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Ahuna Vairya
Ahuna Vairya (Avestan: 𐬀𐬵𐬎𐬥𐬀 𐬬𐬀𐬌𐬭𐬌𐬌𐬀) is the first of Zoroastrianism's four Gathic Avestan formulas. The text, which appears in ''Yasna'' 27.13, is also known after its opening words yatha ahu vairyo. In Zoroastrian tradition, the formula is also known as the ''ahun(a)war''. Numerous translations and interpretations exist, but the overall meaning of the text remains obscure. The Ahuna Vairya and ''Ashem Vohu'' (the second most sacred formula at ''Yasna'' 27.14) are together "very cryptic formulas, of a pronounced magical character." The Ahunavaiti Gatha (chapters 28-34 of the ''Yasna''), is named after the Ahuna Vairya formula. In relation to the other formulas Like the other three formulas (''Ashem vohu'', ''Yenghe hatam'', ''Airyaman ishya''), the ''Ahuna Vairya'' is part of the Gathic canon, that is, part of the group of texts composed in the more archaic dialect of the Avestan language. Together with the other three formulas, the ''Ahuna V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avestan
Avestan (), or historically Zend, is an umbrella term for two Old Iranian languages: Old Avestan (spoken in the 2nd millennium BCE) and Younger Avestan (spoken in the 1st millennium BCE). They are known only from their conjoined use as the scriptural language of Zoroastrianism, and the Avesta likewise serves as their namesake. Both are early Eastern Iranian languages within the Indo-Iranian language branch of the Indo-European language family. Its immediate ancestor was the Proto-Iranian language, a sister language to the Proto-Indo-Aryan language, with both having developed from the earlier Proto-Indo-Iranian language; as such, Old Avestan is quite close in both grammar and lexicon to Vedic Sanskrit, the oldest preserved Indo-Aryan language. The Avestan text corpus was composed in the ancient Iranian satrapies of Arachosia, Aria, Bactria, and Margiana, corresponding to the entirety of present-day Afghanistan as well as parts of Tajikistan, Turkmenistan, and Uzbekistan. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daeva
A daeva (Avestan: 𐬛𐬀𐬉𐬎𐬎𐬀 ''daēuua'') is a Zoroastrian supernatural entity with disagreeable characteristics. In the Gathas, the oldest texts of the Zoroastrian canon, the ''daeva''s are "gods that are (to be) rejected". This meaning is – subject to interpretation – perhaps also evident in the Old Persian "''daiva'' inscription" of the 5th century BCE. In the ''Younger Avesta'', the ''daeva''s are divinities that promote chaos and disorder. In later tradition and folklore, the ''dēw''s (Zoroastrian Middle Persian; New Persian ''div''s) are personifications of every imaginable evil. Over time, the Daeva myth as Div became integrated to Islam. ''Daeva'', the Iranian language term, shares the same origin of "Deva" of Hinduism. While the word for the Vedic spirits and the word for the Zoroastrian entities are etymologically related, their function and thematic development is altogether different. Originally, the term was used to denote beings of cultural folk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Further Reading
Further or Furthur may refer to: * ''Furthur'' (bus), the Merry Pranksters' psychedelic bus * Further (band), a 1990s American indie rock band * Furthur (band), a band formed in 2009 by Bob Weir and Phil Lesh * ''Further'' (The Chemical Brothers album), 2010 * ''Further'' (Flying Saucer Attack album), 1995 * ''Further'' (Geneva album), 1997, and a song from the album * ''Further'' (Richard Hawley album), 2019 * ''Further'' (Solace album), 2000 * ''Further'' (Outasight album), 2009 * "Further" (VNV Nation song), a song by VNV Nation *"Further", a song by Longview from the album '' Mercury'', 2003 {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha
Asha (; also arta ; ae, 𐬀𐬴𐬀, translit=aṣ̌a/arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right(eousness)', 'order' and 'right working'... For other connotations, see meaning below. It is of cardinal importance. to Zoroastrian theology and doctrine. In the moral sphere, ''aṣ̌a/arta'' represents what has been called "the decisive confessional concept of Zoroastrianism". qtd. in . The opposite of Avestan ''aṣ̌a'' is ''druj'', "deceit, falsehood". Its Old Persian equivalent is ''arta-''. In Middle Iranian languages the term appears as ''ard-''. The word is also the proper name of the divinity Asha, the Amesha Spenta that is the hypostasis or "genius". of "Truth" or "Righteousness". In the Younger Avesta, this figure is more commonly referred to as Asha Vahishta (''Aṣ̌a Vahišta'', ''Arta Vahišta''), "Best Truth". The Middle Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoroastrian Middle Persian
Pahlavi is a particular, exclusively written form of various Middle Iranian languages. The essential characteristics of Pahlavi are: *the use of a specific Aramaic-derived script; *the incidence of Aramaic words used as heterograms (called '' hozwārishn'', "archaisms"). Pahlavi compositions have been found for the dialects/ethnolects of Parthia, Persis, Sogdiana, Scythia, and Khotan. Independent of the variant for which the Pahlavi system was used, the written form of that language only qualifies as Pahlavi when it has the characteristics noted above. Pahlavi is then an admixture of: *written Imperial Aramaic, from which Pahlavi derives its script, logograms, and some of its vocabulary. *spoken Middle Iranian, from which Pahlavi derives its terminations, symbol rules, and most of its vocabulary. Pahlavi may thus be defined as a system of writing applied to (but not unique for) a specific language group, but with critical features alien to that language group. It has the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Persian
