Jules Bastien-Lepage

Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that grew out of the Realist movement and paved the way for the development of impressionism. Émile Zola described Bastien-Lepage's work as "impressionism corrected, sweetened and adapted to the taste of the crowd."

His ''en plein air'' depictions of peasant life in the countryside were highly influential on many international artists, including George Clausen in England and Tom Roberts in Australia. He also won renown for his history paintings, among the most famous being ''Joan of Arc'', now held at the Metropolitan Museum of Art in
New York.

Life and work

Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had espaliered fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy.

Education

Jules Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at Verdun. Prompted by a love of art, he went to Paris in 1867, where he was admitted to the École des Beaux-arts, working under Alexandre Cabanel. He was awarded first place for drawing, but spent most of his time working alone, only occasionally appearing in class. Nevertheless, he completed three years at the ''école''. In a letter to his parents, he complained that the life model was a man in the pose of a mediaeval lutanist. During the Franco-Prussian war in 1870, Bastien fought and was wounded. After the war, he returned home to paint the villagers and recover from his wound. In 1873 he painted his grandfather in the garden, a work that would bring the artist his first success at the Paris Salon.

Early work

After exhibiting works in the Salons of 1870 and 1872, which attracted no attention, in 1874 his ''Portrait of my Grandfather'' garnered critical acclaim and received a third-class medal. He also showed ''Song of Spring'', an academically oriented study of rural life, representing a peasant girl sitting on a knoll above a village, surrounded by wood nymphs.

His initial success was confirmed in 1875 by the ''First Communion'', a picture of a little girl minutely worked up in manner that was compared to Hans Holbein, and a ''Portrait of M. Hayern''. In 1875, he took second place in the competition for the '' Prix de Rome'' with his ''Angels appearing to the Shepherds'', exhibited again at the ''Exposition Universelle'' in 1878. His next attempt to win the Prix de Rome in 1876 with ''Priam at the Feet of Achilles'' was again unsuccessful (it is in the Lille gallery), and the painter determined to return to country life.In an obituary in ''The Magazine of Art'' (1890), his friend, Prince Bojidar Karageorgevitch, wrote that it was never his intention to go to Rome, where the classical training held no interest for him, but winning the prize was a great honor which he had hoped would be his. To the Salon of 1877 he sent a full-length ''Portrait of Lady L.'' and ''My Parents''; and in 1878 a ''Portrait of M. Theuriet'' and ''Haymaking (Les Foins)''. The last picture, now in the Musée d'Orsay, was widely praised by critics and the public alike. It secured his status as one of the first painters in the Naturalist school.

Naturalism and acclaim

After the success of ''Haymaking'', Bastien-Lepage was recognized in France as the leader of the emerging Naturalist school. By 1883, a critic could proclaim that "The whole world paints so much today like M. Bastien-Lepage that M. Bastien-Lepage seems to paint like the whole world." This fame brought him prominent commissions.

His '' Portrait of Sarah Bernhardt'' (1879), painted in a light key, won him the cross of the Legion of Honour. In 1879 he was commissioned to do a portrait of the Prince of Wales. In 1880 he exhibited a small depiction of M. Andrieux and an historical painting of ''Joan of Arc'' (now in the Metropolitan Museum of Art); and in the same year, at the Royal Academy, the small portrait of the Prince of Wales. In 1881 he painted ''The Beggar'' and the ''Portrait of Albert Wolf''; in 1882 ''Le Père Jacques''; in 1885 ''Village Love'', in which we find some trace of Gustave Courbet's influence. His last dated work is ''The Forge'' (1884).

Death and legacy

Between 1880 and 1883 he traveled in Italy. The artist, long ailing, had tried in vain to re-establish his health in Algiers. He died in Paris in 1884, when planning a new series of rural subjects. His friend, Prince Bojidar Karageorgevitch, was with him at the end and wrote:

At last he was unable to work anymore; and he died on the 10th of December, 1884, breathing his last in my arms. At his grave's head his mother and brother planted an apple-tree.

In March and April 1885, more than 200 of his pictures were exhibited at the Ecole des Beaux-Arts. In 1889 some of his best-known work was shown at the Paris Exposition Universelle.

