Railway Series

''The Railway Series'' is a series of British books about a railway known as the North Western Railway, located on the fictional Island of Sodor. There are 42 books in the series, the first published in May 1945 by Wilbert Awdry. Awdry wrote 26 books; the final one being written in October 1972. His son, Christopher, wrote 16 more between September 1983 and July 2011. The series features many anthropomorphic vehicles. Thomas eventually became the most popular and famous character in the series and the titular character of the television series ''Thomas & Friends'' from 1984 to 2021. The children's television series originated as adaptations of these stories.

Nearly all of ''The Railway Series'' stories were based on real-life events. As a lifelong railway enthusiast, Awdry was keen that his stories should be as realistic as possible. The engine characters were mostly based upon real classes of locomotives, and some of the railways themselves were based upon real lines in the British Isles.

Audio adaptations of ''The Railway Series'' have been recorded at various times under the title '' The Railway Stories''.

Origins

The stories began in 1942, when Christopher, at the age of two, had measles and was confined to a darkened room. His father told him stories and rhymes to cheer him up. One of Christopher's favourite rhymes was:Sibley, p. 96
Early in the morning,
Down at the station,
All the little engines
Standing in a row.

Along comes the driver,
Pulls the little lever
Puff, puff! Chuff, chuff!
Off we go!
The origins of this rhyme are unknown, but research by Brian Sibley suggests that it originated at some point prior to the First World War. The words, with some slight alterations, were later set to music by Lee Ricks and Slim Gaillard in 1948 and released by Tommy Dorsey and his orchestra as a single entitled "Down by the Station". Wilbert's answers to Christopher's questions about the rhyme led to the creation of a short story, "Edward's Day Out", featuring Edward the Blue Engine, an old engine who is allowed out of the shed for a day. Another story about Edward followed, this time featuring Gordon the Big Engine, named after a child living on the same road who Christopher considered rather bossy.Sibley, p. 98

A third story had its origins in a limerick of which Christopher was fond,Sibley, pp. 99–100 and which Awdry used to introduce ''The Sad Story of Henry'':

Once, an engine attached to a train
Was afraid of a few drops of rain
It went into a tunnel,
And squeaked through its funnel
And never came out again.

As with the previous rhyme, the origins of this are uncertain, but Awdry received a letter telling him that a similar poem had appeared in a book of children's rhymes, published in 1902:
Once an engine when fixed to a train
Was alarmed at a few drops of rain,
So went "puff" from its funnel
Then fled to a tunnel,
And would not come out again.

This story introduced popular characters Henry the Green Engine and the Fat Director. Encouraged by his wife Margaret, Awdry submitted the three stories to publishing firm Edmund Ward in Leicester in 1943. The head of the children's books division requested a fourth story to bring the three engines together and redeem Henry, who had been bricked up in a tunnel in the previous story. Although Wilbert had not intended that the three engines live on the same railway, he complied with the request in the story ''Edward, Gordon and Henry''. The four stories were published by Edmund Ward in 1945 as a single volume, ''The Three Railway Engines'', illustrated by William Middleton.

Christmas 1942 saw the genesis of the character that grew to become the most famous fictional locomotive in the world. Awdry constructed a toy tank engine for Christopher, which gained the name Thomas. Stories about Thomas were requested by Christopher, and 1946 saw the publication of ''Thomas the Tank Engine''. This was illustrated by Reginald Payne, whom Wilbert felt to be a great improvement over Middleton. Like its predecessor, this book was a success, and Awdry was asked to write stories about James, a character who first appeared in ''Thomas and the Breakdown Train'', the final story in ''Thomas the Tank Engine''. The book ''James the Red Engine'' appeared in 1948, the year in which the railways in Britain were nationalised, and from this point onwards, the Fat Director was known by his familiar title of the Fat Controller.

''James the Red Engine'' was notable as the first book to be illustrated by C. Reginald Dalby, perhaps the most famous of the ''Railway Series'' artists, and certainly the most controversial due to the criticism later aimed at him by Awdry. Dalby illustrated every volume up to ''Percy the Small Engine'' (1956) and also produced new illustrations for ''The Three Railway Engines'' and made changes to those of ''Thomas the Tank Engine'' in 1949 and 1950, respectively.

