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Realism (art Movement)
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual ...
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James Abbot McNeill Whistler 006
James is a common English language surname and given name: *James (name), the typically masculine first name James * James (surname), various people with the last name James James or James City may also refer to: People * King James (other), various kings named James * Saint James (other) * James (musician) * James, brother of Jesus Places Canada * James Bay, a large body of water * James, Ontario United Kingdom * James College, a college of the University of York United States * James, Georgia, an unincorporated community * James, Iowa, an unincorporated community * James City, North Carolina * James City County, Virginia ** James City (Virginia Company) ** James City Shire * James City, Pennsylvania * St. James City, Florida Arts, entertainment, and media * ''James'' (2005 film), a Bollywood film * ''James'' (2008 film), an Irish short film * ''James'' (2022 film), an Indian Kannada-language film * James the Red Engine, a character in ''Thomas t ...
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Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined '' J'Accuse…!'' Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. Four years later, in 1847, his fathe ...
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After Dinner At Ornans
''After Dinner at Ornans'' (French - ''L'Après-dînée à Ornans'') is a 195 by 257 cm painting by Gustave Courbet, painted in winter 1848–1849 in Ornans. It is now in the Palais des Beaux-Arts de Lille. Decades later, ''Mother Anthony's Tavern'' (1866), one of the first major paintings by Pierre-Auguste Renoir, would pay homage to this work, showing the influence of Courbet on the early Renoir.Adams, Steven (1994). The Barbizon School & the Origins of Impressionism'. Phaidon Press. pp. 202-209. . . References

{{19C-painting-stub Paintings by Gustave Courbet 1849 paintings Food and drink paintings Paintings in the collection of the Palais des Beaux-Arts de Lille ...
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The Stone Breakers
''The Stone Breakers'' (french: Les Casseurs de pierres) was an 1849 painting by the French painter Gustave Courbet. It was a work of realism, depicting two peasants, a young man and an old man, breaking rocks. ''The Stone Breakers'' was first exhibited at the Paris Salon The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art ... of 1850. As a work of Realism (arts), realism the subject matter addressed a scene of everyday life. This painting was intended to show the hard labor that poor citizens experienced. Courbet did not show the figure's faces, they represent the "every man" and are not meant to be specific individuals. At the same time the clothing of the figures implies some degree of individuality, the younger man's pants are too short and the older man's vest is striped. The pai ...
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The Third Class Carriage
''The Third-Class Carriage'' (French: "Le Wagon de troisième classe") is the name of at least three oil paintings entitled made by the French painter Honoré Daumier . In a realistic manner, Daumier depicts the poverty and fortitude of working class travellers in a third class railway carriage. One oil-on canvas version, dated to but left unfinished, is in the collection of the Metropolitan Museum of Art in New York, and a similar but completed painting dated to is in the National Gallery of Canada in Ottawa. A third oil-on-panel version, dated to , with a different arrangement of the main three figures, is held by the Fine Arts Museums of San Francisco. Background Daumier had drawn and painted images of rail travel since the 1840s, focussing on the people travelling rather than the conveyances. His series of lithographs, ''Les Chemins de Fer'' ("the railway") was published in the French magazine ''Le Charivari'' from 1843 to 1858, including prints published in December 18 ...
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The Gleaners
''The Gle