Johannes Vermeer - Het melkmeisje - Google Art Project

Dutch Golden Age painting is the painting of the

Dutch Golden Age The Dutch Golden Age ( nl, Gouden Eeuw ) was a period in the history of the Netherlands, roughly spanning the era from 1588 (the birth of the Dutch Republic) to 1672 (the Rampjaar, "Disaster Year"), in which Dutch trade, science, and art an ...

, a period in Dutch history roughly spanning the 17th century, during and after the later part of the

Eighty Years' War The Eighty Years' War or Dutch Revolt ( nl, Nederlandse Opstand) ( c.1566/1568–1648) was an armed conflict in the Habsburg Netherlands between disparate groups of rebels and the Spanish government. The causes of the war included the Re ...

(1568–1648) for Dutch independence. The new

Dutch Republic The United Provinces of the Netherlands, also known as the (Seven) United Provinces, officially as the Republic of the Seven United Netherlands ( Dutch: ''Republiek der Zeven Verenigde Nederlanden''), and commonly referred to in historiography ...

was the most prosperous nation in Europe and led European trade, science, and art. The northern

Netherlandish The Low Countries comprise the coastal Rhine–Meuse–Scheldt delta region in Western Europe, whose definition usually includes the modern countries of Luxembourg, Belgium and the Netherlands. Both Belgium and the Netherlands derived their ...

provinces that made up the new state had traditionally been less important artistic centres than cities in

Flanders Flanders (, ; Dutch: ''Vlaanderen'' ) is the Flemish-speaking northern portion of Belgium and one of the communities, regions and language areas of Belgium. However, there are several overlapping definitions, including ones related to cultu ...

in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of

Baroque painting Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,that of neighbouring Flanders. Most work, including that for which the period is best known, reflects the traditions of detailed

realism Realism, Realistic, or Realists may refer to: In the arts * Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a mov ...

inherited from

Early Netherlandish painting Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especial ...

A distinctive feature of the period is the proliferation of distinct

genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other ...

s of paintings, with the majority of artists producing the bulk of their work within one of these. The full development of this specialization is seen from the late 1620s, and the period from then until the French invasion of 1672 is the core of Golden Age painting. Artists would spend most of their careers painting only portraits, genre scenes, landscapes, seascapes and ships, or still lifes, and often a particular sub-type within these categories. Many of these types of subject were new in Western painting, and the way the Dutch painted them in this period was decisive for their future development.

Types of painting

A distinctive feature of the period, compared to earlier European painting, was the small amount of religious painting. Dutch

Calvinism Calvinism (also called the Reformed Tradition, Reformed Protestantism, Reformed Christianity, or simply Reformed) is a major branch of Protestantism that follows the theological tradition and forms of Christian practice set down by John Ca ...

forbade religious painting in churches, and though biblical subjects were acceptable in private homes, relatively few were produced. The other traditional classes of history and portrait painting were present, but the period is more notable for a huge variety of other genres, sub-divided into numerous specialized categories, such as scenes of peasant life, landscapes, townscapes, landscapes with animals, maritime paintings, flower paintings and

still life A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ...

s of various types. The development of many of these types of painting was decisively influenced by 17th-century Dutch artists. The widely held theory of the "

hierarchy of genres A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value. In literature, the epic was considered the highest form, for the reason expressed by Samuel Johns ...

" in painting, whereby some types were regarded as more prestigious than others, led many painters to want to produce history painting. However, this was the hardest to sell, as even Rembrandt found. Many were forced to produce portraits or genre scenes, which sold much more easily. In descending order of status, the categories in the hierarchy were: *

history painting History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible ...

, including

allegories As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory th ...

and popular religious subjects. *

portrait painting Portrait Painting is a Hierarchy of genres, genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commissi ...

, including the ''

tronie A tronie is a type of work common in Dutch Golden Age painting and Flemish Baroque painting that depicts an exaggerated or characteristic facial expression. These works were not intended as portraits but as studies of expression, type, physiog ...

'' *

genre painting Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attache ...

or scenes of everyday life *

landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes th ...

, including seascapes, battlescenes, cityscapes, and ruins (landscapists were the "common

footmen A footman is a male domestic worker employed mainly to wait at table or attend a coach or carriage. Etymology Originally in the 14th century a footman denoted a soldier or any pedestrian, later it indicated a foot servant. A running footman deli ...

in the Army of Art" according to

Samuel van Hoogstraten Samuel Dirksz van Hoogstraten (2 August 1627, in Dordrecht – 19 October 1678, in Dordrecht) was a Dutch painter of the Golden Age, who was also a poet and author on art theory. Biography Samuel Dirksz van Hoogstraten trained first with his fat ...

.) *

The Dutch concentrated heavily on the "lower" categories, but by no means rejected the concept of the hierarchy. Most paintings were relatively small – the only common type of really large paintings were group portraits. Painting directly onto walls hardly existed; when a wall-space in a public building needed decorating, fitted framed canvas was normally used. For the extra precision possible on a hard surface, many painters continued to use wooden panels, some time after the rest of Western Europe had abandoned them; some used copper plates, usually recycling plates from

printmaking Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed techni ...

. In turn, the number of surviving Golden Age paintings was reduced by them being overpainted with new works by artists throughout the 18th and 19th century – poor ones were usually cheaper than a new canvas, stretcher and frame. There was very little Dutch sculpture during the period; it is mostly found in

tomb monument Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and comm ...

s and attached to public buildings, and small sculptures for houses are a noticeable gap, their place taken by silverware and

ceramics A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, ...

. Painted

delftware Delftware or Delft pottery, also known as Delft Blue ( nl, Delfts blauw) or as delf, is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands ...

tiles were very cheap and common, if rarely of really high quality, but silver, especially in the

auricular style The auricular style or lobate style (Dutch: ''Kwabstijl'', German: ''Ohrmuschelstil'') is a style of ornamental decoration, mainly found in Northern Europe in the first half of the 17th century, bridging Northern Mannerism and the Baroque. The ...

, led Europe. With this exception, the best artistic efforts were concentrated on painting and printmaking.

The art world

Gentlemen Smoking and Playing Backgammon in an Interior

Foreigners remarked on the enormous quantities of art produced and the large fairs where many paintings were sold – it has been roughly estimated that over 1.3 million Dutch pictures were painted in the 20 years after 1640 alone. The volume of production meant that prices were fairly low, except for the best known artists; as in most subsequent periods, there was a steep price gradient for more fashionable artists. Those without a strong contemporary reputation, or who had fallen out of fashion, including many now considered among the greatest of the period, such as

Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately suc ...

Frans Hals Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century gro ...

and

Rembrandt Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally co ...

in his last years, had considerable problems earning a living, and died poor; many artists had other jobs, or abandoned art entirely. In particular the French invasion of 1672 (the ''

Rampjaar In Dutch history, the year 1672 is referred to as the nl, Rampjaar, label=none (Disaster Year). In May 1672, following the outbreak of the Franco-Dutch War and its peripheral conflict the Third Anglo-Dutch War, France, supported by Münster and ...

