Lassus (mythology)
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Orlando di Lasso ( various other names; probably – 14 June 1594) was a composer of the late
Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
. The chief representative of the mature
polyphonic Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ...
style in the
Franco-Flemish school The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originating from Franc ...
, Lassus stands with
William Byrd William Byrd (; 4 July 1623) was an English Renaissance composer. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native country and on the Continental Europe, Continent. He i ...
,
Giovanni Pierluigi da Palestrina Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de V ...
, and
Tomás Luis de Victoria Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Re ...
as one of the leading composers of the later Renaissance. Immensely prolific, his music varies considerably in style and genres, which gave him unprecedented popularity throughout Europe.


Name

Lasso's name appears in many forms, often changed depending on the place in which his music was being performed or published. In addition to Orlando di Lasso, variations include Orlande de Lassus, Roland de Lassus, Orlandus Lassus, Orlande de Lattre and Roland de Lattre. Since these various spellings or translations of the same name have been known and accepted for centuries, and since there is no evidence that he stated a preference, none of them can be considered incorrect.


Life and career

Orlando de Lasso was born in
Mons Mons commonly refers to: * Mons, Belgium, a city in Belgium * Mons pubis (mons Venus or mons veneris), in mammalian anatomy, the adipose tissue lying above the pubic bone * Mons (planetary nomenclature), a sizable extraterrestrial mountain * Batt ...
in the
County of Hainaut The County of Hainaut ( ; ; ; ), sometimes spelled Hainault, was a territorial lordship within the medieval Holy Roman Empire that straddled the present-day border of Belgium and France. Its most important towns included Mons, Belgium, Mons (), n ...
,
Habsburg Netherlands Habsburg Netherlands were the parts of the Low Countries that were ruled by sovereigns of the Holy Roman Empire's House of Habsburg. This rule began in 1482 and ended for the Northern Netherlands in 1581 and for the Southern Netherlands in 1797. ...
(modern-day
Belgium Belgium, officially the Kingdom of Belgium, is a country in Northwestern Europe. Situated in a coastal lowland region known as the Low Countries, it is bordered by the Netherlands to the north, Germany to the east, Luxembourg to the southeas ...
). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve, he left the
Low Countries The Low Countries (; ), historically also known as the Netherlands (), is a coastal lowland region in Northwestern Europe forming the lower Drainage basin, basin of the Rhine–Meuse–Scheldt delta and consisting today of the three modern "Bene ...
with
Ferrante Gonzaga Ferrante I Gonzaga (also Ferdinando I Gonzaga; 28 January 1507 – 15 November 1557) was an Italian condottiero, a member of the House of Gonzaga and the founder of the branch of the Gonzaga of Guastalla. Biography Ferrante was born in Mantua ...
and went to
Mantua Mantua ( ; ; Lombard language, Lombard and ) is a ''comune'' (municipality) in the Italian region of Lombardy, and capital of the Province of Mantua, eponymous province. In 2016, Mantua was designated as the "Italian Capital of Culture". In 2 ...
,
Sicily Sicily (Italian language, Italian and ), officially the Sicilian Region (), is an island in the central Mediterranean Sea, south of the Italian Peninsula in continental Europe and is one of the 20 regions of Italy, regions of Italy. With 4. ...
, and later
Milan Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nea ...
(from 1547 to 1549). While in Milan, he made the acquaintance of the madrigalist
Spirito l'Hoste da Reggio Hoste da Reggio (also L'Hoste, L'Osto, Oste, and Bartolomeo Torresano) (c. 1520–1569) was an Italian composer of the Renaissance, active in Milan and elsewhere in northern Italy. He was well known for his madrigals, which were published in seve ...
, a formative influence on his early musical style. He then worked as a singer and a composer for Costantino Castrioto in
Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ...
in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for
Cosimo I de' Medici, Grand Duke of Tuscany Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second and last duke of Florence from 1537 until 1569, when he became the first grand duke of Tuscany, a title he held until his death. Cosimo I succeeded his cousin to the duchy. ...
, who maintained a household there, and in 1553, he became ''
maestro di cappella ( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in i ...
'' of the
Basilica of Saint John Lateran The Archbasilica of Saint John Lateran (officially the ''Major Papal, Patriarchal and Roman Archbasilica, Metropolitan and Primatial Cathedral of the Most Holy Savior and Saints John the Baptist and the Evangelist in Lateran, Mother and Head of A ...
, the ecumenical mother church of Rome and a spectacularly prestigious post indeed for a man only twenty-one years old. However, he stayed there for only a year. (Palestrina would assume this post a year later, in 1555.) No solid evidence survives for his whereabouts in 1554, but there are contemporary claims that he traveled in France and England. In 1555 he returned to the
Low Countries The Low Countries (; ), historically also known as the Netherlands (), is a coastal lowland region in Northwestern Europe forming the lower Drainage basin, basin of the Rhine–Meuse–Scheldt delta and consisting today of the three modern "Bene ...
and had his early works published in
Antwerp Antwerp (; ; ) is a City status in Belgium, city and a Municipalities of Belgium, municipality in the Flemish Region of Belgium. It is the capital and largest city of Antwerp Province, and the third-largest city in Belgium by area at , after ...
