Rod Stewart

Sir Roderick David Stewart (born 10 January 1945) is a British singer and songwriter. Known for his distinctive raspy singing voice, Stewart is among the best-selling music artists of all time, having sold more than 120 million records worldwide. His music career began in 1962 when he took up busking with a harmonica. In 1963, he joined the Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also launched a solo career, releasing his debut album, '' An Old Raincoat Won't Ever Let You Down'', that year. Stewart's early albums were a fusion of rock, folk music, soul music, and R&B. His third album, 1971's '' Every Picture Tells a Story'', was his breakthrough, topping the charts in the UK, US, Canada and Australia, as did its ballad " Maggie May". His 1972 follow-up album, '' Never a Dull Moment'', also reached number one in the UK and Australia, while going top three in the US and Canada. Its single, " You Wear It Well", topped the chart in the UK and was a moderate hit elsewhere.

After Stewart had a handful more UK top-ten hits, Faces broke up in 1975. Stewart's next few hit singles were ballads, with "Sailing", off the 1975 UK and Australian number-one album, '' Atlantic Crossing'', becoming a hit in the UK and the Netherlands (number one), Germany (number four) and other countries, but barely charting in North America. '' A Night on the Town'' (1976), his fifth straight chart-topper in the UK, began a three-album run of going number one or top three in the US, Canada, the UK and Australia with each release. That album's "Tonight's the Night (Gonna Be Alright)" spent almost two months at number one in the US and Canada, and made the top five in other countries. '' Foot Loose & Fancy Free'' (1977) contained the hit " You're in My Heart (The Final Acclaim)" as well as the rocker "Hot Legs". ''Blondes Have More Fun'' (1978) and its disco-tinged " Da Ya Think I'm Sexy?" both went to number one in Canada, Australia and the US, with "Da Ya Think I'm Sexy?" also hitting number one in the UK and the top ten in other countries. Stewart's albums regularly hit the upper rungs of the charts in the Netherlands throughout the '70s and in Sweden from 1975 onward.

After a disco and new wave period in the late 1970s and early 1980s, Stewart's music turned to a soft rock/ middle-of-the-road style, with most of his albums reaching the top ten in the UK, Germany and Sweden, but faring less well in the US. The single " Rhythm of My Heart" was a top five hit in the UK, US and other countries, with its source album, 1991's '' Vagabond Heart'', becoming, at number ten in the US and number two in the UK, his highest-charting album in a decade. In 1993, he collaborated with Bryan Adams and Sting on the power ballad " All for Love", which went to number one in many countries. In the early 2000s, he released a series of successful albums interpreting the Great American Songbook.

In 2008, ''Billboard'' magazine ranked Stewart the 17th most successful artist on the "''Billboard'' Hot 100 All-Time Top Artists". A Grammy and Brit Award recipient, he was voted at No. 33 in '' Q Magazine''s list of the Top 100 Greatest Singers of all time. As a solo artist, Stewart was inducted into the US Rock and Roll Hall of Fame in 1994, the UK Music Hall of Fame in 2006, and he was inducted a second time into the Rock and Roll Hall of Fame in 2012 as a member of Faces. He has had 10 number-one albums and 31 top-ten singles in the UK, six of which reached number one. Stewart has had 16 top-ten singles in the US, with four reaching number one on the ''Billboard'' Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity.

Early life

Roderick David Stewart was born at 507 Archway Road, Highgate, north London, on 10 January 1945, the youngest of five children of Robert Joseph Stewart (1904–1990)1939 England and Wales Register and Elsie Rebecca Gilbart (1905–1996).Nelson and Bangs, ''Rod Stewart'', p. 53. His father was Scottish and had been a master builder in Leith, Edinburgh, while Elsie was English and had grown up in Upper Holloway in north London. Married in 1928, the couple had two sons and two daughters while living in Scotland, and then they moved to Highgate.

Stewart was born at home during World War II, eight years after his nearest sibling.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 2–3. The family was neither affluent nor poor; Stewart was spoiled as the youngest, and has called his childhood "fantastically happy". He had an undistinguished record at Highgate Primary School and failed the eleven-plus exam.Ewbank and Hildred, ''Rod Stewart: The New Biography'', p. 7. He then attended the William Grimshaw Secondary Modern School (later Fortismere School), Muswell Hill. When his father retired from the building trade he bought a newsagent's shop on the Archway Road and the family lived over the shop. Stewart's main hobby was railway modelling.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 9–10.