'', or "year of disaster"), brought a severe depression to the art market, which never quite returned to earlier heights. The distribution of pictures was very wide: "yea many tymes, blacksmithes, cobblers etts., will have some picture or other by their Forge and in their stalle. Such is the generall Notion, enclination and delight that these Countrie Native have to Painting" reported an English traveller in 1640. There were for virtually the first time many professional art dealers, several also significant artists, like

and his father,

Jan van Goyen Jan Josephszoon van Goyen (; 13 January 1596 – 27 April 1656) was a Dutch landscape painter. The scope of his landscape subjects was very broad as he painted forest landscapesm marines, river landscapes, beach scenes, winter landscape, cityscap ...

and

Willem Kalf Willem Kalf (1619 – 31 July 1693) was one of the most prominent Dutch still-life painters of the 17th century, the Dutch Golden Age. We first get acquainted with Willem Kalf through Arnold Houbraken, in his Groot Schilderboek, who speaks very h ...

. Rembrandt's dealer

Hendrick van Uylenburgh Hendrick Gerritszoon van Uylenburgh (c. 1587 – 1661) was an influential Dutch Golden Age art dealer who helped launch the careers of Rembrandt, Govert Flinck, Ferdinand Bol and other painters. Biography Van Uylenburgh came from a Frisian fa ...

and his son

Gerrit Gerrit is a Dutch male name meaning "''brave with the spear''", the Dutch and Frisian form of Gerard. People with this name include: * Gerrit Achterberg (1905–1962), Dutch poet * Gerrit van Arkel (1858–1918), Dutch architect * Gerrit Badenho ...

were among the most important. Landscapes were the easiest uncommissioned works to sell, and their painters were the "common

in the Army of Art" according to

The technical quality of Dutch artists was generally high, still mostly following the old medieval system of training by apprenticeship with a master. Typically workshops were smaller than in Flanders or Italy, with only one or two apprentices at a time, the number often being restricted by guild regulations. The turmoil of the early years of the Republic, with displaced artists from the south moving north and the loss of traditional markets in the court and church, led to a resurgence of artists guilds, often still called the

Guild of Saint Luke The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was id ...

. In many cases these involved the artists extricating themselves from medieval groupings where they shared a guild with several other trades, such as housepainting. Several new guilds were established in the period:

Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the Capital of the Netherlands, capital and Municipalities of the Netherlands, most populous city of the Netherlands, with The Hague being the seat of government. It has a population ...

in 1579, Haarlem in 1590, and Gouda,

Rotterdam Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"N ...

Utrecht Utrecht ( , , ) is the fourth-largest city and a municipality of the Netherlands, capital and most populous city of the province of Utrecht. It is located in the eastern corner of the Randstad conurbation, in the very centre of mainland Nethe ...

and

Delft Delft () is a city and municipality in the province of South Holland, Netherlands. It is located between Rotterdam, to the southeast, and The Hague, to the northwest. Together with them, it is part of both the Rotterdam–The Hague metropolitan ...

between 1609 and 1611. The

Leiden Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration wit ...

authorities distrusted guilds and did not allow one until 1648. Later in the century it began to become clear to all involved that the old idea of a guild controlling both training and sales no longer worked well, and gradually the guilds were replaced with

academies An academy ( Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy ...

, often only concerned with the training of artists.

The Hague The Hague ( ; nl, Den Haag or ) is a list of cities in the Netherlands by province, city and municipalities of the Netherlands, municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's ad ...

, with the court, was an early example, where artists split into two groups in 1656 with the founding of the

Confrerie Pictura The Confrerie Pictura was a more or less academic club of artists founded in 1656 in The Hague (the Netherlands) by local art painters, who were unsatisfied by the Guild of Saint Luke there. History The guild of St. Luke in the Hague existed a ...

. With the obvious exception of portraits, many more Dutch paintings were done "speculatively" without a specific commission than was then the case in other countries – one of many ways in which the Dutch art market showed the future.Fuchs, 43 There were many dynasties of artists, and many married the daughters of their masters or other artists. Many artists came from well-off families, who paid fees for their apprenticeships, and they often married into property. Rembrandt and Jan Steen were both enrolled at the

University of Leiden Leiden University (abbreviated as ''LEI''; nl, Universiteit Leiden) is a public research university in Leiden, Netherlands. The university was founded as a Protestant university in 1575 by William, Prince of Orange, as a reward to the city of L ...

for a while. Several cities had distinct styles and specialities by subject, but Amsterdam was the largest artistic centre, because of its great wealth. Cities such as Haarlem and

were more important in the first half of the century, with

and other cities emerging after 1648, and above all Amsterdam, which increasingly drew to it artists from the rest of the Netherlands, as well as

and Germany. Dutch artists were strikingly less concerned about artistic theory than those of many nations, and less given to discussing their art; it appears that there was also much less interest in artistic theory in general intellectual circles and among the wider public than was by then common in Italy. As nearly all commissions and sales were private, and between bourgeois individuals whose accounts have not been preserved, these are also less well documented than elsewhere. But Dutch art was a source of national pride, and the major biographers are crucial sources of information. These are

Karel van Mander Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remember ...

(Het Schilderboeck, 1604), who essentially covers the previous century, and Arnold Houbraken (''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' – "The Great Theatre of Dutch Painters", 1718–21). Both followed, and indeed exceeded,

Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculp ...

in including a great number of short lives of artists – over 500 in Houbraken's case – and both are considered generally accurate on factual matters. The German artist

Joachim von Sandrart Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the ''T ...

(1606–1688) had worked for periods in Holland, and his ''Deutsche Akademie'' in the same format covers many Dutch artists he knew. Houbraken's master, and Rembrandt's pupil, was

(1627–1678), whose ''Zichtbare wereld'' and ''Inleyding tot de Hooge Schoole der Schilderkonst'' (1678) contain more critical than biographical information, and are among the most important treatises on painting of the period. Like other Dutch works on the theory of art, they expound many commonplaces of Renaissance theory and do not entirely reflect contemporary Dutch art, still often concentrating on history painting.

History painting

This category comprises not only paintings that depicted historical events of the past, but also paintings that showed biblical, mythological, literary and

allegorical As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory ...

scenes. Recent historical events essentially fell out of the category, and were treated in a realist fashion, as the appropriate combination of portraits with marine, townscape or landscape subjects. Large dramatic historical or Biblical scenes were produced less frequently than in other countries, as there was no local market for church art, and few large aristocratic Baroque houses to fill. More than that, the Protestant population of major cities had been exposed to some remarkably hypocritical uses of

Mannerist Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ita ...

allegory in unsuccessful Habsburg propaganda during the Dutch Revolt, which had produced a strong reaction towards realism and a distrust of grandiose visual rhetoric. History painting was now a "minority art", although to an extent this was redressed by a relatively keen interest in print versions of history subjects. More than in other types of painting, Dutch history painters continued to be influenced by Italian painting. Prints and copies of Italian masterpieces circulated and suggested certain compositional schemes. The growing Dutch skill in the depiction of light was brought to bear on styles derived from Italy, notably that of

Caravaggio Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of hi ...

