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Préludes (Debussy)
Claude Debussy's ''Préludes'' are 24 pieces for solo piano, divided into two books of 12 prelude (music), preludes each. Unlike some notable collections of preludes from prior times, such as Frédéric Chopin, Chopin's Preludes (Chopin), Op. 28 preludes, or the preludes from Johann Sebastian Bach's ''The Well-Tempered Clavier'', Debussy's do not follow a Music written in all 24 major and minor keys, strict pattern of Key (music), tonal centers. Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II in 1911 and 1912. Pieces Performance On 3 May 1911, pianist Jane Mortier premiered the first book of preludes at the Salle Pleyel in Paris. German-English pianist Walter Morse Rummel, a student of Leopold Godowsky, premiered the second book in 1913 in London. Debussy and other pianists who gave early performances of the preludes (including Ricardo Viñes) played them in groups of thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade
In music, a serenade (; also sometimes called a serenata, from the Italian) is a musical composition or performance delivered in honour of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word , which itself derives from the Latin . Sense influenced by Italian ''sera'' "evening", from Latin ''sera'', fem. of ''serus'' "late". Early serenade music In the oldest usage, which survives in informal form to the present day, a serenade is a musical greeting performed for a lover, friend, person of rank or other person to be honored. The classic usage would be from a lover to his lady love through a window. It was considered an evening piece, one to be performed on a quiet and pleasant evening, as opposed to an aubade, which would be performed in the morning. The custom of serenading in this manner began in the Medieval era, and the word "serenade" as commonly used in current English is related to this custom. Music performe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sérénade Interrompue
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Girl With The Flaxen Hair
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Aux Cheveux De Lin
''La fille aux cheveux de lin'' () is a musical composition for solo piano by French composer Claude Debussy Achille Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influe .... It is the eighth piece in the composer's Préludes (Debussy), first book of ''Préludes'', written between late 1909 and early 1910. The title is in French language, French and translates roughly to "The Girl with the Flax (color), Flaxen Hair". The piece is 39 Bar (music), measures long and takes approximately two and a half minutes to play. It is in the key (music), key of G-flat major, G major. The piece, named after the poem by Leconte de Lisle, is known for its musical simplicity, a divergence from Debussy's style at the time. Completed in January 1910, it was published three months later and premiered in June of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ce Qu'a Vu Le Vent D'ouest
''Ce qu'a vu le vent d'ouest'' ("''What the west wind saw''") is a musical composition by French composer Claude Debussy. It is the seventh piece in the composer's first book of ''Préludes'', written between late 1909 and early 1910. The piece is 72 measures long, taking approximately four minutes to play. It is in the key of F minor. Background and influence The title of the piece was inspired by "The Garden of Paradise", a fairy tale by Hans Christian Andersen that was translated into French and published in 1907. Debussy was known to have an affinity towards Andersen's stories, and it has been theorized that the author's character Zephyr – the West Wind – would have "appealed" to the composer when he was writing the prelude. Furthermore, the technical aspects of this piece were influenced by the works of Franz Liszt. This is evident in Debussy's utilization of "sweeping arpeggios" at the beginning of the piece, which lead towards loud booming chords and extreme dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakewalk
The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on black slave plantations before and after emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance performed with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country.. The fluid and graceful steps of the dance may have given rise to the colloquialism that something accomplished with ease is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Des Pas Sur La Neige
''Des pas sur la neige'' is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of ''Préludes'', written between late 1909 and early 1910. The title is in French and translates to "Footprints in the Snow" The piece is 36 measures long and takes approximately three and a half to four and a half minutes to play. It is in the key of D minor. The prelude was, along with Danseuses de Delphes, one of the preludes Debussy believed should be played "entre quatre-z-yeux" (literally "between four eyes") meaning intimately, as if privately. Background and influence The piece is one of four Debussy preludes in both books whose title origins are unknown. David Schiff suggests that the inspiration for the title could have stemmed from a painting depicting a snowy landscape. This was an extremely popular backdrop among Impressionist artists like Claude Monet or Alfred Sisley; the latter painted ''Snow at Louveciennes''. Furt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