The family was mostly focused on football; Stewart's father had played in a local amateur team and managed some teams as well, and one of Stewart's earliest memories was of the pictures of Scottish players such as George Young and Gordon Smith that his brothers had on the wall. Stewart was the most talented footballer in the family and was a supporter of Arsenal at the time.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 4–5. Combining natural athleticism with near-reckless aggression, he became captain of the school football team and played for Middlesex Schoolboys as centre-half.

The family were also great fans of the singer Al Jolson and would sing and play his hits.Nelson and Bangs, ''Rod Stewart'', p. 54. Stewart collected his records and saw his films, read books about him, and was influenced by his performing style and attitude towards his audience.Moritz (ed.), ''Current Year Biography 1979'', p. 374. His introduction to rock and roll was hearing Little Richard's 1956 hit " The Girl Can't Help It", and seeing Bill Haley & His Comets in concert. His father bought him a guitar in January 1959; the first song he learned was the folk tune "It Takes a Worried Man to Sing a Worried Song"; the first record he bought was Eddie Cochran's " C'mon Everybody". In 1960, he joined a skiffle group with school friends called the Kool Kats, playing Lonnie Donegan and Chas McDevitt hits.Gray, ''Rod Stewart: The Visual Documentary'', pp. 4–5.

Stewart left school at the age of 15Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 10–11. and worked briefly as a silk-screen printer. Spurred on by his father, his ambition was to become a professional footballer. In summer 1960, he went for trials at Brentford,Stewart, ''Rod: The Autobiography'', pp. 16–19. a Third Division club at the time. Contrary to some longstanding accounts, Stewart states in his 2012 autobiography that he was never signed to the club and that the club never called him back after his trials. In any case, regarding possible career options, Stewart concluded, "Well, a musician's life is a lot easier and I can also get drunk and make music, and I can't do that and play football. I plumped for music ... They're the only two things I can do actually: play football and sing."

His parents are buried on the eastern side of Highgate Cemetery, on the main north–south path, opposite the grave of Malcolm McLaren.

Music career

1961–1963: Early work and The Dimensions

Stewart worked in the family shop and as a newspaper delivery boy.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 12–13. He then worked briefly as a labourer for Highgate Cemetery, which became another part of his biographical lore. He worked in a North Finchley funeral parlour and as a fence erector and sign writer. In 1961, he went to Denmark Street with the Raiders and got a singing audition with well-known record producer Joe Meek, but Meek stopped the session with a rude sound.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 14–16, 20. Stewart began listening to British and American topical folk artists such as Ewan MacColl, Alex Campbell, Woody Guthrie, Ramblin' Jack Elliott, and especially Derroll Adams and the debut album of Bob Dylan.Moritz (ed.), ''Current Year Biography 1979'', p. 375.

Stewart became attracted to beatnik attitudes and left-wing politics, living for a while in a beatnik houseboat at Shoreham-by-Sea. He was an active supporter of the Campaign for Nuclear Disarmament at this time, joining the annual Aldermaston Marches from 1961 to 1963 and being arrested on three occasions when he took part in sit-ins at Trafalgar Square and Whitehall for the cause. He also used the marches as a way to meet and bed girls. In 1962, he had his first serious relationship, with London art student Suzannah Boffey (a friend of future model and actress Chrissie Shrimpton); he moved to a bed-sit in Muswell Hill to be near her.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 17–19. She became pregnant, but neither Rod nor his family wanted him to enter marriage; the baby girl was given up for adoption and Rod and Suzannah's relationship ended.

In 1962, Stewart began hanging around folk singer Wizz Jones, busking at Leicester Square and other London spots.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 24–28. Stewart took up playing the then-fashionable harmonica. On several trips over the next 18 months Jones and Stewart took their act to Brighton and then to Paris, sleeping under bridges over the River Seine, and then finally to Barcelona, from where he was deported from Spain for vagrancy in 1963. At this time, Stewart, who had been at William Grimshaw School with three of the members of the embryonic Kinks, was briefly considered as their singer.Hinman, ''The Kinks – All Day and All of the Night'', p. 9. Dark period quote at 2:01, autobiography effect at 4:17, Ray Davies quartet quotes at 11:40.