. Some Dutch painters also travelled to Italy, though this was less common than with their Flemish contemporaries, as can be seen from the membership of the

Bentvueghels The Bentvueghels (Dutch for "Birds of a Feather") were a society of mostly Dutch and Flemish artists active in Rome from about 1620 to 1720. They are also known as the Schildersbent ("painters' clique"). Activities The members, which include ...

club in Rome. Dirk van Baburen - Kroning met de doornenkroon

In the early part of the century many

Northern Mannerist Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, e ...

artists with styles formed in the previous century continued to work, until the 1630s in the cases of

Abraham Bloemaert Abraham Bloemaert (25 December 1566 – 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was initially working in the style of the " Haarlem Mannerists", but in the 16th century altered his style in line with the ...

and

Joachim Wtewael Joachim Anthoniszoon Wtewael (; also known as Uytewael ) (1566 – 1 August 1638) was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht. Wtewael was one of the leadin ...

. Many history paintings were small in scale, with the German painter (based in Rome)

Adam Elsheimer __NOTOC__ Adam Elsheimer (18 March 1578 – 11 December 1610) was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintin ...

as much an influence as Caravaggio (both died in 1610) on Dutch painters like

Pieter Lastman Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to ...

, Rembrandt's master, and Jan and

Jacob Pynas Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Ja ...

. Compared to Baroque history painting from other countries, they shared the Dutch emphasis on realism, and narrative directness, and are sometimes known as the "Pre-Rembrandtists", as Rembrandt's early paintings were in this style.

Utrecht Caravaggism Utrecht Caravaggism ( nl, Utrechtse caravaggisten) refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly infl ...

describes a group of artists who produced both history painting and generally large genre scenes in an Italian-influenced style, often making heavy use of

chiaroscuro Chiaroscuro ( , ; ), in art, is the use of strong contrast (vision), contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts ...

. Utrecht, before the revolt the most important city in the new Dutch territory, was an unusual Dutch city, still about 40% Catholic in the mid-century, even more among the elite groups, who included many rural nobility and gentry with town houses there. The leading artists were

Hendrick ter Brugghen Hendrick Jansz ter Brugghen (or Terbrugghen) (1588 – 1 November 1629) was a Dutch painter of genre scenes and religious subjects. He was one of the Dutch followers of Caravaggio – the so-called '' Utrecht Caravaggisti''. Along with Gerrit v ...

, Gerard van Honthorst and

Dirck van Baburen Dirck Jaspersz. van Baburen (c. 1595 – 21 February 1624) was a Dutch painter and one of the Utrecht Caravaggisti. Biography Dirck van Baburen was probably born in Wijk bij Duurstede, but his family moved to Utrecht when he was still young ...

, and the school was active about 1630, although van Honthorst continued until the 1650s as a successful court painter to the English, Dutch and Danish courts in a more classical style. Rembrandt began as a history painter before finding financial success as a portraitist, and he never relinquished his ambitions in this area. A great number of his

etching Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other type ...

s are of narrative religious scenes, and the story of his last history commission, ''

The Conspiracy of Claudius Civilis ''The Conspiracy of Claudius Civilis'' ( nl, De samenzwering van de Bataven onder Claudius Civilis; sv, Batavernas trohetsed till Claudius Civilis) is an oil painting by the Dutch painter Rembrandt, c. 1661–62, which was originally the larges ...

'' (1661) illustrates both his commitment to the form and the difficulties he had in finding an audience. Several artists, many his pupils, attempted with some success to continue his very personal style;

Govaert Flinck Govert (or Govaert) Teuniszoon Flinck (25 January 16152 February 1660) was a Dutch painter of the Dutch Golden Age. Life Born at Kleve, capital of the Duchy of Cleves, which was occupied at the time by the United Provinces, he was apprenticed by ...

was the most successful.

Gerard de Lairesse Gerard or Gérard (de) Lairesse (11 September 1641 – June 1711) was a Dutch Golden Age painter and art theorist. His broad range of skills included music, poetry, and theatre. De Lairesse was influenced by the Perugian Cesare Ripa and Fr ...

(1640–1711) was another of these, before falling under heavy influence from French classicism, and becoming its leading Dutch proponent as both artist and theoretician. Nudity was effectively the preserve of the history painter, although many portraitists dressed up their occasional nudes (nearly always female) with a classical title, as Rembrandt did. For all their uninhibited suggestiveness, genre painters rarely revealed more than a generous cleavage or stretch of thigh, usually when painting prostitutes or "Italian" peasants.

Portraits

Portrait painting thrived in the Netherlands in the 17th century, as there was a large mercantile class who were far more ready to commission portraits than their equivalents in other countries; a summary of various estimates of total production arrives at between 750,000 and 1,100,000 portraits. Rembrandt enjoyed his greatest period of financial success as a young Amsterdam portraitist, but like other artists, grew rather bored with painting commissioned portraits of burghers: "artists travel along this road without delight", according to van Mander. While Dutch portrait painting avoids the swagger and excessive rhetoric of the aristocratic Baroque portraiture current in the rest of 17th-century Europe, the sombre clothing of male and in many cases female sitters, and the Calvinist feeling that the inclusion of props, possessions or views of land in the background would show the sin of pride leads to an undeniable sameness in many Dutch portraits, for all their technical quality. Even a standing pose is usually avoided, as a full-length might also show pride. Poses are undemonstrative, especially for women, though children may be allowed more freedom. The classic moment for having a portrait painted was upon marriage, when the new husband and wife more often than not occupied separate frames in a pair of paintings. Rembrandt's later portraits compel by force of characterization, and sometimes a narrative element, but even his early portraits can be dispiriting ''en masse'', as in the roomful of 'starter Rembrandts' donated to the

Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 100 ...

in New York. Willem Heythuijsen by Frans Hals 1634

The other great portraitist of the period is

, whose famously lively brushwork and ability to show sitters looking relaxed and cheerful adds excitement to even the most unpromising subjects. The extremely "nonchalant pose" of his portrait of Willem Heythuijsen is exceptional: "no other portrait from this period is so informal". The sitter was a wealthy textile merchant who had already commissioned Hals' only individual life-sized full-length portrait ten years before. In this much smaller work for a private chamber he wears riding clothes.

Jan de Bray Jan de Bray (c. 1627 – April 4, 1697) was a Dutch Golden Age painter. He lived and worked in Haarlem until the age of 60, when he went bankrupt and moved to Amsterdam. Jan de Bray was influenced by his father Salomon de Bray, and the po ...

encouraged his sitters to pose costumed as figures from classical history, but many of his works are of his own family.

Thomas de Keyser Thomas de Keyser (c. 1596–1667) was a Dutch portrait painter, a dealer in Belgium bluestone and stone mason. He was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt ...

Bartholomeus van der Helst Bartholomeus van der Helst (1613 – buried 16 December 1670) was a Dutch painter. Considered to be one of the leading portrait painters of the Dutch Golden Age, his elegant portraits gained him the patronage of Amsterdam's elite as well as t ...