Middle Persian or Pahlavi, also known by its endonym Pārsīk or Pārsīg () in its later form, is a Western Middle Iranian language which became the literary language of the Sasanian Empire. For some time after the Sasanian collapse, Middle Persian continued to function as a prestige language. It descended from Old Persian, the language of the Achaemenid Empire and is the linguistic ancestor of Modern Persian, an official language of Iran, Afghanistan (Dari) and Tajikistan ( Tajik). Name "Middle Iranian" is the name given to the middle stage of development of the numerous Iranian languages and dialects. The middle stage of the Iranian languages begins around 450 BCE and ends around 650 CE. One of those Middle Iranian languages is Middle Persian, i.e. the middle stage of the language of the Persians, an Iranian people of Persia proper, which lies in the south-western highlands on the border with Babylonia. The Persians called their language ''Parsik'', meaning "Persian". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntax
In linguistics, syntax () is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure ( constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). There are numerous approaches to syntax that differ in their central assumptions and goals. Etymology The word ''syntax'' comes from Ancient Greek roots: "coordination", which consists of ''syn'', "together", and ''táxis'', "ordering". Topics The field of syntax contains a number of various topics that a syntactic theory is often designed to handle. The relation between the topics is treated differently in different theories, and some of them may not be considered to be distinct but instead to be derived from one another (i.e. word order can be seen as the result of movement rules derived from grammatical relations). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avestan Language
Avestan (), or historically Zend, is an umbrella term for two Old Iranian languages: Old Avestan (spoken in the 2nd millennium BCE) and Younger Avestan (spoken in the 1st millennium BCE). They are known only from their conjoined use as the scriptural language of Zoroastrianism, and the Avesta likewise serves as their namesake. Both are early Eastern Iranian languages within the Indo-Iranian language branch of the Indo-European language family. Its immediate ancestor was the Proto-Iranian language, a sister language to the Proto-Indo-Aryan language, with both having developed from the earlier Proto-Indo-Iranian language; as such, Old Avestan is quite close in both grammar and lexicon to Vedic Sanskrit, the oldest preserved Indo-Aryan language. The Avestan text corpus was composed in the ancient Iranian satrapies of Arachosia, Aria, Bactria, and Margiana, corresponding to the entirety of present-day Afghanistan as well as parts of Tajikistan, Turkmenistan, and Uzbekistan. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angra Mainyu
Angra Mainyu (; Avestan: 𐬀𐬢𐬭𐬀⸱𐬨𐬀𐬌𐬥𐬌𐬌𐬎 ''Aŋra Mainiiu'') is the Avestan-language name of Zoroastrianism's hypostasis of the "destructive/evil spirit" and the main adversary in Zoroastrianism either of the Spenta Mainyu, the "holy/creative spirits/mentality", or directly of Ahura Mazda, the highest deity of Zoroastrianism. The Middle Persian equivalent is Ahriman 𐭠𐭧𐭫𐭬𐭭𐭩 (anglicised pronunciation: ). The name can appear in English-language works as Ahrimanes. In the Avesta In Zoroaster's revelation Avestan ''angra mainyu'' "seems to have been an original conception of Zoroaster's." In the Gathas, which are the oldest texts of Zoroastrianism and are attributed to Zoroaster, ''angra mainyu'' is not yet a proper name.Proper names are altogether rare in the Gathas. In these texts, even Ahura Mazda and Amesha Spenta are not yet proper names. In the one instance in these hymns where the two words appear together, the concept s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundahishn
''Bundahishn'' (Avestan: , "Primal Creation") is the name traditionally given to an encyclopedic collection of Zoroastrian cosmogony and cosmology written in Book Pahlavi. The original name of the work is not known. Although the ''Bundahishn'' draws on the Avesta and develops ideas alluded to in those texts, it is not itself scripture. The content reflects Zoroastrian scripture, which, in turn, reflects both ancient Zoroastrian and pre-Zoroastrian beliefs. In some cases, the text alludes to contingencies of post-7th century Islam in Iran, and in yet other cases, such as the idea that the Moon is farther than the stars, it reiterates scripture even though science had, by then, determined otherwise. Structure The ''Bundahishn'' survives in two recensions: an Indian and an Iranian version. The shorter version was found in India and contains only 30 chapters, and is thus known as the ''Lesser Bundahishn'', or '' Indian Bundahishn''. A copy of this version was brought to Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent ('' stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian '' Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denkard
The ''Dēnkard'' or ''Dēnkart'' (Middle Persian: 𐭣𐭩𐭭𐭪𐭠𐭫𐭲 "Acts of Religion") is a 10th-century compendium of Zoroastrian beliefs and customs during the time. The Denkard is to a great extent considered an "Encyclopedia of Mazdaism" and is a valuable source of information on the religion especially during its Middle Persian iteration. The ''Denkard'' is not considered a sacred text by a majority of Zoroastrians, but is still considered worthy of study. Name The name traditionally given to the compendium reflects a phrase from the colophons, which speaks of the ''kart''/''kard'', from Avestan ''karda'' meaning "acts" (also in the sense of "chapters"), and ''dēn'', from Avestan '' daena'', literally "insight" or "revelation," but more commonly translated as "religion." Accordingly, ''dēn-kart'' means "religious acts" or "acts of religion." The ambiguity of ''-kart'' or ''-kard'' in the title reflects the orthography of Pahlavi writing, in which the letter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