In 1963, Stewart adopted the Mod lifestyle and look, and began fashioning the spiky rooster hairstyle that would become his trademark (it was made possible with sugar water or large amounts of his sisters' hair lacquer, backcombing, and his hands holding it in place to protect it from the winds of Highgate Underground station).) Disillusioned by rock and roll, he saw Otis Redding perform in concert and began listening to Sam Cooke records; he became fascinated by rhythm and blues and soul music.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 21–23.

After returning to London, Stewart joined a rhythm and blues group, the Dimensions, in October 1963, as a harmonica player and part-time vocalist. It was his first professional job as a musician, although he was still living at home and working in his brother's painting and picture-frame shop.Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 29–32. A somewhat more established singer from Birmingham, Jimmy Powell, hired the group a few weeks later, and it became known as Jimmy Powell & the Five Dimensions (which also included bassist Louis Cennamo), with Stewart as harmonica player.Gray, ''Rod Stewart: The Visual Documentary'', p. 7. The group performed weekly at the famed Studio 51 club on Great Newport Street in London, where The Rolling Stones often headlined; this was Stewart's entrée into the thriving London R&B scene, and his harmonica playing improved in part from watching Mick Jagger on stage.Nelson and Bangs, ''Rod Stewart'', p. 58. Relations soon broke down between Powell and Stewart over roles within the group and Stewart departed. Contrary to popular legend, during this time Stewart probably did not play harmonica on Millie Small's 1964 hit " My Boy Lollipop"; that was probably Peter Hogman of the Dimensions, although Powell has also claimed credit. Powell did record and release a single during this period, though Stewart did not appear on it.

1964–1967: Steampacket and "Rod the Mod" image

In January 1964, while Stewart was waiting at Twickenham railway station after having seen Long John Baldry and the All Stars at Eel Pie Island,Ewbank and Hildred, ''Rod Stewart: The New Biography'', pp. 33–39. Baldry heard him playing " Smokestack Lightnin'" on his harmonica, and invited him to sit in with the group; when Baldry discovered Stewart was a singer as well, he offered him a job for £35 a week, after securing the approval of Stewart's mother. Quitting his day job at the age of nineteen, Stewart gradually overcame his shyness and nerves and became a visible enough part of the act that he was sometimes added to the billing as "Rod the Mod" Stewart,Gray, ''Rod Stewart: The Visual Documentary'', p. 8. the nickname coming from his dandyish style of grooming and dress. Baldry touted Stewart's abilities to ''Melody Maker'' magazine and the group enjoyed a weekly residence at London's fabled Marquee Club. In June 1964, Stewart made his recording debut (without label credit) on " Up Above My Head", the B-side to a Baldry and Hoochie Coochie Men single.Gray, ''Rod Stewart: The Visual Documentary'', p. 9. While still with Baldry, Stewart embarked on a simultaneous solo career.Nelson and Bangs, ''Rod Stewart'', p. 59. He made some demo recordings, was scouted by Decca Records at the Marquee Club, and signed to a solo contract in August 1964.Gray, ''Rod Stewart: The Visual Documentary'', pp. 10–12. He appeared on several regional television shows around the country and recorded his first single in September 1964.

Turning down Decca's recommended material as too commercial, Stewart insisted that the experienced session musicians he was given, including John Paul Jones, learn a couple of Sonny Boy Williamson songs he had just heard. The resulting single, " Good Morning Little Schoolgirl", was recorded and released in October 1964. Stewart performed it on the popular television show '' Ready Steady Go!'', but it did not enter the charts. Also in October, Stewart left the Hoochie Coochie Men after having a row with Baldry.