(1555–1556). In 1556 he joined the court of Albrecht V, Duke of Bavaria, who was consciously attempting to create a musical establishment on a par with the major courts in Italy. Lasso was one of several Netherlanders to work there, and by far the most famous. He evidently was happy in
Munich Munich is the capital and most populous city of Bavaria, Germany. As of 30 November 2024, its population was 1,604,384, making it the third-largest city in Germany after Berlin and Hamburg. Munich is the largest city in Germany that is no ...
and decided to settle there. In 1558 he married Regina Wäckinger, the daughter of a maid of honor of the Duchess. They had two sons, both of whom became composers, and his daughter married the painter
Hans von Aachen Hans von Aachen (1552 – 4 March 1615) was a German painter who was one of the leading representatives of Northern Mannerism. Hans von Aachen was a versatile and productive artist who worked in many genres. He was successful as a painter of p ...
. By 1563 Lasso had been appointed ''maestro di cappella'', succeeding Ludwig Daser in the post. Lasso remained in the service of Albrecht V and his heir,
Wilhelm V William V (29 September 1548 – 7 February 1626), called ''the Pious'', (German: ''Wilhelm V., der Fromme, Herzog von Bayern'') was the duke of Bavaria from 1579 to 1597. Education and early life William V was born in Landshut, the son of ...
, for the rest of his life. By the 1560s Lasso had become quite famous, and composers began to go to Munich to study with him.
Andrea Gabrieli Andrea Gabrieli (1532/1533Bryant, Grove online – August 30, 1585) was an Italian composer and organist of the late Renaissance music, Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned ...
went there in 1562, and possibly remained in the chapel for a year.
Giovanni Gabrieli Giovanni Gabrieli (/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School (music), Venetian School, at the t ...
also possibly studied with him in the 1570s. His renown had spread outside strictly musical circles, for in 1570
Emperor Maximilian II Maximilian II (31 July 1527 – 12 October 1576) was Holy Roman Emperor from 1564 until his death in 1576. A member of the Austrian House of Habsburg, he was crowned King of Bohemia in Prague on 14 May 1562 and elected King of Germany (Kin ...
conferred nobility upon him, a rare circumstance for a composer.
Pope Gregory XIII Pope Gregory XIII (, , born Ugo Boncompagni; 7 January 1502 – 10 April 1585) was head of the Catholic Church and ruler of the Papal States from 13 May 1572 to his death in April 1585. He is best known for commissioning and being the namesake ...
knighted him and in 1571, and again in 1573, the king of France, Charles IX, invited him to visit. Some of these kings and aristocrats attempted to woo him away from Munich with more attractive offers, but Lasso was evidently more interested in the stability of his position, and the splendid performance opportunities of Albrecht's court, than in financial gain. "I do not want to leave my house, my garden, and the other good things in Munich", he wrote to the Duke of
Electorate of Saxony The Electorate of Saxony, also known as Electoral Saxony ( or ), was a territory of the Holy Roman Empire from 1356 to 1806 initially centred on Wittenberg that came to include areas around the cities of Dresden, Leipzig and Chemnitz. It was a ...
in 1580, upon receiving an offer for a position in
Dresden Dresden (; ; Upper Saxon German, Upper Saxon: ''Dräsdn''; , ) is the capital city of the States of Germany, German state of Saxony and its second most populous city after Leipzig. It is the List of cities in Germany by population, 12th most p ...
. In the late 1570s and 1580s Lasso made several visits to Italy, where he encountered the most modern styles and trends. In
Ferrara Ferrara (; ; ) is a city and ''comune'' (municipality) in Emilia-Romagna, Northern Italy, capital of the province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main ...
, the center of avant-garde activity, he doubtless heard the
madrigals A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...
being composed for the d' Este court. However, his own style remained conservative and became simpler and more refined as he aged. In the 1590s his health began to decline, and he went to a doctor named Thomas Mermann for treatment of what was called "melancholia hypocondriaca", but he was still able to compose as well as travel occasionally. His final work was often considered one of his best pieces: an exquisite set of twenty-one ''
madrigali spirituali A madrigale spirituale (Italian; pl. ''madrigali spirituali'') is a madrigal, or madrigal-like piece of music, with a sacred rather than a secular text. Most examples of the form date from the late Renaissance and early Baroque eras, and principall ...
'' known as the ''
Lagrime di San Pietro The ''Lagrime di San Pietro'' (Italian: ''Saint Peter's Tears'') is a cycle of 20 madrigals and a concluding motet by the late Renaissance composer Orlande de Lassus (Roland de Lassus). Written in 1594 for seven voices, it is structured as three s ...
'' ("Tears of St. Peter"), which he dedicated to
Pope Clement VIII Pope Clement VIII (; ; 24 February 1536 – 3 March 1605), born Ippolito Aldobrandini, was head of the Catholic Church and ruler of the Papal States from 30 January 1592 to his death in March 1605. Born in Fano, Papal States to a prominen ...
, and which was published posthumously in 1595. Lasso died in Munich on 14 June 1594, the same day that his employer decided to dismiss him for economic reasons. He never saw the letter. He was buried in Munich in the Alter Franziskaner Friedhof, a cemetery that was cleared of gravestones in 1789 and is now the site of
Max-Joseph-Platz Max-Joseph-Platz is a large square in central Munich which was named after King Maximilian Joseph. Max-Joseph-Platz serves as the western starting point of the royal avenue Maximilianstraße. Architecture The square was constructed with the erec ...
.