Ferdinand Bol Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-port ...

and others, including many mentioned below as history or genre painters, did their best to enliven more conventional works. Portraiture, less affected by fashion than other types of painting, remained the safe fallback for Dutch artists. From what little we know of the studio procedures of artists, it seems that, as elsewhere in Europe, the face was probably drawn and perhaps painted at an initial sitting or two. The typical number of further sittings is unclear - between zero (for a Rembrandt full-length) and 50 appear documented. The clothes were left at the studio and might well be painted by assistants, or a brought-in specialist master, although, or because, they were regarded as a very important part of the painting. Married and never-married women can be distinguished by their dress, highlighting how few single women were painted, except in family groups. As elsewhere, the accuracy of the clothes shown is variable - striped and patterned clothes were worn, but artists rarely show them, understandably avoiding the extra work. Lace and ruff collars were unavoidable, and presented a formidable challenge to painters intent on realism. Rembrandt evolved a more effective way of painting patterned lace, laying in broad white stokes, and then painting lightly in black to show the pattern. Another way of doing this was to paint in white over a black layer, and scratch off the white with the end of the brush to show the pattern. At the end of the century there was a fashion for showing sitters in a semi-fancy dress, begun in England by van Dyck in the 1630s, known as "picturesque" or "Roman" dress. Aristocratic, and militia, sitters allowed themselves more freedom in bright dress and expansive settings than burghers, and religious affiliations probably affected many depictions. By the end of the century aristocratic, or French, values were spreading among the burghers, and depictions were allowed more freedom and display. A distinctive type of painting, combining elements of the portrait, history, and genre painting was the

. This was usually a half-length of a single figure which concentrated on capturing an unusual mood or expression. The actual identity of the model was not supposed to be important, but they might represent a historical figure and be in exotic or historic costume.

Jan Lievens Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter La ...

and Rembrandt, many of whose self-portraits are also tronies (especially his etched ones), were among those who developed the genre. Family portraits tended, as in Flanders, to be set outdoors in gardens, but without an extensive view as later in England, and to be relatively informal in dress and mood. Group portraits, largely a Dutch invention, were popular among the large numbers of civic associations that were a notable part of Dutch life, such as the officers of a city's

schutterij Schutterij () refers to a voluntary city guard or citizen militia in the medieval and early modern Netherlands, intended to protect the town or city from attack and act in case of revolt or fire. Their training grounds were often on open spaces ...

or militia guards, boards of trustees and regents of guilds and charitable foundations and the like. Especially in the first half of the century, portraits were very formal and stiff in composition. Groups were often seated around a table, each person looking at the viewer. Much attention was paid to fine details in clothing, and where applicable, to furniture and other signs of a person's position in society. Later in the century groups became livelier and colours brighter. Rembrandt's '' Syndics of the Drapers' Guild'' is a subtle treatment of a group round a table. Frans Hals, De magere compagnie

Scientists often posed with instruments and objects of their study around them. Physicians sometimes posed together around a cadaver, a so-called 'Anatomical Lesson', the most famous one being Rembrandt's '' Anatomy Lesson of Dr. Nicolaes Tulp'' (1632,

Mauritshuis The Mauritshuis (; en, Maurice House) is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer ...

). Boards of trustees in their '' regentenstuk'' portraits preferred an image of austerity and humility, posing in dark clothing (which by its refinement testified to their prominent standing in society), often seated around a table, with solemn expressions on their faces. Most

militia group portrait Schutterij () refers to a voluntary city guard or citizen militia in the medieval and early modern Netherlands, intended to protect the town or city from attack and act in case of revolt or fire. Their training grounds were often on open spaces w ...

s were commissioned in Haarlem and

, and were much more flamboyant and relaxed or even boisterous than other types of portraits, as well as much larger. Early examples showed them dining, but later groups showed most figures standing for a more dynamic composition. Rembrandt's famous ''The Militia Company of Captain Frans Banning Cocq'' better known as the ''

Night Watch Night Watch or Nightwatch may refer to: Books * ''The Night Watch'', a 1977 memoir by Central Intelligence Agency officer David Atlee Phillips Novels * ''Night Watch'', a 1972 novel by American screenwriter Lucille Fletcher * ''Night Watch'', a 1 ...

'' (1642), was an ambitious and not entirely successful attempt to show a group in action, setting out for a patrol or parade, also innovative in avoiding the typical very wide format of such works. The cost of group portraits was usually shared by the subjects, often not equally. The amount paid might determine each person's place in the picture, either head to toe in full regalia in the foreground or face only in the back of the group. Sometimes all group members paid an equal sum, which was likely to lead to quarrels when some members gained a more prominent place in the picture than others. In Amsterdam most of these paintings would ultimately end up in the possession of the city council, and many are now on display in the

Amsterdams Historisch Museum The Amsterdam Museum, known until 2010 as the Amsterdam Historical Museum, is an Amsterdam-based museum dedicated to the city's past and present. Due to the renovation of its main location, the museum is temporarily located in the building the Ams ...

; there are no significant examples outside the Netherlands.

Scenes of everyday life

Scenes of everyday life, now called

genre paintings Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached ...

, prominently feature figures to whom no specific identity can be attached – they are not portraits or intended as historical figures, but rather snapshots of quotidian life. Together with landscape painting, the development and enormous popularity of genre painting is the most distinctive feature of Dutch painting in this period, although in this case they were also very popular in Flemish painting. Many are single figures, such as Vermeer's '' The Milkmaid''; others may show large groups at some social occasion, or crowds. "Seventeenth-century Holland produced more and better artists dedicated to genre painting with and without messages than any other nation." There were a large number of sub-types within the genre: single figures, peasant families, tavern scenes, " merry company" parties, women at work about the house, scenes of village or town festivities (though these were still more common in Flemish painting), market scenes, barracks scenes, scenes with horses or farm animals, in snow, by moonlight, and many more. In fact most of these had specific terms in Dutch, but there was no overall Dutch term equivalent to "genre painting" – until the late 18th century the English often called them "drolleries". Some artists worked mostly within one of these sub-types, especially after about 1625. Over the course of the century, genre paintings tended to reduce in size. Though genre paintings provide many insights into the daily life of 17th-century citizens of all classes, their accuracy cannot always be taken for granted. Typically they show what art historians term a "reality effect" rather than an actual realist depiction; the degree to which this is the case varies between artists. Many paintings which seem only to depict everyday scenes actually illustrated Dutch proverbs and sayings or conveyed a moralistic message – the meaning of which may now need to be deciphered by art historians, though some are clear enough. Many artists, and no doubt purchasers, certainly tried to have things both ways, enjoying the depiction of disorderly households or brothel scenes, while providing a moral interpretation – the works of

Jan Steen Jan Havickszoon Steen (c. 1626 – buried 3 February 1679) was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour. Life ...