Stewart played some dates on his own in late 1964 and early 1965, sometimes backed by the Southampton R&B outfit the Soul Agents. The Hoochie Coochie Men broke up, Baldry and Stewart patched up their differences (and became lifelong friends),Ewbank and Hildred, ''Rod Stewart: The New Biography'', p. 41. and music manager Giorgio Gomelsky put together Steampacket, with Baldry, Stewart, Brian Auger, Julie Driscoll, Micky Waller, Vic Briggs and Ricky Fenson; their first appearance was in support of the Rolling Stones in July 1965.Gray, ''Rod Stewart: The Visual Documentary'', p. 14. The group was conceived as a white soul revue, analogous to The Ike & Tina Turner Revue, with multiple vocalists and styles ranging from jazz to R&B to blues.Nelson and Bangs, ''Rod Stewart'', p. 61. Steampacket toured with the Stones and the Walker Brothers that summer, ending in the London Palladium; seeing the audience react to the Stones gave Stewart his first exposure to crowd hysteria. Stewart, who had been included in the group upon Baldry's insistence, ended up with most of the male vocal parts. Steampacket was unable to enter the studio to record any material because its members all belonged to different labels and managers, although Gomelsky did record one of their Marquee Club rehearsals.

Stewart's "Rod the Mod" image gained wider visibility in November 1965, when he was the subject of a 30-minute Rediffusion, London television documentary titled "An Easter with Rod" that portrayed the Mod scene.Gray, ''Rod Stewart: The Visual Documentary'', pp. 15–17. His parallel solo career attempts continued on EMI's Columbia label with the November 1965 release of "The Day Will Come", a more heavily arranged pop attempt, and the April 1966 release of his take on Sam Cooke's " Shake", with the Brian Auger Trinity. Both failed commercially, and neither gained positive notices. Stewart had spent the better part of two years listening mostly to Cooke; he later said, "I didn't sound like anybody at all ... but I knew I sounded a bit like Sam Cooke, so I listened to Sam Cooke." This recording solidified that singer's position as Stewart's idol and most enduring influence; he called it a "crossing of the water".

Stewart left Steampacket in March 1966, with Stewart saying he had been sacked and Auger saying he had quit. Stewart then joined a somewhat similar outfit, Shotgun Express, in May 1966 as co-lead vocalist with Beryl Marsden. The other members included Mick Fleetwood and Peter Green (who went on to form Fleetwood Mac), and Peter Bardens. Shotgun Express released one unsuccessful single in October 1966, the orchestra-heavy "I Could Feel The Whole World Turn Round", before disbanding. Stewart later disparaged Shotgun Express as a poor imitation of Steampacket and said, "I was still getting this terrible feeling of doing other people's music. I think you can only start finding yourself when you write your own material." By now, Stewart had bounced around without achieving much success, with little to distinguish himself among other aspiring London singers other than the emerging rasp in his voice.

1967–1969: Jeff Beck Group period

Guitarist Jeff Beck recruited Stewart for his new post- Yardbirds venture,Carson, ''Jeff Beck'', pp. 71–72. and in February 1967, Stewart joined the Jeff Beck Group as vocalist and sometime songwriter.Gray, ''Rod Stewart: The Visual Documentary'', pp. 18–21. This would become the big break of his early career. There he first played with Ronnie Wood whom he had first met in a London pub in 1964; the two soon became fast friends. During its first year, the group experienced frequent changes of drummers and conflicts involving manager Mickie Most wanting to reduce Stewart's role. They toured the UK and released a couple of singles that featured Stewart on their B-sides.Carson, ''Jeff Beck'', pp. 75, 78, 83–86. Stewart's sputtering solo career also continued with the March 1968 release of non-hit "Little Miss Understood" on Immediate Records.

The Jeff Beck Group toured Western Europe in spring 1968, recorded, and were nearly destitute. Then assistant manager Peter Grant booked them on a six-week tour of the United States starting in June 1968 with the Fillmore East in New York.Carson, ''Jeff Beck'', pp. 81–82. Stewart, on his first trip to America, suffered terrible stage fright during the opening show and hid behind the amplifier banks while singing. Only a quick shot of brandy brought him out front. Nevertheless, the show and the tour were a big success, with Robert Shelton of ''The New York Times'' calling the group exciting and praising "the interaction of Mr. Beck's wild and visionary guitar against the hoarse and insistent shouting of Rod Stewart", and ''New Musical Express'' reporting that the group was receiving standing ovations and pulling receipts equal to those of Jimi Hendrix and the Doors.