In making the stories as real as possible, Awdry took a lot of inspiration from a number of sources in his extensive library and found the ''Railway Gazette''s "Scrapheap" column particularly useful as a source of unusual railway incidents that were recreated for ''The Railway Series'' characters.

Awdry continued working on ''The Railway Series'' until 1972, when ''Tramway Engines'' (book 26 in the series) was published. However, he had been finding it increasingly difficult to come up with ideas for new stories. After this, he felt that "the well had run dry" and so decided that the time had come to retire. He wrote no further ''Railway Series'' volumes but later wrote a spin-off story (''Thomas' Christmas Party'') for the television series, and expanded versions of some of his earlier stories, as well as writing ''The Island of Sodor: Its People, History and Railways''. In addition, he wrote a number of short stories and articles for the annuals.

Cultural context

Anthropomorphisation of locomotives has a literary tradition extending back at least as far as the writings of Rudyard Kipling in his 1897 story " .007".

Continuing series under Christopher Awdry

Christopher Awdry was a keen railway enthusiast like his father. On a visit to the Nene Valley Railway he was inspired to write his first story ''Triple Header'' based on a railway man's account of a locomotive running out of steam short of its destination. In the story, Thomas, Percy and Duck take on the Wild Nor' Wester but find it more than they can handle. Christopher wrote three further stories, ''Stop Thief!'', ''Mind That Bike'' and ''Fish'' and showed them to his father, who encouraged Christopher to submit them for publication. At the time, work on the television adaptation was underway, and Kaye and Ward were keen to revive ''The Railway Series''. The book ''Really Useful Engines'' was published in 1983. Wilbert had considered this title for his own 27th volume before abandoning the project.

Christopher wrote another 13 books, including the 50th anniversary volume ''Thomas and the Fat Controller's Engines''. He also wrote stories for the television series, notably ''More About Thomas the Tank Engine'', ''The Railway Series'' 30th volume.

The success of the television series led to tensions between Christopher and the publishers. Thomas was the central character of the television series and the publishers wanted stories focused on Thomas. Christopher produced ''Thomas and the Fat Controller's Engines'' that had one story about Thomas, while ''Thomas Comes Home'' did not feature Thomas until the last page.

The series' 40th volume, ''New Little Engine'', was published in 1996. Egmont Publishing who had taken over from Kay and Ward, did not publish further ''Railway Series'' books and allowed the existing back catalogue to go out of print. There was a selected print run in 2004 of the original 26 books, but in 2005, the sixtieth anniversary of Wilbert's first book, the Awdry family were disappointed that not all of the stories were available in their original format.

In 2005, Christopher published ''Sodor: Reading Between the Lines'' under his own imprint Sodor Enterprises. This book expanded the fictional world of Sodor. He published several more books, mostly set on real railways in Britain. In 2006, Egmont started to re-publish Wilbert's books in their original format. The fourteen books written by Christopher were re-released in August 2007. On 3 September, Christopher published the 41st book in the series, ''Thomas and Victoria'', illustrated by Clive Spong. The book addresses issues relating to the railway preservation movement.

In July 2011, Egmont released the 42nd book in the series: ''Thomas and his Friends''. The final story ended with the words "The end".

Christopher Awdry said that he had other material, which he hoped would be published. He narrated new stories about the narrow-gauge engines on "Duncan Days" at the Talyllyn Railway in Wales.

Illustrators

''The Railway Series'' is perhaps as highly regarded for its illustrations as for its writing, which in the immediate post-Second World War era were seen as uniquely vivid and colourful. Indeed, some critics (notably Miles Kington) have claimed that the quality of the illustrations outshines that of the writing.

The first edition of ''The Three Railway Engines'' was illustrated by the artist William Middleton, with whom Awdry was deeply dissatisfied. The second artist to work on the series was Reginald Payne, who illustrated ''Thomas the Tank Engine'' in a far more realistic style. Despite an early disagreement as to how Thomas should look, Awdry was ultimately pleased with the pictures produced.

