A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short
piece
Piece or Pieces (not to be confused with peace) may refer to:
Arts, entertainment, and media Games
* Piece (chess), pieces deployed on a chessboard for playing the game of chess
* ''Pieces'' (video game), a 1994 puzzle game for the Super NES
* P ...
of
music
Music is generally defined as the The arts, art of arranging sound to create some combination of Musical form, form, harmony, melody, rhythm or otherwise Musical expression, expressive content. Exact definition of music, definitions of mu ...
, the
form
Form is the shape, visual appearance, or configuration of an object. In a wider sense, the form is the way something happens.
Form also refers to:
* Form (document), a document (printed or electronic) with spaces in which to write or enter dat ...
of which may vary from piece to piece. While, during the
Baroque era
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...
, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the
Romantic era
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate ...
. It generally features a small number of rhythmic and melodic
motif
Motif may refer to:
General concepts
* Motif (chess composition), an element of a move in the consideration of its purpose
* Motif (folkloristics), a recurring element that creates recognizable patterns in folklore and folk-art traditions
* Moti ...
s that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an
overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed over ...
, particularly to those seen in an
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ...
or an
oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
.
History
The first preludes to be
notated were
organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the
Ileborgh Tablature of 1448.
[ ] These were closely followed by freely composed preludes in an
extemporary style for the
lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
More specifically, the term "lute" can re ...
and other
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass id ...
string instruments, which were originally used for warming up the fingers and checking the instrument's tuning and sound quality, as in a group of pieces by
Joan Ambrosio Dalza Joan Ambrosio Dalza ( fl. 1508) was a Milanese lutenist and composer. His surviving works comprise the fourth volume of Ottaviano Petrucci's influential series of lute music publications, ''Intabolatura de lauto libro quarto'' (Venice, 1508). Dalza ...
published in 1508 under the heading ''tastar de corde'' (in Italian, literally, "testing of the strings").
[ ]
Keyboard
Keyboard may refer to:
Text input
* Keyboard, part of a typewriter
* Computer keyboard
** Keyboard layout, the software control of computer keyboards and their mapping
** Keyboard technology, computer keyboard hardware and firmware
Music
* Musi ...
preludes started appearing in the 17th century in France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan ar ...
: unmeasured prelude Unmeasured or non-measured prelude is a prelude in which the duration of each note is left to the performer. Typically the term is used for 17th century harpsichord compositions that are written without rhythm or metre indications, although various ...
s, in which the duration of each note is left to the performer, were used as introductory movements in harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecÃn; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a musical keyboard, keyboard. This activates a row of levers that turn a ...
suite
Suite may refer to:
Arts and entertainment
*Suite (music), a set of musical pieces considered as one composition
** Suite (Bach), a list of suites composed by J. S. Bach
** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó
** ''Suite' ...
s. Louis Couperin
Louis Couperin (; – 29 August 1661) was a French Baroque composer and performer. He was born in Chaumes-en-Brie and moved to Paris in 1650–1651 with the help of Jacques Champion de Chambonnières. Couperin worked as organist of th ...
(c.1626–1661) was the first composer to embrace the genre, and harpsichord preludes were used until the first half of the 18th century by numerous composers including Jean-Henri d'Anglebert
Jean-Henri d'Anglebert (baptized 1 April 1629 – 23 April 1691) was a French composer, harpsichordist and organist. He was one of the foremost keyboard composers of his day.
Life
D'Anglebert's father Claude Henry known as AnglebertJean constru ...
(1629–1691), Élisabeth Jacquet de la Guerre
Élisabeth Claude Jacquet de La Guerre (, née Jacquet, 17 March 1665 – 27 June 1729) was a French musician, harpsichordist and composer.
Life and works
Élisabeth-Claude Jacquet de La Guerre (née Jacquet) was born on March 17, 1665, into a ...
(1665–1729), François Couperin (1668–1733) and Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera ...
(1683–1764), whose very first printed piece (1706) was in this form. The last unmeasured preludes for harpsichord date from the 1720s.
The development of the prelude in 17th century Germany
Germany, officially the Federal Republic of Germany (FRG),, is a country in Central Europe. It is the most populous member state of the European Union. Germany lies between the Baltic and North Sea to the north and the Alps to the sou ...
led to a sectional form similar to keyboard toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise vi ...
s by Johann Jakob Froberger
Johann Jakob Froberger (baptized 19 May 1616 – 7 May 1667) was a German Baroque composer, keyboard virtuoso, and organist. Among the most famous composers of the era, he was influential in developing the musical form of the suite of dances in ...
or Girolamo Frescobaldi
Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of ...
. Preludes by northern German composers such as Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal ...
(c.1637–1707) and Nikolaus Bruhns
Nicolaus Bruhns (also ''Nikolaus'', ''Nicholas''; late 1665 – in Husum) was a Danish-German organist, violinist, and composer. He was one of the most prominent organists and composers of his generation.
Biography
Bruhns was born in Schwabste ...
(c.1665–1697) combined sections of free improvised passages with parts in strict contrapuntal
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tra ...
writing (usually brief fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the co ...
s). Outside Germany, Abraham van den Kerckhoven
Abraham van den Kerckhoven (c. 1618 – c. 1701) was a Flemish organist and composer. He was active in Brussels, working as organist at the local Saint Catherine's Church and as court organist. He was held in high regard by his contemporaries. A s ...
(c.1618–c.1701), one of the most important Dutch
Dutch commonly refers to:
* Something of, from, or related to the Netherlands
* Dutch people ()
* Dutch language ()
Dutch may also refer to:
Places
* Dutch, West Virginia, a community in the United States
* Pennsylvania Dutch Country
People E ...
composers of the period, used this model for some of his preludes. Southern and central German composers did not follow the sectional model and their preludes remained improvisational in character with little or no strict counterpoint.
During the second half of the 17th century, German composers started pairing preludes (or sometimes toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise vi ...
s) with fugues in the same key
Key or The Key may refer to:
Common meanings
* Key (cryptography), a piece of information that controls the operation of a cryptography algorithm
* Key (lock), device used to control access to places or facilities restricted by a lock
* Key (ma ...
; Johann Pachelbel
Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contrib ...
(c.1653–1706) was one of the first to do so, although Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
's (1685–1750) "prelude and fugue" pieces are much more numerous and well-known today. Bach's organ preludes are quite diverse, drawing on both southern and northern German influences. Most of Bach's preludes were written in the theme and variation
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
Variation techniques
Mozart's Twelve ...
form, using the same theme motif with imitation, inversion, modulation, or retrogression of the theme as well as other techniques involved in this baroque form.
Johann Caspar Ferdinand Fischer
Johann Caspar Ferdinand Fischer (some authorities use the spelling Johann Kaspar Ferdinand Fischer) (1656 August 27, 1746) was a German Baroque composer. Johann Nikolaus Forkel ranked Fischer as one of the best composers for keyboard of his day; ...
was one of the first German composers to bring the late 17th-century French style to German harpsichord music, replacing the standard French ouverture with an unmeasured prelude. Fischer's ''Ariadne musica
''Ariadne musica'' is a collection of organ music by Johann Caspar Ferdinand Fischer, first published in 1702. The main part of the collection is a cycle of 20 preludes and fugues in different keys, so ''Ariadne musica'' is considered an important ...
'' is a cycle of keyboard music which consists of pairs of preludes and fugues; the preludes are quite varied and