In August 1968, their first album, ''Truth'', was released, and by October, it had risen to number 15 on the US albums chart but failed to chart in the UK. The album featured Beck's masterly guitar technique and manipulated sounds as Stewart's dramatic vocalising tackled the group's varied repertoire of blues, folk, rock, and proto- heavy metal. Stewart also co-wrote three of the songs and credited the record for helping to develop his vocal abilities and the sandpaper quality in his voice. The group toured America again at the end of the year to a strong reception, then suffered from more personnel upheaval (something that would continue throughout Beck's career). In July 1969, Stewart left following his friend Wood's departure.Gray, ''Rod Stewart: The Visual Documentary'', p. 22. Stewart later recalled, "It was a great band to sing with, but I couldn't take all the aggravation and unfriendliness that developed.... In the two and a half years I was with Beck I never once looked him in the eye – I always looked at his shirt or something like that."

The group's second album, '' Beck-Ola'', was released in June 1969 in the US and in September 1969 in the UK, bracketing the time the group was dissolving; it also made number 15 in the US albums chart and reached number 39 in the UK albums chart. During his time with the group, Stewart initially felt overmatched by Beck's presence, and his style was still developing; but later Stewart felt the two developed a strong musical, if not personal, rapport. Much of Stewart's sense of phrasing was developed during his time with the Jeff Beck Group. Beck sought to form a new supergroup with Carmine Appice and Tim Bogert (of the similarly just-breaking-up Vanilla Fudge) joining him and Stewart, but Stewart had other plans.

1969–1975: Solo career established and Faces albums

Mercury Records A&R man Lou Reizner had seen Stewart perform with Beck, and on 8 October 1968 signed him to a solo contract; but contractual complexities delayed Stewart's recording for him until July 1969. Meanwhile, in May 1969, guitarist and singer Steve Marriott left English band the Small Faces. Ron Wood replaced him as guitarist in June and on 18 October 1969, Stewart followed his friend and became the band's new singer. The two joined existing members Ronnie Lane, Ian McLagan, and Kenney Jones, who soon decided to call the new line-up Faces.

'' An Old Raincoat Won't Ever Let You Down'' became Stewart's first solo album in 1969 (it was known as ''The Rod Stewart Album'' in the US). It established the template for his solo sound: a heartfelt mixture of folk, rock, and country blues, inclusive of a British working-class sensibility, with both original material ("Cindy's Lament" and the title song) and cover versions ( Ewan MacColl's " Dirty Old Town" and Mike d'Abo's " Handbags and Gladrags"). The backing band on the album included Wood, Waller and McLagan, plus Keith Emerson and guitarists Martin Pugh (of Steamhammer, and later Armageddon and 7th Order) and Martin Quittenton (also from Steamhammer).

Faces released their debut album, '' First Step'', in early 1970 with a rock and roll style similar to the Rolling Stones. While the album did better in the UK than in the US, the Faces quickly earned a strong live following. Stewart released his second album, '' Gasoline Alley'' that autumn. Stewart's approach was similar to his first album and mandolin was introduced into the sound. He then launched a US tour with the Faces. Stewart sang guest vocals for the Australian group Python Lee Jackson on " In a Broken Dream", recorded in April 1969 but not released until 1970. His payment was a set of seat covers for his car. It was re-released in 1972 to become a worldwide hit.

Stewart's 1971 solo album '' Every Picture Tells a Story'' made him a household name when the B-side of his minor hit " Reason to Believe", " Maggie May", (co-written with Martin Quittenton) started to receive radio play. The album and the single occupied the number one chart position simultaneously in the UK, US, Canada and Australia, a chart first, in September. ''Maggie May'' topped the single chart for five weeks in the US, and the UK and four weeks in Australia. Set off by a striking mandolin part (by Ray Jackson of Lindisfarne), "Maggie May" was also named in The Rock and Roll Hall of Fame's ''500 Songs that Shaped Rock and Roll''. The rest of the album was equally strong, with " Mandolin Wind" again showcasing that instrument; " (I Know) I'm Losing You" adding hard-edged soul to the mix; and " Tomorrow Is a Long Time", a cover of a Bob Dylan song. But the ultimate manifestation of the early Stewart solo style was the Stewart-Wood-penned "Every Picture Tells a Story" itself: powered by Mick Waller's drumming, Pete Sears's piano and Wood's guitar work in a largely acoustic arrangement; it is a song relating to the picaresque adventures of the singer.