, whose other profession was as an innkeeper, are an example. The balance between these elements is still debated by art historians today. Gerrit van Honthorst - De koppelaarster

The titles given later to paintings often distinguish between "

tavern A tavern is a place of business where people gather to drink alcoholic beverages and be served food such as different types of roast meats and cheese, and (mostly historically) where travelers would receive lodging. An inn is a tavern that h ...

s" or "

inn Inns are generally establishments or buildings where travelers can seek lodging, and usually, food and drink. Inns are typically located in the country or along a highway; before the advent of motorized transportation they also provided accommo ...

s" and "

brothel A brothel, bordello, ranch, or whorehouse is a place where people engage in sexual activity with prostitutes. However, for legal or cultural reasons, establishments often describe themselves as massage parlors, bars, strip clubs, body rub p ...

s", but in practice these were very often the same establishments, as many taverns had rooms above or behind set aside for sexual purposes: "Inn in front; brothel behind" was a Dutch

proverb A proverb (from la, proverbium) is a simple and insightful, traditional saying that expresses a perceived truth based on common sense or experience. Proverbs are often metaphorical and use formulaic language. A proverbial phrase or a proverbial ...

. The Steen above is very clearly an ''exemplum'', and though each of the individual components of it is realistically depicted, the overall scene is not a plausible depiction of a real moment; typically of genre painting, it is a situation that is depicted, and satirized. The

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass id ...

tradition of recondite

emblem books An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books are collections ...

had, in the hands of the 17th-century Dutch – almost universally literate in the vernacular, but mostly without education in the classics – turned into the popularist and highly moralistic works of

Jacob Cats Jacob Cats (10 November 1577 – 12 September 1660) was a Dutch poet, humorist, jurist and politician. He is most famous for his emblem books. Early years Jacob Cats was born on 10 November 1577 in Brouwershaven as son of Adriaen Cornelisz. ...

Roemer Visscher Roemer Pieterszoon Visscher (1547 – 19 February 1620) was a successful Dutch merchant, the first Dutch underwriter and writer of the Dutch Golden Age. Life Visscher was born in and lived in Amsterdam and was an important and central figure of t ...

, and others, often based in popular

s. The illustrations to these are often quoted directly in paintings, and since the start of the 20th century art historians have attached proverbs, sayings and mottoes to a great number of genre works. Another popular source of meaning is visual puns using the great number of Dutch

slang Slang is vocabulary (words, phrases, and usage (language), linguistic usages) of an informal register, common in spoken conversation but avoided in formal writing. It also sometimes refers to the language generally exclusive to the members of p ...

terms in the sexual area: the

vagina In mammals, the vagina is the elastic, muscular part of the female genital tract. In humans, it extends from the vestibule to the cervix. The outer vaginal opening is normally partly covered by a thin layer of mucosal tissue called the hy ...

could be represented by a

lute A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can re ...

(''luit'') or

stocking Stockings (also known as hose, especially in a historical context) are close-fitting, variously elastic garments covering the leg from the foot up to the knee or possibly part or all of the thigh. Stockings vary in color, design, and transpare ...

(''kous''), and sex by a bird (''vogelen''), among many other options, and purely visual symbols such as shoes, spouts, and jugs and flagons on their side. Peasants in an Interior (1661) Adriaen van Ostade

Peasants in an Interior (1661) Adriaen van Ostade

The same painters often painted works in a very different spirit of housewives or other women at rest in the home or at work – they massively outnumber similar treatments of men. In fact, working-class men going about their jobs are notably absent from Dutch Golden Age art, with landscapes populated by travellers and idlers but rarely tillers of the soil. Despite the Dutch Republic being the most important nation in international trade in Europe, and the abundance of marine paintings, scenes of dock workers and other commercial activities are very rare. This group of subjects was a Dutch invention, reflecting the cultural preoccupations of the age, and was to be adopted by artists from other countries, especially France, in the two centuries following. The tradition developed from the realism and detailed background activity of Early Netherlandish painting, which

Hieronymus Bosch Hieronymus Bosch (, ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch/ Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on o ...

and

Pieter Bruegel the Elder Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaking, printmaker, known for his landscape art, landscapes and peas ...

were among the first to turn into their principal subjects, also making use of proverbs. The Haarlem painters

Willem Pieterszoon Buytewech Willem Pieterszoon Buytewech (1591/92 – September 23, 1624) was a Dutch Golden Age painter, draughtsman and etcher. He is one of the early specialists in the merry company type of subject in Dutch genre painting. His contemporaries named him ...

and

Esaias van de Velde Esaias van de Velde (17 May 1587 (baptized) – 18 November 1630 (buried) ) was a Dutch landscape painter. Biography He was born in Amsterdam, where his Flemish father Hans had fled as a Protestant in 1585. He probably studied under his fathe ...

were important painters early in the period. Buytewech painted " merry companies" of finely dressed young people, with moralistic significance lurking in the detail. Gabriël Metsu 006

Van de Velde was also important as a landscapist, whose scenes included unglamorous figures very different from those in his genre paintings, which were typically set at garden parties in country houses. Hals was principally a portraitist, but also painted genre figures of a portrait size early in his career. A stay in Haarlem by the Flemish master of peasant tavern scenes

Adriaen Brouwer Adriaen Brouwer (, in Oudenaarde – January 1638, in Antwerp) was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century.

, from 1625 or 1626, gave

Adriaen van Ostade Adriaen van Ostade (baptized as Adriaen Jansz Hendricx 10 December 1610 – buried 2 May 1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Life According to Arnold Houbraken, he and his bro ...

his lifelong subject, though he often took a more sentimental approach. Before Brouwer, peasants had normally been depicted outdoors; he usually shows them in a plain and dim interior, though van Ostade's sometimes occupy ostentatiously decrepit farmhouses of enormous size. Van Ostade was as likely to paint a single figure as a group, as were the Utrecht Caravaggisti in their genre works, and the single figure, or small groups of two or three became increasingly common, especially those including women and children. The most notable woman artist of the period,

Judith Leyster Judith Jans Leyster (also Leijster; baptised July 28, 1609Molenaer, JudithNational Gallery of Art website. Accessed February 1, 2014. – February 10, 1660) was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was ...

(1609–1660), specialized in these, before her husband, Jan Miense Molenaer, prevailed on her to give up painting. The

school of ''

fijnschilder {{Short description, 17th-century Dutch artistic movement The Fijnschilders (literally "fine-painters"), also called the Leiden Fijnschilders ('Leidse Fijnschilders'), were Dutch Golden Age painters who, from about 1630 to 1710, strove to create as ...

'' ("fine painters") were renowned for small and highly finished paintings, many of this type. Leading artists included

Gerard Dou Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his '' ...

Gabriel Metsu In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብር� ...

Frans van Mieris the Elder Frans van Mieris the Elder (16 April 163512 March 1681), was a Dutch Golden Age genre and portrait painter. The leading member of a Leiden family of painters, his sons Jan (1660–1690) and Willem (1662–1747) and his grandson Frans van Mieris ...

, and later his son

Willem van Mieris Willem van Mieris (3 June 166226 January 1747) was an 18th-century painter from the Northern Netherlands. Biography Willem van Mieris was a painter, sculptor and etcher active in Leiden. He was born in Leiden and studied under his father Fran ...

Godfried Schalcken Godfried Schalcken (1643 – 16 November 1706) was a Dutch genre and portrait painter. He was noted for his mastery in reproducing the effect of candlelight, and painted in the exquisite and highly polished manner of the Leiden fijnschilders. L ...

, and

Adriaen van der Werff Adriaen van der Werff (21 January 1659 – 12 November 1722) was a Dutch painter of portraits and erotic, devotional and mythological scenes. His brother, Pieter van der Werff (1661–1722), was his principal pupil and assistant. Life At the ag ...

