|
Revati
Revati (रेवती) is a goddess featured in Hindu scriptures. She is the daughter of King Kakudmi and the consort of Balarama, the elder brother of Krishna, and one of the Dashavatara. Her account is given within a number of Hindu texts such as the ''Mahabharata'' and ''Bhagavata Purana''. Origin Revati has her origins as a mother goddess who was capable of great destruction. When Dirgajihvi, a demon, threatened to attack the devas, the gods sought the assistance of Skanda, who in turn requested Revati to fight the former. Taking the form of the vixen Shalavriki, Revati wrought havoc in the demon army to the extent that the demons sought refuge in the wombs of human women. In response, the goddess took the Jataharini form and attacked the demons before their conception, cleansing the women of their wickedness. According to the Devi Bhagavata Purana, Revati is associated with Shasthi Devi, an aspect of Prakriti. She was revered as the deity of children who was worship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revati Hindu Lady
Revati (रेवती) is a goddess featured in Hindu scriptures. She is the daughter of King Kakudmi and the consort of Balarama, the elder brother of Krishna, and one of the Dashavatara. Her account is given within a number of Hindu texts such as the '' Mahabharata'' and ''Bhagavata Purana''. Origin Revati has her origins as a mother goddess who was capable of great destruction. When Dirgajihvi, a demon, threatened to attack the devas, the gods sought the assistance of Skanda, who in turn requested Revati to fight the former. Taking the form of the vixen Shalavriki, Revati wrought havoc in the demon army to the extent that the demons sought refuge in the wombs of human women. In response, the goddess took the Jataharini form and attacked the demons before their conception, cleansing the women of their wickedness. According to the Devi Bhagavata Purana, Revati is associated with Shasthi Devi, an aspect of Prakriti. She was revered as the deity of children who was wors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakudmi
Kakudmi (nominative case, stem Kakudmin), sometimes also called Raivata, is a character within Hindu Mythology. Kakudmi was the King of Kusasthali, son of Revata, and father of Revati, who married Balarama. Within Hinduism, his account is given within a number of existing texts such as the Mahabharata, the Harivaṃśa, the Devi Bhagavatam and the Bhagavata Purana. Lineage Kakudmi was a descendant of Surya, the deity of the Sun. Surya's son was Vaivasvata Manu. Vaivasvata Manu had powerful son named Ikshvaku. Ikshvaku had one hundred sons of whom Vikuksi was the eldest. Vikuksi had many sons of whom S'aryâti was one. King S'aryâti had three sons, namely Uttânabarhi, Ânarta and Bhûrishena. Ânarta's eldest son was Revata. Revata constructed the city of Kusasthali and ruled from there. Revata had one hundred sons of whom Kakudmi (also called Raivata, son of Revata) was the eldest. Personality Kakudmi was of pure character and a benevolent ruler. He had one very be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balarama
Balarama ( Sanskrit: बलराम, IAST: ''Balarāma'') is a Hindu god and the elder brother of Krishna. He is particularly significant in the Jagannath tradition, as one of the triad deities. He is also known as Haladhara, Halayudha, Baladeva, Balabhadra, and Sankarshana. The first two epithets associate him with ''hala'' (''langala'', "plough") from his strong associations with farming and farmers, as the deity who used farm equipment as weapons when needed, and the next two refer to his strength. Balarama is sometimes described as incarnation of Shesha, the serpent associated with the deity Vishnu; Krishna is regarded as an incarnation of Vishnu. Some traditions regard him as one of the 10 principal avatars of Vishnu himself. Balarama's significance in Indian culture has ancient roots. His image in artwork is dated to around the start of the common era, and in coins dated to the second-century BCE. In Jainism, he is known as Baladeva, and has been a historically sig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Characters In The Mahabharata
The '' Mahabharata'' is one of the two major Sanskrit epics of ancient India; it was composed by the sage Vyasa. The most important characters of '' Mahabharata'' can be said to include: Krishna; the Pandavas Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva, along with their wife Draupadi; and the Kauravas (who were a hundred brothers), led by the eldest brother, Duryodhana. The most important other characters include Bhishma, Karna, Dronacharya, Shakuni, Dhritrashtra, Gandhari and Kunti. Some pivotal additional characters include Balarama, Subhadra, Vidura, Abhimanyu, Kripacharya, Pandu, Satyavati, Ashwatthama, and Amba. Deities who play a significant role in the epic include Vishnu, Brahma, Shiva, Ganga, Indra, Surya and Yama. This list mentions notable characters and may also contain characters appearing in regional stories and folklores related to ''Mahabharata''. A Abhimanyu Abhimanyu was the son of third Pandava prince Arjuna and Yadava princess Subh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with '' Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy ('' shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Goddesses