The second Faces album, '' Long Player'', was released in early 1971 and enjoyed greater chart success than ''First Step''. Faces also got their only US Top 40 hit with "Stay With Me" from their third album '' A Nod Is as Good as a Wink...To a Blind Horse'' released in late 1971. This album reached the Top 10 on both sides of the Atlantic on the back of the success of ''Every Picture Tells A Story''.Roberts, David (2006). British Hit Singles & Albums. London: Guinness World Records Limited Steve Jones from The Sex Pistols regarded the Faces highly and named them as a main influence on the British punk rock movement.

The Faces toured extensively in 1972 with growing tension in the band over Stewart's solo career enjoying more success than the band's. Stewart released '' Never a Dull Moment'' in the same year. Repeating the ''Every Picture'' formula, for the most part, it reached number two on the US album charts and number one in the UK, and enjoyed further good notices from reviewers. "You Wear It Well" was a hit single that reached number 13 in the US and went to number one in the UK, while "Twisting the Night Away" made explicit Stewart's debt to Sam Cooke.

For the body of his early solo work Stewart earned tremendous critical praise. ''Rolling Stones 1980 ''Illustrated History of Rock & Roll'' includes this in its Stewart entry:Marcus, "Rod Stewart", in ''Rolling Stone Illustrated History of Rock & Roll'', p. 377.

Rarely has a singer had as full and unique a talent as Rod Stewart; rarely has anyone betrayed his talent so completely. Once the most compassionate presence in music, he has become a bilious self-parody – and sells more records than ever .. Awriter who offered profound lyricism and fabulous self-deprecating humour, teller of tall tales and honest heartbreaker, he had an unmatched eye for the tiny details around which lives turn, shatter, and reform ..and a voice to make those details indelible. .. His solo albumswere defined by two special qualities: warmth, which was redemptive, and modesty, which was liberating. If ever any rocker chose the role of everyman and lived up to it, it was Rod Stewart.

The Faces released their final album '' Ooh La La,'' which reached number one in the UK and number 21 in the US in 1973. During the recording of the album, the rift between Stewart and the rest of the Faces grew further, as (according to Ian McLagan), Stewart did not participate until two weeks into the sessions, "and then complained that some songs were in the wrong key for him. So we recorded them again and waited a week for him to come back. We cut the track for 'Ooh La La' three times before he eventually passed on it, leaving it for Woody to sing. ..The week the album came out he did all he could to scuttle it and told anyone who would listen how useless it was."McLagan, Ian, ''All The Rage'' (2011), p. 206. The band toured Australasia, Japan, Europe and the UK in 1974 to support the album and the single "Pool Hall Richard".

In late 1974, Stewart released his '' Smiler'' album. In Britain, it reached number one, and the single "Farewell" number seven, but only number 13 on the ''Billboard'' pop album charts and the single "Mine for Me" only number 91 on the ''Billboard'' pop singles charts. It was his last original album for Mercury Records. After the release of the double album compilation ''The Best of Rod Stewart'' he switched to Warner Bros. Records and remained with them throughout the vast majority of his career (Faces were signed to Warner Bros., and Stewart's solo releases in the UK appeared on the Riva label until 1981). In 1975, Faces toured the US twice (with Ronnie Wood joining the Rolling Stones' US tour in between). With Ronnie Wood having released his second solo album in 1975 and also having joined the Rolling Stones (first as a temporary replacement for the departing Mick Taylor, and later as a permanent member), as well as Stewart's own burgeoning solo career, it became impossible to maintain the Faces as a viable band, so the Faces broke up at the end of the year.

1975–1988: Height of fame and critical reaction

In 1975, Stewart moved to Los Angeles; that year, he released the '' Atlantic Crossing'' album for his new record company, using producer Tom Dowd and a different sound based on the Muscle Shoals Rhythm Section. ''Atlantic Crossing'' marked both a return to form and a return to the Top 10 of the ''Billboard'' album charts. The first single, a cover of the Sutherland Brothers song "Sailing", was a number-one hit in the UK, charted high in other European countries and in Australia, but only reached the Top 60 of the US and Canadian charts. The single returned to the UK Top 10 a year later when used as the theme music for a BBC documentary series about . Having been a hit twice over, "Sailing" became, and remains, Stewart's biggest-selling single in the UK. His Holland-Dozier-Holland cover " This Old Heart of Mine" was also a Top 100 hit in 1976. In 1976, Stewart covered the Beatles' song " Get Back" for the musical documentary '' All This and World War II''.