. This later generation, whose work now seems over-refined compared to their predecessors, also painted portraits and histories, and were the most highly regarded and rewarded Dutch painters by the end of the period, whose works were sought after all over Europe. Genre paintings reflected the increasing prosperity of Dutch society, and settings grew steadily more comfortable, opulent and carefully depicted as the century progressed. Artists not part of the Leiden group whose common subjects also were more intimate genre groups included

Nicolaes Maes Nicolaes Maes (January 1634December 1693 (buried 24 December 1693)) was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his ...

Gerard ter Borch Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johann ...

and

Pieter de Hooch Pieter de Hooch (, also spelled "Hoogh" or "Hooghe"; 20 December 1629 (baptized) – 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of ...

, whose interest in light in interior scenes was shared with

Jan Vermeer Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately suc ...

, long a very obscure figure, but now the most highly regarded genre painter of all. File:Hendrick_Avercamp_-_Winterlandschap_met_ijsvermaak.jpg, The mute

Hendrick Avercamp Hendrick Avercamp (January 27, 1585 (bapt.) – May 15, 1634 (buried)) was a Dutch painter during the Dutch Golden Age of painting. He was one of the earliest landscape painters of the 17th-century Dutch school, he specialized in painting th ...

painted almost exclusively winter scenes of crowds seen from some distance. File:Pieter de Hooch - The Courtyard of a House in Delft.jpg,

, '' Courtyard of a House in Delft'', 1658, a study in domestic virtue, texture and spatial complexity. The woman is a servant. File:Judith Leyster A Boy and a Girl with a Cat and an Eel.jpg,

, '' A Boy and a Girl with a Cat and an Eel''; various references to proverbs or emblems have been suggested. File:The idle servant.jpg,

, ''The idle servant''; housemaid troubles were the subject of several of Maes' works.

Landscapes and cityscapes

Landscape painting Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent com ...

was a major genre in the 17th century. Flemish landscapes (particularly from Antwerp) of the 16th century first served as an example. These had been not particularly realistic, having been painted mostly in the studio, partly from imagination, and often still using the semi-aerial view from above typical of earlier

landscape painting in the "

world landscape The world landscape, a translation of the German ''Weltlandschaft'', is a type of composition in Western painting showing an imaginary panoramic landscape seen from an elevated viewpoint that includes mountains and lowlands, water, and buildings. ...

" tradition of

Joachim Patinir Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art marke ...

Herri met de Bles Herri met de Bles, also known as Henri Blès, Herri de Dinant, Herry de Patinir, and ''il Civetta'' (c. 1490 – after 1566), was a Flemish Northern Renaissance and Mannerist landscape painter, native of Bouvignes or Dinant (both in present-d ...

and the early

. A more realistic Dutch landscape style developed, seen from ground level, often based on drawings made outdoors, with lower horizons which made it possible to emphasize the often impressive cloud formations that were (and are) so typical in the climate of the region, and which cast a particular light. Favourite subjects were the dunes along the western sea coast, rivers with their broad adjoining meadows where cattle grazed, often with the silhouette of a city in the distance. Winter landscapes with frozen canals and creeks also abounded. The sea was a favourite topic as well since the Low Countries depended on it for trade, battled with it for new land, and battled on it with competing nations. Important early figures in the move to realism were

(1587–1630) and

(1585–1634), both also mentioned above as genre painters – in Avercamp's case the same paintings deserve mention in each category. From the late 1620s the "tonal phase" of landscape painting started, as artists softened or blurred their outlines, and concentrated on an atmospheric effect, with great prominence given to the sky, and human figures usually either absent or small and distant. Compositions based on a diagonal across the picture space became popular, and water often featured. The leading artists were

(1596–1656),

Salomon van Ruysdael Salomon van Ruysdael (c. 1602, Naarden – buried 3 November 1670, Haarlem) was a Dutch Golden Age landscape painter. He was the uncle of Jacob van Ruisdael.

(1602–1670),

Pieter de Molyn Pieter de Molijn (6 April 1595 in London – 23 March 1661 in Haarlem) was a Dutch Golden Age painter and engraver of English birth and Flemish descent. He was baptized in the Dutch Reformed Austin Friars church in London. He was born to ...

(1595–1661), and in marine painting

Simon de Vlieger Simon de Vlieger ( 1601buried 13 March 1653) was a Dutch painter, draughtsman and designer of tapestries, etchings, stained glass windows. While he is mainly known for his marine paintings he also painted beach scenes, landscapes and genre sc ...

(1601–1653), with a host of minor figures – a recent study lists over 75 artists who worked in van Goyen's manner for at least a period, including Cuyp. The Windmill at Wijk bij Duurstede 1670 Ruisdael

The Windmill at Wijk bij Duurstede 1670 Ruisdael

Aelbert Cuyp - Rivierlandschap met ruiters - Google Art Project

From the 1650s the "classical phase" began, retaining the atmospheric quality, but with more expressive compositions and stronger contrasts of light and colour. Compositions are often anchored by a single "heroic tree", windmill or tower, or ship in marine works. The leading artist was

Jacob van Ruisdael Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achi ...

(1628–1682), who produced a great quantity and variety of work, using every typical Dutch subject except the Italianate landscape (below); instead he produced "Nordic" landscapes of dark and dramatic mountain pine forests with rushing torrents and waterfalls. His pupil was

Meindert Hobbema Meindert Lubbertszoon Hobbema (bapt. 31 October 1638 – 7 December 1709) was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, '' The Avenue at Middelharnis'' (1689, National Galle ...

(1638–1709), best known for his atypical '' Avenue at Middelharnis'' (1689, London), a departure from his usual scenes of watermills and roads through woods. Two other artists with more personal styles, whose best work included larger pictures (up to a metre or more across), were

Aelbert Cuyp Aelbert Jacobszoon Cuyp () (20 October 1620 – 15 November 1691) was one of the leading Dutch Golden Age painters, producing mainly landscapes. The most famous of a family of painters, the pupil of his father Jacob Gerritszoon Cuyp (1594–165 ...

(1620–1691) and

Philips Koninck Philip de Koninck, or Philips Koninck (5 November 1619 – 4 October 1688 was a Dutch landscape painter and younger brother of Jacob Koninck.

(1619–1688). Cuyp took golden Italian light and used it in evening scenes with a group of figures in the foreground and behind them a river and wide landscape. Koninck's best works are panoramic views, as from a hill, over wide flat farmlands, with a huge sky. A different type of landscape, produced throughout the tonal and classical phases, was the romantic Italianate landscape, typically in more mountainous settings than are found in the Netherlands, with golden light, and sometimes picturesque Mediterranean

staffage In painting, staffage () are the human and animal figures depicted in a scene, especially a landscape, that are not the primary subject matter of the work. Typically they are small, and there to add an indication of scale and add interest. Before ...

and ruins. Not all the artists who specialized in these had visited Italy.

Jan Both Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting. Biography Both was born in Utrecht, and was ...

(d. 1652), who had been to Rome and worked with

Claude Lorrain Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque Painting, Baroque era. He spent most ...