Music and influence

One of the most prolific, versatile, and universal composers of the late Renaissance, Lasso wrote over 2,000 works in all Latin, French, Italian and German vocal genres known in his time. These include 530
motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Eng ...
s, 175 Italian
madrigals A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...
and
villanella In music, a villanella (; plural villanelle) is a form of light Neapolitan secular vocal music which originated in the Kingdom of Naples just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta ...
s, 150 French
chanson A (, ; , ) is generally any Lyrics, lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval music, medieval and Renaissance music or to a specific style of ...
s, and 90 German
lied In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangea ...
er. No strictly instrumental music by Lasso is known to survive, or ever to have existed: an interesting omission for a composer otherwise so wide-ranging and prolific, during an age when instrumental music was becoming an ever-more prominent means of expression, all over Europe. The German music publisher Adam Berg dedicated 5 volumes of his ''Patrocinium musicum'' (published from 1573–1580) to Lasso's music.


Sacred music

Lasso remained
Catholic The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwid ...
during this age of religious discord, though this neither hindered him in writing worldly secular songs nor in employing music originally to racy texts in his Magnificats and masses employing parody technique. Nevertheless, the Catholic
Counter-Reformation The Counter-Reformation (), also sometimes called the Catholic Revival, was the period of Catholic resurgence that was initiated in response to, and as an alternative to or from similar insights as, the Protestant Reformations at the time. It w ...
, which under
Jesuit The Society of Jesus (; abbreviation: S.J. or SJ), also known as the Jesuit Order or the Jesuits ( ; ), is a religious order (Catholic), religious order of clerics regular of pontifical right for men in the Catholic Church headquartered in Rom ...
influence was reaching a peak in Bavaria in the late sixteenth century, had a demonstrable impact on Lasso's late work, including the liturgical music for the Roman Rite, the burgeoning number of Magnificats, the settings of the Catholic Ulenberg Psalter (1588), and especially the great penitential cycle of spiritual madrigals, the
Lagrime di San Pietro The ''Lagrime di San Pietro'' (Italian: ''Saint Peter's Tears'') is a cycle of 20 madrigals and a concluding motet by the late Renaissance composer Orlande de Lassus (Roland de Lassus). Written in 1594 for seven voices, it is structured as three s ...
(1594).