Hindu deities are the gods and goddesses in Hinduism. The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism's diverse traditions.Nicholas Gier (2000), Spiritual Titanism: Indian, Chinese, and Western Perspectives, State University of New York Press, , pp. 59-76Jeaneane D. Fowler (2012), The Bhagavad Gita, Sussex Academic Press, , pp. 253-262 The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy, to thirty-three major deities in the Vedas, to hundreds of deities mentioned in the Puranas of Hinduism. Illustrations of major deities include Vishnu, Lakshmi, Shiva, Parvati, Brahma and Saraswati. These deities have distinct and complex personalit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sati (practice)
Sati or suttee is a Hindu practice, now largely historical, in which a widow sacrifices herself by sitting atop her deceased husband's funeral pyre. Quote: Between 1943 and 1987, some thirty women in Rajasthan (twenty-eight, according to official statistics) immolated themselves on their husband's funeral pyre. This figure probably falls short of the actual number. (p. 182) Although it is debated whether it received scriptural mention in early Hinduism, it has been linked to related Hindu practices in the Indo-Aryan speaking regions of India which diminished the rights of women, especially those to the inheritance of property. A cold form of sati, or the neglect and casting out of Hindu widows has been prevalent in India from ancient times. Quote: Sati is a particularly relevant social practice because it is often used as a means to prevent inheritance of property by widows. In parallel, widows are also sometimes branded as witches – and subjected to violent expulsion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yadu
This is a list of ancient Indo-Aryan peoples and tribes that are mentioned in the literature of Indic religions. From the second or first millennium BCE, ancient Indo-Aryan peoples and tribes turned into most of the population in the northern part of the Indian subcontinent – Indus Valley (roughly today's Punjab), Western India, Northern India, Central India, and also in areas of the southern part like Sri Lanka and the Maldives through and after a complex process of migration, assimilation of other peoples and language shift.Mallory, J.P.; Douglas Q. Adams (1997). Encyclopedia of Indo-European Culture. London: Fitzroy Dearborn Publishers. . Ancestors *Proto-Indo-Europeans (Proto-Indo-European speakers) ** Proto-Indo-Iranians (common ancestors of the Iranian, Nuristani and Indo-Aryan peoples) (Proto-Indo-Iranian speakers) *** Proto-Indo-Aryans ( Proto-Indo-Aryan speakers) Vedic tribes * Alina people (RV 7.18.7) * Andhras * Anu (RV 1.108.8, RV 8.10.5) * Āyu * Bhajerat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasirekha Parinayam
Sasirekha Parinayam is an Indian folktale based on oral traditions popular in Telugu States. While it uses characters who appear in the ''Mahabharata'', the story is not present in the epic. The plot concerns the marriage of Sasirekha, called Vatsala in some versions, the daughter of Balarama, to Abhimanyu, the son of Arjuna. It echoes the marriage of Arjuna to Subhadra in the ''Mahabharata''. The story is popular in performances, including Tholu bommalata (shadow puppets), Yakshagana, and Kuchipudi. By early 1950s, Surabhi theatre troupes made the folktale popular across Telugu-speaking regions. The story was adapted to cinema multiple times. According M. L. Narasimham of ''The Hindu'', Baburao Painter adapted the folktale thrice as a silent film in 1919, 1921 and 1923 with V. Shantaram as Lord Krishna. Nanubhai Vakil directed the first talkie version of the tale in 1932 in Hindi. R. Padmanaban made a Tamil film based on the story in 1935. P. V. Das adapted it into his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuga
A ''yuga'', in Hinduism, is generally used to indicate an age of time. In the ''Rigveda'', a ''yuga'' refers to generations, a long period, a very brief period, or a yoke (joining of two things). In the ''Mahabharata'', the words ''yuga'' and ''kalpa'' (a day of Brahma) are used interchangeably to describe the cycle of creation and destruction. The names "''Yuga''" and "Age" commonly denote a (pronounced ''Chatur Yuga''), a cycle of four world ages, for example, in the ''Surya Siddhanta'' and ''Bhagavad Gita'' (part of the ''Mahabharata''), unless expressly limited by the name of one of its minor ages: '' Krita (Satya) Yuga'', ''Treta Yuga'', ''Dvapara Yuga'', or ''Kali Yuga''. Etymology ''Yuga'' ( sa, युग) means "a yoke" (joining of two things), "generations", or "a period of time" such as an age, where its archaic spelling is ''yug'', with other forms of ''yugam'', , and ''yuge'', derived from ''yuj'' ( sa, युज्, , to join or yoke), believed derived from ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvārakā
Dvārakā, also known as ''Dvāravatī'' (Sanskrit द्वारका "the gated ity, possibly meaning having many gates, or alternatively having one or several very grand gates), is a sacred historic city in the sacred literature of Hinduism, Jainism,See Jerome H. Bauer "Hero of Wonders, Hero in Deeds"Vasudeva Krishna in Jaina Cosmohistory in and Buddhism. It is also alternatively spelled as Dvarika. The name Dvaraka is said to have been given to the place by Krishna, a major deity in Hinduism. Dvaraka is one of the Sapta Puri (seven sacred cities) of Hinduism. In the ''Mahabharata'', it was a city located in what is now Dwarka, formerly called Kushasthali, the fort of which had to be repaired by the Yadavas. In this epic, the city is described as a capital of the Anarta Kingdom. According to the ''Harivamsa'' the city was located in the region of the Sindhu Kingdom. In the Hindu epics and the Puranas, Dvaraka is called Dvaravati and is one of seven Tirtha (pilgri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
