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Vishvarupa
Vishvarupa (), also spelt as Vishwaroopa and known as Virāḍrūpa, is an iconographical form and theophany of a Hindu deity, most commonly associated with Vishnu in contemporary Hinduism. Though there are multiple Vishvarupa theophanies, the most celebrated is in the ''Bhagavad Gita'', given by Krishna in the epic ''Mahabharata'', which was shown to Pandava prince Arjuna on the battlefield of Kurukshetra in the war between the Pandavas and Kauravas. Vishvarupa is considered the supreme form of Vishnu, where the whole universe is described as contained within him. Literary descriptions ''Bhagavad Gita'' In the climactic war in the ''Mahabharata'', the Pandava prince Arjuna and his brothers fight against their cousins, the Kauravas, with Krishna as Arjuna's charioteer. Faced with the moral dilemma of whether or not to fight against and kill his own family, Arjuna has a crisis of conscience. To appease him, Krishna discourses with Arjuna about life and death as wel ...
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Vishvarupa Vishnu, Kingdom Of Kashmir, Jammu & Kashmir, 6th Century CE
Vishvarupa (), also spelt as Vishwaroopa and known as Virāḍrūpa, is an iconographical form and theophany of a Hindu deity, most commonly associated with Vishnu in contemporary Hinduism. Though there are multiple Vishvarupa theophanies, the most celebrated is in the ''Bhagavad Gita'', given by Krishna in the epic ''Mahabharata'', which was shown to Pandava prince Arjuna on the battlefield of Kurukshetra in the war between the Pandavas and Kauravas. Vishvarupa is considered the supreme form of Vishnu, where the whole universe is described as contained within him. Literary descriptions ''Bhagavad Gita'' In the climactic war in the ''Mahabharata'', the Pandava prince Arjuna and his brothers fight against their cousins, the Kauravas, with Krishna as Arjuna's charioteer. Faced with the moral dilemma of whether or not to fight against and kill his own family, Arjuna has a crisis of conscience. To appease him, Krishna discourses with Arjuna about life and death as well as dha ...
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Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ...
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Arjuna
Arjuna (, , Help:IPA/Sanskrit, [ɐɾd͡ʒun̪ə]) is one of the central characters of the ancient Hindu epic ''Mahabharata''. He is the third of the five Pandava brothers, and is widely regarded as the most important and renowned among them. He is the son of Indra, the king of the Deva (Hinduism), gods, and Kunti, wife of King Pandu of Kuru kingdom, Kuru dynasty—making him a Demigod, divine-born hero. Arjuna is famed for his extraordinary prowess in archery and mastery over Astra (weapon), celestial weapons. Throughout the epic, Arjuna sustains a close friendship with his maternal cousin, Krishna, who serves as his spiritual guide. Arjuna is celebrated for numerous heroic exploits throughout the epic. From childhood, he emerges as an excellent pupil, studying under the warrior-sage Drona. In his youth, Arjuna wins the hand of Draupadi, the princess of the Pañcāla, Panchalas, by excelling in a formidable archery competition. Soon after, he goes on a journey during a period ...
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Kurukshetra War
The Kurukshetra War (), also called the Mahabharata War, is a war described in the Hindu Indian epic poetry, epic poem ''Mahabharata'', arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war is used as the context for the dialogues of the ''Bhagavad Gita. Background The ''Mahābhārata'' is an account of the life and deeds of several generations of a ruling dynasty called the Kuru (Hindu mythology), Kuru clan. Central to the epic is an account of a war that took place between two rival families belonging to this clan. Kurukshetra (literally "Kshetram, Region of the Kurus"), also known as Dharmakshetra (the "Region of Dharma"), was the battleground on which the Kurukshetra War was fought. The first ''Mahābhārata'' says that this site was chosen because a sin committed on land was forgiven because of the land's sanctity. The events of the war make up more than a quarter of the ''Mahabharata''. The ...
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Narayana
Narayana (, ) is one of the forms and epithets of Vishnu. In this form, the deity is depicted in yogic slumber under the celestial waters, symbolising the masculine principle and associated with his role of creation. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology Narayan Aiyangar states the meaning of the Sanskrit word 'Narayana' can be traced back to the Laws of Manu (also known as the ''Manusmriti'', a ''Dharmaśāstra'' text), which states: This definition is used throughout post-Vedic literature such as the ''Mahabharata'' and the ''Vishnu Purana''. 'Narayana' is also defined as the 'son of the primeval man', and 'Supreme Being who is the foundation of all men'. *'Nara' (Sanskrit नार) means 'water' and 'man' *'Yana' (Sanskrit यान) means 'vehicle', 'vessel', or more loosely, 'abode' or 'home' L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilis ...