Masses

Almost 60 masses have survived complete; most of them are
parody masses A parody mass is a musical setting of the mass, typically from the 16th century, that uses multiple voices of a pre-existing piece of music, such as a fragment of a motet or a secular ''chanson'', as part of its melodic material. It is distinguis ...
using as melodic source material secular works written by himself or other composers. Technically impressive, they are nevertheless the most conservative part of his output. He usually conformed the style of the mass to the style of the source material, which ranged from
Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...
to contemporary madrigals, but always maintained an expressive and reverent character in the final product. Several of his masses are based on extremely secular French chansons; some of the source materials were outright obscene. ''Entre vous filles de quinze ans'', "Oh you fifteen-year old girls", by
Jacob Clemens non Papa Jacobus Clemens non Papa (also Jacques Clément or Jacob Clemens non Papa) ( – 1555 or 1556) was a Netherlandish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and w ...
, gave him source material for his 1581 ''Missa entre vous filles'', probably the most scandalous of the lot. This practice was not only accepted but encouraged by his employer, which can be confirmed by evidence from their correspondence, much of which has survived. In addition to his traditional imitation masses, he wrote a considerable quantity of ''missae breves'', "brief masses", syllabic short masses meant for brief services (for example, on days when Duke Albrecht went hunting: evidently he did not want to be detained by long-winded
polyphonic Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ...
music). The most extreme of these is a work actually known as the ''Jäger Mass'' (''Missa venatorum'')—the "Hunter's Mass". Some of his masses show influence from the Venetian School, particularly in their use of
polychoral An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. T ...
techniques (for example, in the eight-voice ''Missa osculetur me'', based on his own motet). Three of his masses are for double choir, and they may have been influential on the Venetians themselves; after all,
Andrea Gabrieli Andrea Gabrieli (1532/1533Bryant, Grove online – August 30, 1585) was an Italian composer and organist of the late Renaissance music, Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned ...
visited Lasso in Munich in 1562, and many of Lasso's works were published in Venice. Even though Lasso used the contemporary, sonorous Venetian style, his harmonic language remained conservative in these works: he adapted the texture of the Venetians to his own artistic ends.


