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Greek Tragedy
Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes around human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play. Etymology Aristotelian hypothesis The origin of the word ''tragedy'' has been a matter of discussion from ancient times. The primary source of knowledge on the question is the '' Poetic ...
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Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patr ...
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Satyrs
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a "saty ...
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Ruth Scodel
Ruth Scodel is an American Classics scholar, and the D.R. Shackleton-Bailey Collegiate Professor of Greek and Latin at the University of Michigan. She specialises in ancient Greek literature, with particular interests in Homer, Hesiod and Greek Tragedy. Her research has been influenced by narrative theory, cognitive approaches, and politeness theory. Career Ruth Scodel studied at University of California, Berkeley (B.A. 1973). She was awarded her PhD by Harvard University (1978), with a PhD thesis entitled ''The Trojan Trilogy of Euripides''. From 1978–83 she was an assistant professor at Harvard University, and an associate professor from 1984–5. Scodel joined the faculty of University of Michigan, Ann Arbor in 1984, where she became Professor of Greek and Latin in 1987. In 2005 Scodel was elected the D.R. Shackleton Bailey Professor of Greek Language and Literature. Scodel was the seventh A. G. Leventis Professor in Greek at the University of Edinburgh in 2011–12, an ...
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Classical Scholarship
Classics or classical studies is the study of classical antiquity. In the Western world, classics traditionally refers to the study of Classical Greek and Roman literature and their related original languages, Ancient Greek and Latin. Classics also includes Greco-Roman philosophy, history, archaeology, anthropology, art, mythology and society as secondary subjects. In Western civilization, the study of the Greek and Roman classics was traditionally considered to be the foundation of the humanities, and has, therefore, traditionally been the cornerstone of a typical elite European education. Etymology The word ''classics'' is derived from the Latin adjective '' classicus'', meaning "belonging to the highest class of citizens." The word was originally used to describe the members of the Patricians, the highest class in ancient Rome. By the 2nd century AD the word was used in literary criticism to describe writers of the highest quality. For example, Aulus Gellius, in his ''Atti ...
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Spelt
Spelt (''Triticum spelta''), also known as dinkel wheat or hulled wheat, is a species of wheat that has been cultivated since approximately 5000 BC. Spelt was an important staple food in parts of Europe from the Bronze Age to medieval times. Now it survives as a relict crop in Central Europe and northern Spain, and it has found a new market as a health food. Spelt is sometimes considered a subspecies of the closely related species common wheat (''Triticum aestivum''), in which case its botanical name is considered to be ''Triticum aestivum'' subsp. ''spelta''. Like common wheat, it is a hexaploid wheat, which means it has six sets of chromosomes. Evolution Spelt has a complex history. It is a wheat species known from genetic evidence to have originated as a naturally occurring hybrid of a domesticated tetraploid wheat such as emmer wheat and the wild goat-grass '' Aegilops tauschii''. Genetic evidence shows that spelt wheat can also arise as the result of the hybridis ...
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Beer
Beer is one of the oldest and the most widely consumed type of alcoholic drink in the world, and the third most popular drink overall after water and tea. It is produced by the brewing and fermentation of starches, mainly derived from cereal grains—most commonly from malted barley, though wheat, maize (corn), rice, and oats are also used. During the brewing process, fermentation of the starch sugars in the wort produces ethanol and carbonation in the resulting beer.Barth, Roger. ''The Chemistry of Beer: The Science in the Suds'', Wiley 2013: . Most modern beer is brewed with hops, which add bitterness and other flavours and act as a natural preservative and stabilizing agent. Other flavouring agents such as gruit, herbs, or fruits may be included or used instead of hops. In commercial brewing, the natural carbonation effect is often removed during processing and replaced with forced carbonation. Some of humanity's earliest known writings refer to the productio ...
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Wine
Wine is an alcoholic drink typically made from fermented grapes. Yeast consumes the sugar in the grapes and converts it to ethanol and carbon dioxide, releasing heat in the process. Different varieties of grapes and strains of yeasts are major factors in different styles of wine. These differences result from the complex interactions between the biochemical development of the grape, the reactions involved in fermentation, the grape's growing environment (terroir), and the wine production process. Many countries enact legal appellations intended to define styles and qualities of wine. These typically restrict the geographical origin and permitted varieties of grapes, as well as other aspects of wine production. Wines not made from grapes involve fermentation of other crops including rice wine and other fruit wines such as plum, cherry, pomegranate, currant and elderberry. Wine has been produced for thousands of years. The earliest evidence of wine is from the Caucasus reg ...
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Silvio D'Amico
Silvio D'Amico (3 February 1887 in Rome – 1 April 1955 in Rome) was an Italian theatre critic, journalist, and theorist of Italian theater. Not a Fascist himself, D'Amico was the major theater critic during the ''ventennio'', the twenty years (1922-1945) of Fascist rule in Italy. He was the first editor of the nine volume ''Enciclopedia dello Spettacolo'' (''Encyclopedia of Performing Arts''), published between 1954 and 1965, that covered theater, music, cinema, and dance. Most notably, he held an eminent position in theatrical study in Italy, giving his name to the Silvio D'Amico National Academy of Dramatic Art in Rome, Italy's most prestigious drama school. Biography A Catholic, D'Amico was educated by Jesuits at Rome's Massimiliano Massimo Institute. After graduating in law in 1911, he was appointed to the Ministry of Education to the Directorate General for Antiquities and Fine Arts. In 1923, he became professor of theater history in the Royal School of Acting "Ele ...
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Oxford English Dictionary
The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a comprehensive resource to scholars and academic researchers, as well as describing usage in its many variations throughout the world. Work began on the dictionary in 1857, but it was only in 1884 that it began to be published in unbound fascicles as work continued on the project, under the name of ''A New English Dictionary on Historical Principles; Founded Mainly on the Materials Collected by The Philological Society''. In 1895, the title ''The Oxford English Dictionary'' was first used unofficially on the covers of the series, and in 1928 the full dictionary was republished in 10 bound volumes. In 1933, the title ''The Oxford English Dictionary'' fully replaced the former name in all occurrences in its reprinting as 12 volumes with a one- ...
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Ars Poetica (Horace)
"Ars Poetica", or "The Art of Poetry", is a poem written by Horace c. 19 BC, in which he advises poets on the art of writing poetry and drama. The ''Ars Poetica'' has "exercised a great influence in later ages on European literature, notably on French drama" and has inspired poets and authors since it was written. Although it has been well-known since the Middle Ages, it has been used in literary criticism since the Renaissance. Background The poem was written in hexameter verse as an Epistle (or Letter) to Lucius Calpurnius Piso (the Roman senator and consul) and his two sons, and is sometimes referred to as the ''Epistula ad Pisones'', or "Epistle to the Pisos". The first mention of its name as the ''"Ars Poetica"'' was c. 95 by the classical literary critic Quintilian in his '' Institutio Oratoria'', and since then it has been known by that name. The translations of the original epistle are typically in the form of prose. "Written, like Horace's other epistles of this pe ...
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Horace
Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his '' Odes'' as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses ('' Satires'' and ''Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrin ...
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