In the
Mythological Cycle of
early Irish literature
Early Irish literature, is commonly dated from the 8th or 9th to the 15th century, a period during which modern literature in Irish began to emerge. It stands as one of the oldest vernacular literature in Western Europe, with its roots extendin ...
, Midir (
Old Irish
Old Irish, also called Old Gaelic (, Ogham, Ogham script: ᚌᚑᚔᚇᚓᚂᚉ; ; ; or ), is the oldest form of the Goidelic languages, Goidelic/Gaelic language for which there are extensive written texts. It was used from 600 to 900. The ...
), Midhir (
Modern Irish
Irish (Standard Irish: ), also known as Irish Gaelic or simply Gaelic ( ), is a Celtic language of the Indo-European language family. It is a member of the Goidelic languages of the Insular Celtic sub branch of the family and is indigenous ...
) or Mider was a son of
the Dagda
The Dagda ( , ) is considered the great god of Irish mythology. He is the chief god of the Tuatha Dé Danann, with the Dagda portrayed as a father-figure, king, and druid.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, ...
of the
Tuatha Dé Danann
The Tuatha Dé Danann (, meaning "the folk of the goddess Danu"), also known by the earlier name Tuath Dé ("tribe of the gods"), are a supernatural race in Irish mythology. Many of them are thought to represent deities of pre-Christian Gaelic ...
. After the Tuatha Dé were defeated by the
Milesians, he lived in the
sidh of Brí Léith (believed to be Ardagh Hill, Co. Longford). The name Midir may come from the old Irish word for a judge, midithir.
Description
In Tochmarc Étaíne, Midir appears on a brown steed wearing a green mantle and red embroidered tunic with a golden brooch reaching from shoulder to shoulder, a silver shield with a rim of gold on his back with a silver strip and gold boss. He has bright yellow hair, a five pronged spear, and a fillet of gold on his head. When Midir appears suddenly in the midst of Eochaid Airem's court, the remark is made, “He was fair at all times, but on that night he was fairer.”
[''The Yellow Book of Lecan'' “The Wooing of Etain”]
/ref>
Elsewhere in Tochmarc Étaíne, the following description of Midir is provided:
A purple tunic about him, and golden yellow hair on him to the edge of his shoulders. A shining blue eye in his head. A five-pointed spear in one hand, a white-bossed shield in the other, with golden gems thereon. Eochaid was silent, for he was unaware of his being in Tara the night before, and the courts had not been opened at that hour.
Family
Midir is traditionally the son of The Dagda
The Dagda ( , ) is considered the great god of Irish mythology. He is the chief god of the Tuatha Dé Danann, with the Dagda portrayed as a father-figure, king, and druid.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, ...
. In the First Recension of the '' Lebor Gabála'' and in the Metrical ''Dindsenchas'', Midir of Brí Léith is made the "son of Induí son of Échtach son of Etarlam". As a son of Induí, called "king of the north country, lord of horse breeding peoples," Midir would be brother or half-brother to the war-god Neit and nephew of Nuada, who is called the son of Échtach son of Etarlam.
Midir's wife is Fuamnach, who is either beheaded by Midir's foster-son Aengus
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love,Ó hÓgáin, Dáithí. ''Myth, Legend & Romance: An encyclopedia of the Irish folk tradition''. Prentice-Hall Press, ...
or otherwise killed by Manannan Mac Lir. Midir's daughters included Bri Bruachbrecc and Ogniad (or Oicnis), who was the mother of Sigmall Cael. Midir's sons include Lir
Lir or Ler (meaning "Sea" in Old Irish; ''Ler'' and ''Lir'' are the nominative and genitive forms, respectively) is a sea god in Irish mythology. His name suggests that he is a personification of the sea, rather than a distinct deity. He is na ...
, the father of Manannan, and his foster-son is Aengus
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love,Ó hÓgáin, Dáithí. ''Myth, Legend & Romance: An encyclopedia of the Irish folk tradition''. Prentice-Hall Press, ...
, who elsewhere is called the foster-son of Elcmar. According to the Dindsenchas (Cnogba), Midir abducts Elcmar's daughter Englec, to the dismay of Aengus, who is in love with her.
Mythology
''Tochmarc Étaíne''
Midir is one of the leading characters in the Old Irish
Old Irish, also called Old Gaelic (, Ogham, Ogham script: ᚌᚑᚔᚇᚓᚂᚉ; ; ; or ), is the oldest form of the Goidelic languages, Goidelic/Gaelic language for which there are extensive written texts. It was used from 600 to 900. The ...
saga '' Tochmarc Étaíne'' ("The Wooing of Étaín"), which makes leaps through time from the age of the Túatha Dé Danann to the time of Eochaid Airem, High King of Ireland
High King of Ireland ( ) was a royal title in Gaelic Ireland held by those who had, or who are claimed to have had, lordship over all of Ireland. The title was held by historical kings and was later sometimes assigned anachronously or to leg ...
. Midir is the husband of Fúamnach but falls in love with Étaín, and receives the help of his foster-son Aengus
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love,Ó hÓgáin, Dáithí. ''Myth, Legend & Romance: An encyclopedia of the Irish folk tradition''. Prentice-Hall Press, ...
(also Oengus) to make her his new bride. Fuamnach's vengeance is provoked against the young new wife, causing her a number of disgraces until after several transformations (including water, a worm, and a fly) Étaín fell into the drink of another woman and is reborn.
