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Miscellaneous Solo Piano Compositions (Rachmaninoff)
The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre. Sixteen of these pieces are extant; all others are lost. Ten of these pieces were composed before he completed his Piano Concerto No. 1, his first opus, and the rest interspersed throughout his later life. In these casual works, he draws upon the influence of other composers, including Frédéric Chopin and Pyotr Tchaikovsky. The more substantial works, the Three Nocturnes and Four Pieces, are sets of well-thought out pieces that are his first attempts at cohesive structure among multiple pieces. ''Oriental Sketch'' and Prelude in D minor, two pieces he composed very late in his life, are short works that exemplify his style as a mature composer. Whether completed as a child or adult, these pieces cover a wide spectrum of forms while maintaining his cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indiana University Press
Indiana University Press, also known as IU Press, is an academic publisher founded in 1950 at Indiana University that specializes in the humanities and social sciences. Its headquarters are located in Bloomington, Indiana. IU Press publishes approximately 100 new books annually, in addition to 38 academic journals, and maintains a current catalog comprising some 2,000 titles. Indiana University Press primarily publishes in the following areas: African, African American, Asian, cultural, Jewish, Holocaust, Middle Eastern studies, Russian and Eastern European, and women's and gender studies; anthropology, film studies, folklore, history, bioethics, music, paleontology, philanthropy, philosophy, and religion. IU Press undertakes extensive regional publishing under its Quarry Books imprint. History IU Press began in 1950 as part of Indiana University's post-war growth under President Herman B Wells. Bernard Perry, son of Harvard philosophy professor Ralph Barton Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rock (Rachmaninoff)
''The Rock'', Op. 7 (or ''The Crag'') () (Utyos) is a fantasia or symphonic poem for orchestra written by Sergei Rachmaninoff in the summer of 1893. It is dedicated to Nikolai Rimsky-Korsakov. Inspiration As an epigraph for the composition, Rachmaninoff chose a couplet from a poem by Russian poet Mikhail Lermontov: The golden cloud slept through the night Upon the breast of the giant-rock He later admitted, however, to a second musical programme, drawn from a story by Anton Chekhov titled "Along the Way", in which a young girl meets an older man during a stormy, overnight stop at a roadside inn on Christmas Eve. The man shares with her the story of his life, beliefs, and past failures, as a blizzard rages on through the night.Bertensson and Leyda, ''Sergei Rachmaninoff: A Lifetime in Music'', Indiana University Press, 58-62. History Rachmaninoff highly respected the older and accomplished composer Pyotr Ilyich Tchaikovsky, and in a meeting between the two at the home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Siloti
Alexander Ilyich Siloti (also Ziloti; Russian: Александр Ильич Зилоти; 9 October 18638 December 1945) was a Russian virtuoso pianist, conductor, and composer. Biography Alexander Siloti was born on his father's estate near Kharkiv, Ukraine (then part of Imperial Russia). He studied piano at the Moscow Conservatory with Nikolai Zverev from 1871, then from 1875 under Nikolai Rubinstein, brother of the more famous Anton Rubinstein; from that year he also studied counterpoint under Sergei Taneyev, harmony under Pyotr Ilyich Tchaikovsky, and theory under Nikolai Hubert.Barber (2002), p. 5. He graduated with the gold medal in Piano in 1881. He received some lessons from Anton Rubinstein after the death of Rubinstein's brother, Nikolai. After Siloti's graduation it was decided that he would be sent to Weimar, Germany on scholarship to further his studies with Franz Liszt, co-founding the Liszt-Verein in Leipzig, and making his professional debut on 19 Novembe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oriental Sketch
The Orient is a term referring to the East in relation to Europe, traditionally comprising anything belonging to the Eastern world. It is the antonym of the term ''Occident'', which refers to the Western world. In English, it is largely a metonym for, and coterminous with, the continent of Asia – loosely classified into Southwest Asia, Southeast Asia, South Asia, Central Asia, East Asia, and sometimes including the Caucasus. Originally, the term ''Orient'' was used to designate only the Near East, but later its meaning evolved and expanded, designating also Central Asia, Southwest Asia, South Asia, Southeast Asia, or the Far East. The term oriental is often used to describe objects and (in a derogative manner) people coming from the Orient/eastern Asia. Etymology The term "Orient" derives from the Latin word ''oriens'', meaning "east" (lit. "rising" < ''orior'' "rise"). The use of the word for "rising" to refer to the east (where the sun rises) has analogues from many lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—familiar singalong versions of "Row, Row, Row Your Boat" and "Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivanovka Estate
Ivanovka () is a village and country estate located in Uvarovsky District, Tambov region, Russia. It was the summer residence of the Russian composer Sergei Rachmaninoff in the period between 1890 and 1917 (until his emigration). It was the family home of his aristocratic relatives, the Satins. Many of Rachmaninoff's earlier masterpieces were created in its bucolic atmosphere. A museum commemorating the life and works of the composer was opened there in 1982. Contemporary descriptions S. A. Satina, a cousin of Rachmaninoff's, wrote in her memoirs of the estate:The small village of Ivanovka adjoined our estate. Endless fields stretched around us, merging on the horizon with the sky. In the distance, in the west, the belfry of our parish church, located five miles from Ivanovka, was visible. In the north is someone's windmill, to the east is nothing but fields, and to the south is our aspen forest. For many miles around Ivanovka, these aspen trees and our garden near the hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavotte
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Gap, Hautes-Alpes, Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time signature, time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite (music), suite of dances. Many were composed by Jean-Baptiste Lully, Lully, Rameau and Gluck, and the 17th-century cibell is a variety. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