Among his more important works, may also be mentioned the portrait of Mme J. Drouet (1883); Gambetta on his death-bed, and some landscapes; ''The Vintage'' (1880), and ''The Thames at London'' (1882). ''The Little Chimney-Sweep'' was never finished. A museum is devoted to him at Montmédy. A statue of Bastien-Lepage by Rodin was erected in Damvillers.The Prince Bojidar Karageorgevitch
''Personal reminiscences of Jules Bastien-Lepage''
The Magazine of Art, Vol. 13, p. 83 (1890) Cassell & Company. An obituary by Prince Bojidar Karageorgevitch, appeared in the ''Magazine of Art'' (Cassell) in 1890.

Impact on the reception of Impressionism

The influential English critic Roger Fry credited the wider public's acceptance of the Impressionists, especially Claude Monet, to Bastien-Lepage. In his 1920 ''Essay in Æsthetics'', Fry wrote:Fry, Roger. 1920. "Vision and Design". London: Chatto & Windus
"An Essay in Æsthetics"
. 11–24.

Relationship with Marie Bashkirtseff

Ukrainian-born painter Marie Bashkirtseff formed a close friendship with Bastien-Lepage. Artistically, she took her cue from the French painter's admiration for nature: "I say nothing of the fields because Bastien-Lepage reigns over them as a sovereign; but the streets, however, have not still had their... Bastien." Her best-known work in this naturalist vein is ''A Meeting'' (now in the Musée d'Orsay), which was shown to wide acclaim at the Paris Salon of 1884. By a curious coincidence she succumbed to chronic illness the same year as her colleague and friend.

Art market

The highest price reached by one of his paintings in the art market was when his ''Portrait of Sarah Bernhardt'' (1879) sold by $2,280,000 at Christie's, on 20 October 2022.

Honours

* 1883: Knight in the Order of Leopold.Handelsblad (Het) 21-01-1883.

Paintings

File:BastienLepage Jules Joan Of Arc.jpg, ''Joan of Arc'' (1879; Metropolitan Museum of Art)
File:Jules Bastien-Lepage - The Annunciation to the Shepherds - Google Art Project.jpg, ''The Annunciation to the Shepherds'' (1875; National Gallery of Victoria, Melbourne)
File:Achilles and Priam.jpg, ''Achilles and Priam,'' 1876
File:Jules Bastien-Lepage - Hay making - Google Art Project.jpg, ''Haymaking (Les Foins)'', 1877, Musée d'Orsay
File:Jules Bastien-Lepage - October - Google Art Project.jpg, '' October'', 1878, National Gallery of Victoria
File:Jules Bastien-Lepage At Harvest Time.jpg, ''Harvest Time'', 1880
File:BastianLepage.jpg, ''Young Girl'', 1881
File:Bastien-Lepage, Jules ~ Pauvre Fauvette, 1881.jpg, ''Pauvre Fauvette'', 1881
File:Marie Samary of the Odéon Theater.jpg, ''Marie Samary of the Odéon Theater,'' c. 1881, Cleveland Museum of Art
File:Jules Bastien-Lepage-Ophélie-Musée des beaux-arts de Nancy.jpg, ''Ophelia'', 1881, Museum of Fine Arts of Nancy
File:Jules Bastien-Lepage - Pas Mèche (Nothing Doing) - Google Art Project.jpg, ''Pas Mèche (Nothing Doing)'', 1882, Scottish National Gallery
File:Bastien Lepage LAmour au Village.jpg, ''L'Amour au Village'', 1882, Pushkin Museum
File:Going to School - Jules Bastien-Lepage - ABDAG002288.jpg, ''Going to School,'' 1882, Aberdeen Art Gallery

Notes

References

Sources

*
* André Theuriet, ''Bastien-Lepage'' (1885; English edition, 1892); L de Fourcaud, ''Bastien-Lepage'' (1885).
* Serge Lemoine, Dominique Lobstein, Marie Lecasseur, et al., ''Jules Bastien-Lepage 1848–1884'' (Paris: Musée d'Orsay, 2007).
* Marnin Young
"The Motionless Look of a Painting: Jules-Bastien Lepage, ''Les Foins'', and the End of Realism"
''Art History'', vol. 37, no. 1 (February 2014): 38–67.

External links

Art Gallery
at MuseumSyndicate.com

{{DEFAULTSORT:Bastien-Lepage, Jules
1848 births
1884 deaths
People from Meuse (department)
19th-century French painters
French male painters
Prix de Rome for painting
19th-century French male artists