation between one's privat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-François Ancelot
Jacques-Arsène-Polycarpe-François Ancelot (9 January 1794 – 7 September 1854) was a French dramatist and litterateur. Biography Born in Le Havre, Ancelot became a clerk in the admiralty, and retained his position until the July Revolution, Revolution of 1830. In 1816 his play ''Warwick'' was accepted by the Théâtre Français, but never produced, and three years later a five-act tragedy, ''Louis IX'', was staged. Three editions of the play were speedily exhausted; it had a run of fifty representations, and brought him a pension of 2000 francs from Louis XVIII of France, Louis XVIII. His next work, ''Le Maire du palais'', was played in 1825 with less success; but for it he received the cross of the Légion d'honneur. In 1824 he produced ''Fiesque'', a clever adaptation of Friedrich Schiller, Schiller's ''Fiesco (novel), Fiesco''. In 1828 appeared ''Olga, ou l'orpheline russe'', the plot of which had been inspired by a voyage he made to Russia in 1826. About the same per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue
A revue is a type of multi-act popular theatre, theatrical entertainment that combines music, dance, and sketch comedy, sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, wikt:ribald, ribald publicity campaigns and the occasional use of wikt:prurient, prurient material, the revue was typically patronized by audience members who earned mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Féerie
''Féerie'' (), sometimes translated as "fairy play", was a French theatrical genre known for fantasy plots and spectacular visuals, including lavish scenery and mechanically worked stage effects. ''Féeries'' blended music, dancing, pantomime, and acrobatics, as well as magical transformations created by designers and stage technicians, to tell stories with clearly defined melodrama-like morality and an extensive use of supernatural elements. The genre developed in the early 19th century and became immensely popular in France throughout the nineteenth century, influencing the development of burlesque, musical comedy and film. Style ''Féeries'' used a fairy-tale aesthetic to combine theatre with music, dances, mime, acrobatics, and especially spectacular visual effects created by innovative stage machinery, such as trap doors, smoke machines, and quickly changeable sets. Songs always appeared, usually featuring new lyrics to familiar melodies. Transformation scenes, in which a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pochade
A pochade (from French ''poche'', pocket) is a type of sketch used in painting. As opposed to a croquis, which is line art, a pochade captures the colors and atmosphere of a scene. Generally, pochades use a small, portable format. Robert Henri and James Wilson Morrice, for example, painted such sketches on small wood panels that would fit in a coat pocket along with oil paint tubes. Others artists, such as landscape painter John Constable John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedha ..., made pochades the size of the intended painting. The French artist Alphonse Chigot produced a series of pochades of the towns people of Valenciennes that he sold from his studio which were later collected and published in two volumes.Pierre and Georges Giard (1893), Charges et croquis – colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of Victorian burlesque, and pantomime, in a spectacular production and characterized by freedom of style and structure. The term is derived from the Italian word ''stravaganza'', meaning extravagance. It sometimes also has elements of music hall, cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' came, in the 20th century, to more broadly refer to an elaborate, spectacular, and expensive theatrical production. Professor Carolyn Wiliams writes that playwrights, producers and critics have often muddled the distinction between burlesque and extravaganza, but she describes the genre this way: "Sexy yet free of "offensive vulgarity", silly yet intelligent, raucus yet spectacularly beautiful, extravaganza was a relatively "high" form of burlesque, intended for an urbane adult audience." She notes that the definition of extravaganza changed during the 19th century, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur De Beauplan
Arthur de Beauplan (20 June 1823 – 11 May 1890 Bibliography * Louis Gustave Vapereau, ''Dictionnaire universel des littératures'', Paris, Hachette, 1893, Read on line ''Gallica'') * Christian Goubault, « Arthur de Beauplan » ''in'' Joël-Marie Fauquet (dir.), ''Dictionnaire de la musique en France au XIXe siècle'', Fayard Fayard (complete name: ''Librairie Arthème Fayard'') is a French Paris-based publishing house established in 1857. Fayard is controlled by Hachette Livre. In 1999, Éditions Pauvert became part of Fayard. Claude Durand was director of Fayar ..., Paris, 2003 References {{DEFAULTSORT:Beauplan, Arthur de 19th-century French dramatists and playwrights French librettists Knights of the Legion of Honour Writers from Paris 1823 births 1890 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumanoir
Philippe François Pinel (), known as Dumanoir (; 31 July 1806 – 16 November 1865), was a French playwright and librettist. Biography Dumanoir was born in Capesterre-Belle-Eau, Guadeloupe. He was the son of Mrs. Pinel-Dumanoir, whose family planted the palm trees lining the ''Allée Dumanoir'' in Guadeloupe. He left Guadeloupe in 1816. Dumanoir wrote in the theatrical genre of Comédie en vaudevilles. He was director of the Théâtre des Variétés from 1837 to 1839. In 1844, he wrote in collaboration with Adolphe d'Ennery, an eponymous drama about Don César de Bazan, one of the characters in ''Ruy Blas'' by Victor Hugo. He died in Pau. List of major works Plays * 1842: ''Le Chevalier d'Éon'', comedy in 3 acts, (with Jean-François Bayard), Théâtre des Variétés * 1839: ''Les Premières Armes de Richelieu'' (with Jean-François Bayard), Théâtre du Palais Royal * 1840: ''Indiana et Charlemagne'' (with Jean-François Bayard), Théâtre du Palais Royal * 1842: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; ; ) is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically illuminated. It thus combines aspects of theatre and the visual arts. They were a popular medieval form that revived considerably from the 19th century, probably as they were very suitable for recording by photography. The participants were now mostly amateurs, participating in a quick and easy form of amateur dramatics that could be brought together in an evening, and required little skill in acting or speaking. They were also popular for various sorts of community events and parades. In the late 19th and early 20th centuries, there was also a type of ''tableau'' used in the professional theatre, taking advantage of the extra latitude the law allowed for the display of nudity so long as the actors did not move. Tableaux featured ('flexible poses') by virtually nude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Decomberousse
Alexis Decomberousse, full name Alexis Barbe Benoît Decomberousse, (13 January 1793 – 22 November 1862) was a 19th-century French playwright and vaudevillist. His plays were presented on the most important Parisian stages of the 19th century such as the Théâtre de l'Ambigu, Théâtre du Palais-Royal, Théâtre des Variétés, Théâtre du Gymnase, Théâtre de la Gaîté, Théâtre de la Porte-Saint-Martin etc.). Works * ''Le Cocher de fiacre'', melodrama in 3 acts, with Benjamin Antier, 1825 * ''Le Pauvre de l'Hôtel-Dieu'', mélodrama in 3 acts, with Antier, 1826 * ''Le Prisonnier amateur'', comedy mingled with couplets, with Armand d'Artois, Ferdinand Laloue and Frédérick Lemaître, 1826 * ''Le Vieil Artiste, ou la Séduction'', melodrama in 3 acts, with Frédérick Lemaître, 1826 * ''Le Fou'', drama in 3 acts, with Antony Béraud and Gustave Drouineau, 1829 * ''La Maîtresse'', comédie-vaudeville in 2 acts, with Hippolyte Le Roux and Merville, 1829 * ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Bayard
Jean-François Alfred Bayard (; 17 March 1796, Charolles, Saône-et-Loire – 20 February 1853, Paris) was a French playwright. He was the nephew of fellow playwright Eugène Scribe. Life As a law student and a lawyer's clerk, Bayard wrote with passion for the theatre and, after several attempts, had a great success at the Gymnase theatre, with ''la Reine de seize ans'' (1828, in-8°). One of the most fertile-minded and skilful vaudeville writers of his era, he made a close friendship with Eugène Scribe, often collaborating with him on plays and marrying his niece. Belonging to the school of Dancourt and Picard, he wrote with extreme ease, producing more than 200 plays for several theatres, sometimes alone, sometimes in collaboration. Many of his plays were remarked upon for their witty cheerfulness, and for not excluding sensitivity and everything else that was in vogue in the 19th century. He most often wrote vaudevilles, though he also had success with drama and even hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Pittaud De Forges
Auguste Pittaud de Forges (5 April 1803 (15 germinal an XI) – 28 September 1881) was a 19th-century French playwright. Biography His full name was Philippe-Auguste-Alfred Pittaud. He began his literary career under the pseudonyms Deforges, de Forge or Desforges. In 1861, he was authorized by imperial decree to officially join to his family name that of de Forges,Georges d'Heylli, ÂPittaud de Forges», ''Dictionnaire des pseudonymes'', Dentu, Paris, 1887, (p. 353), at Gallica. He also used the pen name Paul de Lussan. He wrote many vaudevilles in collaboration with Adolphe de Leuven, Emmanuel Théaulon, Jean-François Bayard, Louis-Émile Vanderburch, Clairville (Louis-François Nicolaïe), Clairville, Adrien Robert, as well as librettos of several opéra comique, opéras comiques and operettas for Jacques Offenbach such as ''L'alcôve'', an opéra comique in one act (1847), ''Luc et Lucette'', opéra comique in one act (1854), ''Paimpol et Périnette'', a saynète in on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