Payne later suffered a nervous breakdown and proved impossible to contact to illustrate ''James the Red Engine'', so C. Reginald Dalby was hired. Dalby also illustrated the next eight books in the series. ''The Three Railway Engines'' was reprinted with Dalby's artwork replacing William Middleton's and Dalby also touched up Payne's artwork in the second book in 1949 and 1950, respectively. Dalby's work on the series proved popular with readers, but not with the author, who repeatedly clashed with him over issues of accuracy and consistency. Dalby resigned from the series in 1956, following an argument over the portrayal of Percy the Small Engine in the book of the same name. Awdry had built a model of Percy as a reference for the artist, but Dalby did not make use of it. Despite the tempestuous relationship with Awdry, Dalby is probably the best remembered of the series' artists.

With ''The Eight Famous Engines'' (1957), John T. Kenney took over the illustration of the series. His style was less colourful but more realistic than Dalby's. Kenney made use of Awdry's model engines as a reference. As a result of his commitment to realism and technical accuracy, he enjoyed a far more comfortable working relationship with Awdry, which lasted until ''Gallant Old Engine'' (1962), when Kenney's eyesight began to deteriorate.

The artist initially chosen to replace him was the Swedish artist Gunvor Edwards. She began illustrating ''Stepney the "Bluebell" Engine'', but felt unsuited to the work. She was assisted for that volume by her husband Peter, who effectively took over from then on. Both artists retained credit for the work, and the "Edwards era" lasted until Wilbert Awdry's last volume, ''Tramway Engines''. The style used in these volumes was still essentially realistic but had something of an impressionistic feel.

When Christopher took over as author of the series in 1983, the publisher was keen to find an illustrator who would provide work that had the gem-like appeal of Dalby's pictures, but also had the realism of Kenney and Edwards' artwork. The artist chosen was Clive Spong. He illustrated all of Christopher Awdry's books, a greater number than any other artist working on ''The Railway Series''. He also produced illustrations for a number of spin-off stories written by the Awdrys, and his artwork was used in ''The Island of Sodor: Its People, History and Railways''.

Sodor

Awdry received numerous letters from young fans asking questions about the engines and their railway, as well as letters concerning inconsistencies within the stories. In an effort to answer these, he began to develop a specific setting for the books. On a visit to the Isle of Man, he discovered that the bishop there is known as the Bishop of Sodor and Man. The "Sodor" part of the title comes from the Sudreys, but Awdry decided that a fictional island between the Isle of Man and England by that name would be an ideal setting for his stories.

In partnership with his brother George (the librarian of the National Liberal Club), he gradually devised Sodor's history, geography, language, industries and even geology. The results were published in the book ''The Island of Sodor: Its People, History and Railways'' in 1987.

Cameo appearances

The Awdrys both wrote about Sodor as if it were a real place that they visited, and that the stories were obtained first-hand. This was often "documented" in the foreword to each book. In some of W. Awdry's later books he appeared as the Thin Clergyman and was described as a writer, though his name and connections to the series were never made explicit. He was invariably accompanied by the Fat Clergyman, based on the Teddy Boston, who was a fellow railway enthusiast and close friend. The two Clergymen were portrayed as railway enthusiasts, and were responsible for annoying the Small Engines and discovering Duke the Lost Engine. They were often figures of fun, liable to be splashed with water or to fall through a roof.

Awdry also appeared in a number of illustrations, usually as a joke on the part of the illustrator. In one illustration by John T. Kenney in ''Duck and the Diesel Engine'' he appears with a figure who bears a strong resemblance to C. Reginald Dalby, which Brian Sibley has suggested might be a dig at Dalby's inaccurate rendition of the character of Duck. A vicar appears in ''Edward the Blue Engine'' and other volumes as the owner of Trevor the Traction Engine. This may be a reference to Teddy Boston, who had himself saved a traction engine from scrap..

Dalby illustrated the entire Awdry family – Wilbert, Margaret, Christopher, Veronica and Hilary – watching Percy pass through a station ("Percy runs away" in ''Troublesome Engines'' (p53)).Sibley, p. 150 This was Christopher Awdry's only appearance in an illustration, but he often described meetings with the engines in the book forewords, usually with some degree of humour.