Motets and other sacred music

Lasso is one of the composers of a style known as ''
musica reservata In music history, ''musica reservata'' (also ''musica secreta'') is either a style or a performance practice in ''a cappella'' vocal music of the latter half of the 16th century, mainly in Italy and southern Germany, involving refinement, exclusiv ...
''—a term which has survived in many contemporary references, many of them seemingly contradictory. The exact meaning of the term is a matter of fierce debate, though a rough consensus among musicologists is that it involves intensely expressive setting of text and
chromaticism Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses o ...
, and that it may have referred to music specifically written for connoisseurs. A famous composition by Lasso representative of this style is his series of 12 motets entitled ''
Prophetiae Sibyllarum ''Prophetiae Sibyllarum'' ("Sibylline Prophecies" or "Sibylline Oracles") are a series of twelve motets by the Franco-Flemish composer Orlando di Lasso. The works are known for their extremely chromatic idiom. History This cycle of motets i ...
'', in a wildly chromatic idiom which anticipates the work of Gesualdo; some of the chord progressions in this piece were not to be heard again until the 20th century. Lasso wrote four settings of the
Passion Passion, the Passion or the Passions may refer to: Emotion * Passion (emotion), a very strong feeling about a person or thing * Passions (philosophy), emotional states as used in philosophical discussions * Stoic passions, various forms of emotio ...
, one for each of the Evangelists,
St. Matthew Matthew the Apostle was one of the twelve apostles of Jesus. According to Christian traditions, he was also one of the four Evangelists as author of the Gospel of Matthew, and thus is also known as Matthew the Evangelist. The claim of his g ...
,
Mark Mark may refer to: In the Bible * Mark the Evangelist (5–68), traditionally ascribed author of the Gospel of Mark * Gospel of Mark, one of the four canonical gospels and one of the three synoptic gospels Currencies * Mark (currency), a currenc ...
,
Luke Luke may refer to: People and fictional characters * Luke (given name), including a list of people and fictional characters with the name * Luke (surname), including a list of people with the name * Luke the Evangelist, author of the Gospel of Luk ...
and
John John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second E ...
. All are for ''
a cappella Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Rena ...
'' voices. He sets the words of
Christ Jesus ( AD 30 or 33), also referred to as Jesus Christ, Jesus of Nazareth, and many other names and titles, was a 1st-century Jewish preacher and religious leader. He is the Jesus in Christianity, central figure of Christianity, the M ...
and the narration of the Evangelist as chant, while setting the passages for groups polyphonically. As a composer of motets, Lasso was one of the most diverse and prodigious of the entire Renaissance. His output varies from the sublime to the ridiculous, and he showed a sense of humor not often associated with sacred music: for example, one of his motets satirizes poor singers (his setting of ''Super flumina Babylonis'', for five voices) which includes stuttering, stopping and starting, and general confusion; it is related in concept if not in style to Mozart's ''
A Musical Joke ''A Musical Joke'' () K. 522, (divertimento for two horns in F, and string quartet) is a composition by Wolfgang Amadeus Mozart; he entered it in his ' (''Catalogue of All My Works'') on 14 June 1787. Commentators have opined that the pie ...
''. Many of his motets were composed for ceremonial occasions, as could be expected of a court composer who was required to provide music for visits of dignitaries, weddings, treaties and other events of state. But it was as a composer of religious motets that Lasso achieved his widest and most lasting fame. Lasso's 1584 setting of the seven
Penitential Psalms The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering). *Psalm vi – Domine, n ...
of David (), ordered by King Charles IX of France, is one of the most famous collections of psalm settings of the entire Renaissance. According to George T. Ferris, it was claimed by some that he ordered them as an expiation of his soul after the massacre of St. Bartholomew of the
Huguenots The Huguenots ( , ; ) are a Religious denomination, religious group of French people, French Protestants who held to the Reformed (Calvinist) tradition of Protestantism. The term, which may be derived from the name of a Swiss political leader, ...
. The counterpoint is free, avoiding the pervasive
imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of learning that leads to the "development of traditions, and ultimately our cu ...
of the Netherlanders such as Gombert, and occasionally using expressive devices foreign to Palestrina. As elsewhere, Lasso strives for emotional impact, and uses a variety of texture and care in text-setting towards that end. The penultimate piece in the collection, his setting of the '' De profundis'' (Psalm 129/130), is considered by many scholars to be one of the high-water marks of Renaissance polyphony, ranking alongside the two settings of the same text by
Josquin des Prez Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the ...
. Among his other liturgical compositions are
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...
s,
canticle In the context of Christian liturgy, a canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books su ...
s (including over 100
Magnificat The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...
s),
responsories for Holy Week Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been publis ...
, Passions,
Lamentations The Book of Lamentations (, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible, it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls" ...
, and some independent pieces for major feasts.


Secular music

Lasso wrote in all the prominent secular forms of the time. In the preface to his collection of German songs, Lasso lists his secular works:
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance languag ...
madrigals and
French French may refer to: * Something of, from, or related to France ** French language, which originated in France ** French people, a nation and ethnic group ** French cuisine, cooking traditions and practices Arts and media * The French (band), ...
chansons,
German German(s) may refer to: * Germany, the country of the Germans and German things **Germania (Roman era) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizenship in Germany, see also Ge ...
and
Dutch Dutch or Nederlands commonly refers to: * Something of, from, or related to the Netherlands ** Dutch people as an ethnic group () ** Dutch nationality law, history and regulations of Dutch citizenship () ** Dutch language () * In specific terms, i ...
songs. He is probably the only Renaissance composer to write prolifically in five languages –
Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ...
in addition to those mentioned above – and he wrote with equal fluency in each. Many of his songs became hugely popular, circulating widely in Europe. In these various secular songs, he conforms to the manner of the country of origin while still showing his characteristic originality, wit, and terseness of statement.