Later in 1976, Stewart topped the US ''Billboard'' Hot 100 for eight weeks and the Australian ARIA chart with the ballad " Tonight's the Night", with an accompanying music video featuring actress Britt Ekland. It came from the '' A Night on the Town'' album, which went to number two on the ''Billboard'' album charts and was Stewart's first album to go platinum. By explicitly marking the album as having a "fast side" and a "slow side", Stewart continued the trend started by ''Atlantic Crossing''. " The First Cut Is the Deepest", a cover of a Cat Stevens song, went number one in the UK in 1977, and top 30 in the US. " The Killing of Georgie (Part 1 and 2)", about the murder of a gay man, was also a Top 40 hit for Stewart during 1977.

'' Foot Loose & Fancy Free'' (1977) featured Stewart's own band, the original Rod Stewart Group that featured Carmine Appice, Phil Chen, Jim Cregan, Billy Peek, Gary Grainger and John Jarvis. It continued Stewart's run of chart success, reaching number two. " You're in My Heart" was the hit single, reaching number four in the US.

" Hot Legs" achieved a lot of radio airplay as did the confessional "I Was Only Joking". In appearance, Stewart's look had evolved to include a glam element, including make-up and spandex clothes. Stewart scored another UK number one and US number one single with " Da Ya Think I'm Sexy?", which was a crossover hit reaching number five on the ''Billboard'' black charts due to its disco sound. This was the lead single from 1978's ''Blondes Have More Fun'', which went to number one on the ''Billboard'' album charts and sold three million albums.

A focal point of criticisms about this period was his biggest-selling 1978 disco hit "Da Ya Think I'm Sexy?", which was atypical of his earlier output, and disparaged by critics. In interviews, Stewart, while admitting his accompanying look had become "tarty", has defended the lyrics by pointing out that the song is a third-person narrative slice-of-life portrayal, not unlike those in his earlier work, and that it is not about him. The song's refrain was identical to Brazilian Jorge Ben Jor's earlier "Taj Mahal" and a lawsuit ensued. Stewart donated his royalties from "Da Ya Think I'm Sexy?" to UNICEF, and he performed it with his band at the Music for UNICEF Concert at the United Nations General Assembly in 1979.

Stewart moved to a more new wave direction in 1980 by releasing the album ''Foolish Behaviour''. The album produced one hit single, " Passion", which reached No. 5 on the US ''Billboard'' Charts. In August 1981, MTV was launched in the US with several of Stewart's videos in heavy rotation. Later in 1981, Stewart added further elements of new wave and synthpop to his sound for the '' Tonight I'm Yours'' album. The title song reached No. 20 in the US, while " Young Turks" reached the Top 5 with the album going platinum. On 18 December 1981, Stewart played the Los Angeles Forum, along with Kim Carnes and Tina Turner, in a concert broadcast worldwide via satellite.

Stewart was criticised by the anti-apartheid movement for breaking a widely observed cultural boycott of apartheid South Africa by performing at the Sun City resort complex in Bophuthatswana as part of his Body Wishes (1983) and Camouflage (1984) tours.

Stewart had four US Top 10 singles between 1982 and 1988; "Young Turks" (No. 5, carrying over from 1981 into 1982), "Some Guys Have All the Luck" (No. 10, 1984), "Infatuation" (No. 6, 1984) and "Love Touch" (No. 6, 1986, a Holly Knight/Mike Chapman collaboration). " Baby Jane" reached No. 14 in 1983, but went to No. 1 in the UK, his final chart-topping single there to date. The corresponding ''Camouflage'' album went gold in the UK, and the single "Infatuation" (which featured his old friend Jeff Beck on the guitar) received considerable play on MTV. The second single " Some Guys Have All The Luck" reached No. 15 in the UK and No. 10 in the US.