Étaín later marries Eochaid Airem, at that time the High King of Ireland. Far from giving up, Midir makes an attempt to bring his lover back home, going to see the king and challenging him to many games of fidchell or chess; Midir's chessboard is described as being silver with golden men and jeweled corners. Eochaid wins all but the last game, and Midir gives him fifty horses with red, spotted heads, fifty boars, a vat of blackthorn, fifty gold hilted swords, fifty ivory hilted swords, fifty red eared cows with white eared calves, and fifty red-headed rams with three horns and three heads each. However, Midir wins the final game and requests a kiss
A kiss is the touching or pressing of one's lips against another person, animal or object. Cultural connotations of kissing vary widely; depending on the culture and context, a kiss can express sentiments of love, passion, romance, sex ...
from Étaín as his prize.
After defending his home against Midir, who effortlessly enters, Eochaid reluctantly allows Midir his kiss, but Midir turns himself and Étaín into swans who fly out of the royal residence. Eochaid refuses to accept the loss of his wife and pursues Midir to the elfmounds. When Eochaid finally begins excavating Bri Leith, Midir confronts him and offers him another game. Midir uses his power to make fifty women look like Étaín and offers the king the opportunity to choose only one. Eochaid incorrectly chooses his own daughter and loses Étaín forever, also fathering a daughter upon his own daughter in the process.
''Oidheadh Chlainne Lir''
In the ''Fate of the Children of Lir'', Midir is referred to as "Midhir the Proud" and is passed over for the kingship of the Tuatha Dé Danann along with Lir, Aengus Og, and Ilbhreach in favor of Bodb Derg
In Irish mythology, Bodb Derg (Old Irish language, Old Irish, ) or Bodhbh Dearg (Middle Irish and Irish language, Modern Irish, ) was a son of Eochaid Garb or the Dagda,"The Children of Lir". P.W. Joyce (translator). 1879. ''Old Irish Romances.' ...
, the Dagda's eldest son.
''Aigidecht Aitherni''
Midir figures in a brief anecdote about the stingy poet Athirne, son of Ferchertne, in the heroic age portrayed by the Ulster Cycle
The Ulster Cycle (), formerly known as the Red Branch Cycle, is a body of medieval Irish heroic legends and sagas of the Ulaid. It is set far in the past, in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Do ...
. The story, entitled ''Aigidecht Aitherni'' ("The Guesting of Athirne") in one manuscript, recounts that Athirne came to Midir's house in Brí Léith and fasted against him until he obtained Midir's three magical cranes which stood outside his house denying entry or hospitality to anyone who approached. Moreover, " y of the men of Ireland who saw them he cranescould not face equal combat on that day."[''Aigidecht Aitherni'', tr. John Carey.]
Yellow Book of Lecan
One of Midir's eyes was knocked out with a twig of hazel during a quarrel that broke out between two companies of youths at the Brug. It is unclear in the story who threw the hazel twig, although Midir intercepted among the youths so that Aengus could avoid getting too close to Elcmar. Midir's eye was healed by Dian Cecht
In Irish mythology, Dian Cécht (; also known as ''Cainte'' or ''Canta'') was the god of healing, the healer for the Tuatha Dé Danann, and son of the Dagda according to the '' Dindsenchas''.
He was the father of Cu, Cethen and Cian. His other ...
, although elsewhere it is stated that Etain healed his eye from the well of Loch Da Lig.
Other references
Midir also interfered when Fráech
Fráech (Fróech, Fraích, Fraoch) is a Connacht hero and demigod in the Ulster Cycle of Irish mythology. He is the nephew of Boann, goddess of the river River Boyne, Boyne, and son of Idath of the men of Connaught and Bébinn (sister of Boann of ...
attempted to woo Treblainne.
In popular culture
The video game '' Dark Souls III'' features a dragon
A dragon is a Magic (supernatural), magical legendary creature that appears in the folklore of multiple cultures worldwide. Beliefs about dragons vary considerably through regions, but European dragon, dragons in Western cultures since the Hi ...
boss by the name of Darkeater Midir. The video game '' Fire Emblem: Genealogy of the Holy War'' has a minor playable character named Midir in the first generation.
The videogame '' Final Fantasy 7'' the village mideel is a reference to this god.
References
Primary sources
*'' Tochmarc Étaíne'' ("The Wooing of Étaín"), tr. J. Gantz. ''Early Irish Myths and Sagas''. London: Penguin Books, 1981. .
*''Aigidecht Aitherni'' ("The Guesting of Athirne"), ed. and tr. Rudolf Thurneysen, "Zu irischen Texten. I. Athirne von seiner Ungastlichkeit geheilt." ZCP 12 (1918): 389-9; ed. and tr. Kuno Meyer, "The Guesting of Athirne." ''Ériu'' 7 (1914): 1-9; ed. R. Thurneysen, "A third copy of the Guesting of Athirne." ''Ériu'' 7 (1914): 196-9 (diplomatic edition); tr. John Carey, "Athairne's Greediness." In ''Celtic Heroic Age'', ed. J.T. Koch and J. Carey. 3d ed. Aberystwyth, 2000. MSS: (1) LL 117a, (2) MS Harleian 5280, fo. 77 (alt 66) and (3) Royal Irish Academy, 23 N 10, pp. 15–16.
*'' Tochmarc Treblainne'', ed. Kuno Meyer, "Tochmarc Treblainne." ZCP 13 (1921): 166-75; tr. R. Jennings, "A translation of the ''Tochmarc Treblainne''." ''Emania'' 16 (1997): 73-8.
Further reading
*Uhlich, Jurgen. "Einige britannische Lehnnamen im Irischen: Brenainn (Brenden), Cathair/Cathaer und Midir." ZCP 49-50 (1997–98): 878-97.
{{Celtic mythology (Ulster)
Irish gods
Tuatha Dé Danann