Madrigals

In his
madrigal A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...
s, many of which he wrote during his stay in Rome, his style is clear and concise, and he wrote tunes which were easily memorable; he also "signed" his work by frequently using the word 'lasso' (and often setting with the solfège syllables la-sol, i.e. A-G in the key of C). His choice of poetry varied widely, from
Petrarch Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest Renaissance humanism, humanists. Petrarch's redis ...
for his more serious work to the lightest verse for some of his amusing
canzonetta In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especia ...
s. Lasso often preferred cyclic madrigals, i.e. settings of multiple poems in a group as a set of related pieces of music. For example, his fourth book of madrigals for five voices begins with a complete
sestina A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse, fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The wor ...
by Petrarch, continues with two-part
sonnet A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set Rhyme scheme, rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in ...
s, and concludes with another sestina: therefore the entire book can be heard as a unified composition with each madrigal a subsidiary part.


Chansons

Another form which Lasso cultivated was the French chanson, of which he wrote about 150. Most of them date from the 1550s, but he continued to write them even when he was in Germany: his last productions in this genre come from the 1580s. They were enormously popular in Europe, and of all his works, they were the most widely arranged for instruments such as lute and keyboard. Most were collected in the 1570s and 1580s in three publications: one by
Petrus Phalesius the Elder Petrus may refer to: People * Petrus (given name) * Petrus (surname) * Petrus Borel, pen name of Joseph-Pierre Borel d'Hauterive (1809–1859), French Romantic writer * Petrus Brovka, pen name of Pyotr Ustinovich Brovka (1905–1980), Soviet Belar ...
in 1571, and two by Le Roy and Ballard in 1576 and 1584. Stylistically, they ranged from the dignified and serious, to playful, bawdy, and amorous compositions, as well as drinking songs suited to taverns. Lasso followed the polished, lyrical style of Sermisy rather than the programmatic style of
Clément Janequin Clément Janequin (c. 1485 – 1558) was a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance, and along with Claudin de Sermisy, was hugely influential in the development o ...
for his writing. One of the most famous of Lasso's drinking songs was used by
Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
in
Henry IV, Part II ''Henry IV, Part 2'' is a history play by William Shakespeare believed to have been written between 1596 and 1599. It is the third part of a tetralogy, preceded by ''Richard II'' and ''Henry IV, Part 1'' and succeeded by ''Henry V''. The play ...
. English words are fitted to (as ''Monsieur Mingo'') and sung by the drunken Justice Silence, in Act V, Scene iii.


German lieder

A third type of secular composition by Lasso was the German
Lied In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangea ...
. Most of these he evidently intended for a different audience, since they are considerably different in tone and style from either the chansons or madrigals; in addition, he wrote them later in life, with none appearing until 1567, when he was already well-established at Munich. Many are on religious subjects, although light and comic verse is represented as well. He also wrote drinking songs in German, and contrasting with his parallel work in the genre of the chanson, he also wrote songs on the unfortunate aspects of overindulgence.


Dutch songs

In the preface to his collection of German songs, Lasso states that he had composed Dutch songs. However, no Dutch song has been preserved.Jan Willem Bonda
''De meerstemmige Nederlandse liederen van de vijftiende en zestiende eeuw''
Uitgeverij Verloren, 1996, , , p. 23


References


Sources and further reading

* Haar, James, "Orlande de Lassus", in ''The New Grove Dictionary of Music and Musicians'', ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. * *
Gustave Reese Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940 ...
, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954. *
Harold Gleason Harold Gleason (1892–1980) was an American organist, teacher, lecturer, and scholar. He is best known as the author of ''Method of Organ Playing'', published in numerous editions made by him and later by his wife, concert organist Catharine ...
and Warren Becker, ''Music in the Middle Ages and Renaissance'' (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. * Jean-Paul C. Montagnier, ''The Polyphonic Mass in France, 1600-1780: The Evidence of the Printed Choirbooks,'' Cambridge: Cambridge University Press, 2017 (Chapter 5, "Lassus as Model").


External links

* Th
Orlando di Lasso-Gesamtausgabe
* * * *

by the Umeå Academic Choir
Database
of Orlando di Lasso manuscripts {{DEFAULTSORT:Lasso, Orlando di Orlande de Lassus Classical composers Renaissance composers 1532 births 1594 deaths 16th-century Franco-Flemish composers Classical composers of church music Madrigal composers People from Mons, Belgium Walloon people Male classical composers Musicians from the Habsburg Netherlands Belgian Roman Catholics