, was a leading developer of the subgenre, which influenced the work of many painters of landscapes with Dutch settings, such as Aelbert Cuyp. Other artists who consistently worked in the style were

Nicolaes Berchem Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre ...

(1620–1683) and Adam Pijnacker. Italianate landscapes were popular as prints, and more paintings by Berchem were reproduced in engravings during the period itself than those of any other artist.Slive, 225 A number of other artists do not fit in any of these groups, above all Rembrandt, whose relatively few painted landscapes show various influences, including some from

Hercules Seghers Hercules Pieterszoon Seghers or Segers ( 1589 – 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equall ...

(c. 1589–c. 1638); his very rare large mountain valley landscapes were a very personal development of 16th-century styles. Aert van der Neer (d. 1677) painted very small scenes of rivers at night or under ice and snow. Landscapes with animals in the foreground were a distinct sub-type, and were painted by Cuyp,

Paulus Potter Paulus Potter (; 20 November 1625 (baptised) – 17 January 1654 (buried)) was a Dutch painter who specialized in animals within landscapes, usually with a low vantage point. Before Potter died of tuberculosis at the age of 28 he succeeded in ...

(1625–1654), Albert Jansz. Klomp (1625-1688),

Adriaen van de Velde Adriaen van de Velde (bapt. 30 November 1636, in Amsterdam – bur. 21 January 1672, in Amsterdam), was a Dutch painter, draughtsman and print artist. His favorite subjects were landscapes with animals and genre scenes.Karel Dujardin Karel Dujardin (September 27, 1626November 20, 1678) was a Dutch Golden Age painter. Although he did a few portraits and a few history paintings of religious subjects, most of his work is small Italianate landscape scenes with animals and peasan ...

(1626–1678, farm animals), with

Philips Wouwerman Philips Wouwerman (also Wouwermans) (24 May 1619 (baptized) – 19 May 1668) was a Dutch painter of hunting, landscape and battle scenes. Life and work Philips Wouwerman was one of the most versatile and prolific artists of the Dutch Golden Ag ...

painting horses and riders in various settings. The cow was a symbol of prosperity to the Dutch, hitherto overlooked in art, and apart from the horse by far the most commonly shown animal; goats were used to indicate Italy. Potter's ''The Young Bull'' is an enormous and famous portrait which Napoleon took to Paris (it later returned) though livestock analysts have noted from the depiction of the various parts of the anatomy that it appears to be a composite of studies of six different animals of widely different ages. Assetimage

Architecture also fascinated the Dutch, churches in particular. At the start of the period the main tradition was of fanciful palaces and city views of invented Northern Mannerist architecture, which Flemish painting continued to develop, and in Holland was represented by

Dirck van Delen Dirck van Delen or Dirck Christiaensz van Delen (c. 1605 – 16 May 1671) was a Dutch painter who specialized exclusively in architectural paintings, principally depicting palace perspectives and church interiors. Life Van Delen was born in ...

. A greater realism began to appear and the exteriors and interiors of actual buildings were reproduced, though not always faithfully. During the century understanding of the proper rendering of

perspective Perspective may refer to: Vision and mathematics * Perspectivity, the formation of an image in a picture plane of a scene viewed from a fixed point, and its modeling in geometry ** Perspective (graphical), representing the effects of visual per ...

grew and were enthusiastically applied. Several artists specialized in church interiors.

Pieter Jansz Saenredam Pieter Jansz. Saenredam (9 June 1597 – buried 31 May 1665) was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors such as '' Interior of St Bavo's Church in Haarlem'' and '' Interior of the ...

, whose father

Jan Saenredam Jan Pieterszoon Saenredam (1565 – 6 April 1607) was a Dutch Northern Mannerist painter, printmaker in engraving, and cartographer, and father of the painter of church interiors, Pieter Jansz Saenredam. He is noted for the many allegorical images ...

engraved sensuous nude Mannerist goddesses, painted unpeopled views of now whitewashed Gothic city churches. His emphasis on even light and geometry, with little depiction of surface textures, is brought out by comparing his works with those of

Emanuel de Witte Emanuel de Witte (1617–1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte als ...

, who left in the people, uneven floors, contrasts of light and such clutter of church furniture as remained in Calvinist churches, all usually ignored by Saenredam. Gerard Houckgeest, followed by van Witte and Hendrick van Vliet, had supplemented the traditional view along a main axis of the church with diagonal views that added drama and interest.

Gerrit Berckheyde Gerrit Adriaenszoon Berckheyde (1638 – 10 June 1698) was a Dutch Golden Age painter, active in Haarlem, Amsterdam, and The Hague, who is best known today for his cityscapes. Biography Berckheyde was born and died in Haarlem. Christ ...

specialized in lightly populated views of main city streets, squares, and major public buildings;

Jan van der Heyden Jan van der Heyden (5 March 1637, Gorinchem – 28 March 1712, Amsterdam) was a Dutch Baroque-era painter, glass painter, draughtsman and printmaker. Van der Heyden was one of the first Dutch painters to specialize in townscapes and becam ...

preferred more intimate scenes of quieter Amsterdam streets, often with trees and canals. These were real views, but he did not hesitate to adjust them for compositional effect. File:View of Haarlem from the Dunes at Overeen - Date unknown.jpg,

, ''View of Haarlem''; Ruisdael is a central figure, with more varied subjects than many landscapists. File:Jan Both, 1634 - 1652 - Italiaans landschap met tekenaar - Google Art Project.jpg,

, c. 1650, ''Italian landscape'' of the type Both began to paint after his return from Rome. Van Everdingen, Paysage nordique.jpg,

Allaert van Everdingen Allaert van Everdingen (, bapt. 18 June 16218 November 1675 (buried)), was a Dutch Golden Age painter and printmaker in etching and mezzotint. Biography Van Everdingen was born at Alkmaar, the son of a government clerk. He and his older broth ...

, c. 1660, '' Nordic landscape'' of the type Van Eeverdingen began to paint after his return from Norway and Sweden. File:Jan van Goyen 004b.jpg,

, ''Dune landscape''; an example of the "tonal" style File:Berkheyde-Haarlem.jpg, ''The Great Market in Haarlem'', 1696, by

Maritime painting

The

relied on trade by sea for its exceptional wealth, had naval wars with Britain and other nations during the period, and was criss-crossed by rivers and canals. It is therefore no surprise that the genre of

maritime painting Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre parti ...

was enormously popular, and taken to new heights in the period by Dutch artists; as with landscapes, the move from the artificial elevated view typical of earlier marine painting was a crucial step. Pictures of sea battles told the stories of a

Dutch navy The Royal Netherlands Navy ( nl, Koninklijke Marine, links=no) is the naval force of the Kingdom of the Netherlands. During the 17th century, the navy of the Dutch Republic (1581–1795) was one of the most powerful naval forces in the world a ...

at the peak of its glory, though today it is usually the more tranquil scenes that are highly estimated. Ships are normally at sea, and dock scenes surprisingly absent. More often than not, even small ships fly the Dutch tricolour, and many vessels can be identified as naval or one of the many other government ships. Many pictures included some land, with a beach or harbour viewpoint, or a view across an estuary. Other artists specialized in river scenes, from the small pictures of

Salomon van Ruysdael Salomon van Ruysdael (c. 1602, Naarden – buried 3 November 1670, Haarlem) was a Dutch Golden Age landscape painter. He was the uncle of Jacob van Ruisdael.

with little boats and reed-banks to the large Italianate landscapes of

, where the sun is usually setting over a wide river. The genre naturally shares much with landscape painting, and in developing the depiction of the sky the two went together; many landscape artists also painted beach and river scenes. Artists included

Jan Porcellis Jan Porcellis (1580/84 Ghent – 29 January 1632 Zoeterwoude) was a Dutch marine artist in the seventeenth century. His works initiated a "decisive transition from early realism to the tonal phase", fostering a new style and subject in m ...