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Vishnu
Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation (sattva). Vishnu is known as ''The Preserver'' within the Trimurti, the triple deity of Para Brahman, supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' () (1996), p. 17. In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the Hindu cosmology, universe. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities (Saguna Brahman, Saguna), and has definite form, but is limitless, transcendent and unchanging absolute Brahman, and the primal Atma ...
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Rudras
Rudras refer to the forms of the god Rudra, whose traditions have since been associated with lord Shiva. They make up eleven of the thirty-three gods in the Vedic pantheon.Hopkins pp. 172-3 They are at times identified with the storm deities referred to as Maruts, while at other times considered distinct from them. While the ''Vamana Purana'' describes Rudras as the sons of Kashyapa and Aditi, Maruts are described distinct from the Rudras as the 49 sons of Diti, sister of Aditi, and the attendants of Indra, rather than Rudra. Birth and names The ''Ramayana'' tells they are eleven of the 33 children of the sage Kashyapa and his wife Aditi, along with the 12 Adityas, 8 Vasus and 2 Ashvins, constituting the Thirty-three gods.Mani pp. 654–5 The ''Vamana Purana'' describes the Rudras as the sons of Kashyapa and Aditi. The '' Matsya Purana'' notes that Surabhi – the mother of all cows and the "cow of plenty" – was the consort of Brahma and their union produced the eleven ...
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Visnu Visvarupa, 5th Century CE, Mathura
Vishnu (; , , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation (sattva). Vishnu is known as ''The Preserver'' within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva. Gavin Flood, An Introduction to Hinduism' () (1996), p. 17. In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the universe. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities ( Saguna), and has definite form, but is limitless, transcendent and unchanging absolute Brahman, and the primal Atman (Self) of the universe. There are both benevolent and fe ...
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Duryodhana
Duryodhana (, Help:IPA/Sanskrit, [d̪ʊɾjoːd̪ʱən̪ᵊ], ), also known as Suyodhana, is the primary antagonist in the Hindu epic ''Mahabharata.'' He is the eldest of the Kaurava, Kauravas, the hundred sons of King Dhritarashtra and Queen Gandhari (Mahabharata), Gandhari of Kuru dynasty. Born through a miraculous manner, his birth is accompanied by ill-omens. Duryodhana grows up in Hastinapur, Hastinapura and later becomes its crown prince. Driven by innate selfishness, jealousy, and hostility towards his cousins—the five Pandava brothers—Duryodhana frequently plots against them, aided by his principal allies: his trickster uncle Shakuni, his loyal friend Karna, his devoted brother Dushasana and his blind and indulgent father Dhritarashtra. Duryodhana's envy culminates in the infamous dice game, where he humiliates Draupadi, the queen of the Pandavas. This incident provokes Bhima, the second Pandava, to vow that he will one day smash Duryodhana's thigh. Later, with the he ...
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Sudarshana Chakra
The Sudarshana Chakra (, ) is a divine discus, attributed to Vishnu in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). In the ''Rigveda'', the Sudarshana Chakra is stated to be Vishnu's symbol as the wheel of time. The discus later emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as ''Chakraperumal'' or ''Chakratalvar''. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su'' () meaning "good/auspicious" and '' Darshana'' () meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root (''kram'') or (''rt'') or (''kri'') and refers among many meanings, to the wheel of a carriage, wheel of the sun's chariot or metaphorically to the wheel of time. In ...
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Avatars Of Vishnu
Avatar (, ; ) is a concept within Hinduism that in Sanskrit literally means . It signifies the material appearance or incarnation of a powerful deity, or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being. The word ''avatar'' does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The ''Rigveda'' describes Indra as endowed with a mysterious power of assuming any form at will. The ''Bhagavad Gita'' expounds the doctrine of Avatara but with terms other than ''avatar''. Theologically, the term is most often associated with the Hindu god Vishnu, though the idea has been ap ...
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Gada (weapon)
The gada (Sanskrit: गदा ''gadā'', Kannada: ''ಗದೆ'', Telugu: ''గద'', Tamil: ''கதை'', Malay: ''gedak'', Old Tagalog: ''batuta'') is a mallet or blunt mace from the Indian subcontinent. Made either of wood or metal, it consists essentially of a spherical head mounted on a shaft, with a spike on the top. Outside India, the gada was also adopted in Southeast Asia, where it is still used in silat. The weapon might have Indo-Iranian origins, Old Persian also uses the word ''gadā'' to mean club, as seen in the etymology of Pasargadae. The gada is the main weapon of the Hindu God Hanuman. Known for his strength, Hanuman is traditionally worshipped by wrestlers in the Indian subcontinent and Southeast Asia. Vishnu also carries a gada named Kaumodaki in one of his four hands. In the epic ''Mahabharata'', the fighters Balarama, Duryodhana, Bhima, Karna, Shalya, Jarasandha and others were said to be masters of the gada. Gada-yuddha The martial art of wieldin ...
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