A reunion with Jeff Beck produced a successful take on Curtis Mayfield's " People Get Ready", but an attempt to tour together fell apart after a few dates. In the UK, " Every Beat of My Heart" reached number two in 1986. In January 1985, Stewart performed to a large audience at the Rock in Rio festival in Rio de Janeiro.

1988–1994: Out of Order Tour, ''Vagabond Heart'' and Rock and Roll Hall of Fame

In 1988, Stewart returned with '' Out of Order'', produced by Duran Duran's Andy Taylor and by Bernard Edwards of Chic. " Lost in You", " Forever Young", "Crazy About Her", and " My Heart Can't Tell You No" from that album were all top 15 hits on the ''Billboard'' Hot 100 and mainstream rock charts, with the latter even reaching the Top Five. "Forever Young" was an unconscious revision of Bob Dylan's song of the same name; the artists reached an agreement about sharing royalties. The song reached No. 12 in the US. Rod Stewart Album & Song Chart History'Billboard'', 23 August 2011. In September 1988, Stewart performed "Forever Young" at the 1988 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles, and in 1989 he received a Grammy Award nomination for Best Male Rock Vocal Performance for the song.

In January 1989, Stewart set out on the South American leg of the Out of Order Tour playing to sell-out audiences throughout Americas. There were 80,000 people at his show at Corregidora Stadium, Querétaro, México (9 April), and 50,000 at Jalisco Stadium, Guadalajara, Jalisco (12 April). In Buenos Aires, the audience at the River Plate Stadium, which seats 70,000+, was at over 90,000, with several thousand outside the stadium. Firehoses were sprayed on the crowd to avoid heat prostration.

Stewart's version of the Tom Waits song " Downtown Train" went to number three on the ''Billboard'' Hot 100 in 1990. This song was taken from a four-CD compilation set called '' Storyteller – The Complete Anthology: 1964–1990''.

Released in 1991, the '' Vagabond Heart'' album continued Stewart's renewal and inspiration. The lead single, " It Takes Two", with Tina Turner, was released in 1990 in advance of the full album's release, and reached number five on the UK charts, but did not chart in the US. The follow-up songs from ''Vagabond Heart'' both reached the Billboard Hot 100 in 1991, with " Rhythm of My Heart" peaking at No. 5 and " The Motown Song" peaking at No. 10.

At the 1993 Brit Awards in London, Stewart picked up the prize for Outstanding Contribution to Music. Stewart brought back the Faces on stage for an impromptu reunion. In 1993, Stewart recorded " All For Love" with Sting and Bryan Adams for the soundtrack to the movie ''The Three Musketeers''; the single reached number one in the US and number two in the UK. Also in 1993, he reunited with Ronnie Wood to record an ''MTV Unplugged'' special that included " Handbags and Gladrags", " Cut Across Shorty", and four selections from '' Every Picture Tells a Story''. The show featured an acoustic version of Van Morrison's " Have I Told You Lately", which topped the ''Billboard'' adult contemporary chart and No. 5 on the ''Billboard'' Hot 100. A rendition of " Reason to Believe" also garnered considerable airplay. The resulting '' Unplugged...and Seated'' album reached number two on the ''Billboard'' 200 album charts.

Stewart was inducted into the Rock and Roll Hall of Fame in 1994, presented by Jeff Beck. On 31 December 1994, Stewart played in front of 3.5 million people on Copacabana beach in Rio, and made it into the ''Guinness Book of World Records'' for staging the largest free rock concert attendance in history.

1995–2001: New ventures and record labels

By the early 1990s, Stewart had mostly abandoned creating his own material, saying that he was not a natural songwriter and that the tepid response to his recent efforts was not rewarding. In 1995, Stewart released ''A Spanner in the Works'' containing a single written by Tom Petty, " Leave Virginia Alone", which reached the Top 10 of the adult contemporary charts. The latter half of the 1990s was not as commercially successful though the 1996 album '' If We Fall in Love Tonight'' reached number 8 in the UK and went gold and hit No. 19 on the ''Billboard'' album chart.

'' When We Were the New Boys'', his final album on the Warner Bros. label released in 1998, contained versions of songs by Britpop acts such as Oasis

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