Other people associated with ''The Railway Series'' were also referenced. In Dalby's books, he made allusions to himself twice on store signs (Seen in ''Off the Rails'' and ''Saved from Scrap'') and a reference to E.T.L. Marriott, who edited ''The Railway Series'', in ''Percy Takes the Plunge'' on a "Ship Chandlers" company sign. Peter Edwards also notes that he based Gordon's face on Eric Marriot's.

The Fat Controller (originally The Fat Director in the earliest books which pre-dated the nationalisation of Britain's railways in 1948) was a fictional character, although Christopher Awdry has conceded that his doctor at the time may have provided an 'unconscious contribution' for his father. The Thin Controller, in charge of the narrow-gauge engines in the books was based on Mr Edward Thomas, the manager of the Talyllyn Railway in its last years before enthusiasts took it over in 1951.

A number of the stories are based on articles which appeared in railway enthusiast publications of the period. The monthly ''Railway Magazine'' was a long-running enthusiasts' companion and the origins of several stories can be recognised. The railway books written by C. Hamilton Ellis, were another source.

Preservation movement

Awdry used the books to promote steam railways in the United Kingdom. The Skarloey Railway was based on the Talyllyn Railway in Wales, where he volunteered. The Skarloey books often included a promotion for the Talyllyn Railway, either in the stories themselves, or in a footnote or the foreword. Some of the illustrations in the books depict recognisable locations on the Talyllyn Railway.

From the 1980s onwards, the Talyllyn Railway occasionally repainted one of their locomotives to resemble its Skarloey Railway "twin". As well as paint schemes and names taken from the books' artwork, these locomotives are fitted with fibreglass "faces". These characters' appearances have been written into ''The Railway Series'' by Christopher Awdry in the form of visits by the fictional engines to the Talyllyn Railway.

Two other railways on Sodor are based on real railways: The Culdee Fell Railway is based on the Snowdon Mountain Railway and the Arlesdale Railway is based on the Ravenglass and Eskdale Railway in Cumbria.

From ''Duck and the Diesel Engine'' onwards, a number of real engines and railways were explicitly featured. Flying Scotsman, City of Truro, Stepney and Wilbert were all real locomotives that appeared in ''The Railway Series'', the latter two having books dedicated to them: ''Stepney the "Bluebell" Engine'' and Christopher Awdry's ''Wilbert the Forest Engine''. Wilbert's appearance was of particular significance as the locomotive was named in tribute to Wilbert Awdry who was the president of the Dean Forest Railway at the time.

In ''Thomas and the Great Railway Show'', Thomas visited the National Railway Museum in York, and several of the museum's locomotives are featured including Mallard, Duchess of Hamilton, Stephenson's Rocket, Iron Duke and Green Arrow. At the end of this book, Thomas is made an honorary member of the National Collection.

Books

The following table lists the titles of all 42 books in ''The Railway Series''.

References in popular culture

Satirical magazine ''Private Eye'' produced a book called ''Thomas the Privatised Tank Engine'', written in the style of ''The Railway Series''. The stories were strongly critical of private railway companies and the Premiership of John Major, and covered subjects such as the Channel Tunnel, London Underground, transport of radioactive waste and the perceived dangerous state of the railways.

Andrew Lloyd Webber wanted to produce a musical television series based on ''The Railway Series'', but Awdry refused to give him the control he wanted. Lloyd Webber would go on to compose the 1984 musical ''Starlight Express'', and create The Really Useful Group, a name inspired by the catchphrase "Really Useful Engines".

There have been three adaptations of the series produced. The first was an unsuccessful pilot in 1953, which was filmed live and had a number of technical errors. Around three decades later came the ''Thomas the Tank Engine and Friends'' series, which premiered in 1984 and concluded in 2021. This was followed by '' Thomas & Friends: All Engines Go!'', a spin-off of the previous series which uses 2D animation and a more cartoonish style.

Notes

References

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External links

* (in PDF).

The Real Lives of Thomas the Tank Engine
��documents real influences behind the series
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{{DEFAULTSORT:Railway Series, The

British children's books
Series of children's books