Jan van de Cappelle Jan van de Cappelle (or Joannes / van der / Capelle in various combinations; 25 January 1626 (baptized) – 22 December 1679 (buried)) was a Dutch Golden Age painter of seascapes and winter landscapes, also notable as an industrialist and ...

Hendrick Dubbels Hendrick Dubbels or Hendrick Jacobsz. Dubbels and variants (1621–1707) was a Dutch Golden Age painter of marine subjects and winter landscapes, who spent much of his career working in the studios of other marine artists. Dubbels was born and ...

and

Abraham Storck Abraham Storck (or Sturckenburch) (bapt. 17 April 1644 in Amsterdam – buried 8 April 1708), was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes.

Willem van de Velde the Elder Willem van de Velde the Elder (1610/11 – 13 December 1693) was a Dutch Golden Age seascape painter, who produced many precise drawings of ships and ink paintings of fleets, but later learned to use oil paints like his son. Biography Wi ...

and

his son His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, ...

are the leading masters of the later decades, tending, as at the beginning of the century, to make the ship the subject, whereas in tonal works of earlier decades the emphasis had been on the sea and the weather. They left for London in 1672, leaving the master of heavy seas, the German-born

Ludolf Bakhuizen Ludolf BakhuizenLudolf Bakhuizen
at the

Still lifes A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, bo ...

were a great opportunity to display skill in painting textures and surfaces in great detail and with realistic light effects. Food of all kinds laid out on a table, silver cutlery, intricate patterns and subtle folds in tablecloths and flowers all challenged painters. Dutch painters produced still lifes in great numbers, revealing the Dutch "love of domestic culture". The English term "derives from the Dutch word ''stilleven''", which came into use about 1650. Several types of subject were recognised: ''banketje'' were "banquet pieces", ''ontbijtjes'' simpler "breakfast pieces". Virtually all still lifes had a moralistic message, usually concerning the brevity of life – this is known as the

vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''v ...

theme – implicit even in the absence of an obvious symbol like a skull, or less obvious one such as a half-peeled lemon (like life, sweet in appearance but bitter to taste). Flowers wilt and food decays, and silver is of no use to the soul. Nevertheless, the force of this message seems less powerful in the more elaborate pieces of the second half of the century. Pronkstillleven

Initially the objects shown were nearly always mundane. However, from the mid-century ''

pronkstilleven ''Pronkstilleven'' ( Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic. Development Flemish art ...

s'' ("ostentatious still lifes"), which depicted expensive and exotic objects and had been developed as a subgenre in the 1640s in Antwerp by Flemish artists such as

Frans Snyders Frans Snyders or Frans Snijders (11 November 1579, Antwerp – 19 August 1657, Antwerp) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited wi ...

and

Adriaen van Utrecht Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. ...

, became more popular. The early realist, tonal and classical phases of landscape painting had counterparts in still life painting.

Willem Claeszoon Heda Willem Claesz. Heda (December 14, 1593/1594c. 1680/1682) was a Dutch Golden Age artist from the city of Haarlem devoted exclusively to the painting of still life. He is known for his innovation of the late breakfast genre of still life painting. ...

(1595–c. 1680) and

(1619–1693) led the change to the ''pronkstilleven'', while

Pieter Claesz Pieter Claesz (c. 1597 – 1 January 1660) was a Dutch Golden Age painter of still lifes. Biography He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, wher ...

(d. 1660) preferred to paint simpler "ontbijt" ("breakfast pieces"), or explicit ''vanitas'' pieces. In all these painters, colours are often very muted, with browns dominating, especially in the middle of the century. This is less true of the works of

Jan Davidsz de Heem Jan Davidsz. de Heem or in-full ''Jan Davidszoon de Heem'', also called ''Johannes de Heem'' or ''Johannes van Antwerpen'' or ''Jan Davidsz de Hem'' (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter w ...

(1606–1684), an important figure who spent much of his career based over the border in Antwerp. Here his displays began to sprawl sideways to form wide oblong pictures, unusual in the north, although Heda sometimes painted taller vertical compositions. Still life painters were especially prone to form dynasties, it seems: there were many de Heems and Bosschaerts, Heda's son continued in his father's style, and Claesz was the father of Nicholaes Berchem. Jakob Gillig - Freshwater Fish

Flower paintings formed a sub-group with its own specialists, and were occasionally the speciality of the few women artists, such as

Maria van Oosterwyck Maria van Oosterwijck, also spelled Oosterwyck, (1630–1693) was a Dutch Golden Age painter, specializing in richly detailed flower paintings and other still lifes. Life and work Maria van Oosterwijck was born in 1630 in Nootdorp, a town locat ...

and

Rachel Ruysch Rachel Ruysch (3 June 1664 – 12 October 1750) was a Dutch still-life painter from the Northern Netherlands. She specialized in flowers, inventing her own style and achieving international fame in her lifetime. Due to a long and successful care ...

. The Dutch also led the world in botanical and other scientific drawings, prints and book illustrations. Despite the intense realism of individual flowers, paintings were composed from individual studies or even book illustrations, and blooms from very different seasons were routinely included in the same composition, and the same flowers reappear in different works, just as pieces of tableware do. There was also a fundamental unreality in that bouquets of flowers in vases were not in fact at all common in houses at the time – even the very rich displayed flowers one by one in

tulip-holders. The Dutch tradition was largely begun by

Ambrosius Bosschaert Ambrosius Bosschaert the Elder (18 January 1573 – 1621) was a Flemish-born Dutch still life painter and art dealer.

(1573–1621), a Flemish-born flower painter who had settled in the north by the beginning of the period, and founded a dynasty. His brother-in-law

Balthasar van der Ast Balthasar van der Ast (1593/94 – 7 March 1657) was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre ...

(d. 1657) pioneered still lifes of shells, as well as painting flowers. These early works were relatively brightly lit, with the bouquets of flowers arranged in a relatively simple way. From the mid-century arrangements that can fairly be called Baroque, usually against a dark background, became more popular, exemplified by the works of

Willem van Aelst Willem van Aelst (16 May 1627 – buried 22 May 1683)Aelst, Willem van

(1627–1683). Painters from

, The Hague, and Amsterdam particularly excelled in the genre. Dead game, and birds painted live but studied from the dead, were another subgenre, as were dead fish, a staple of the Dutch diet – Abraham van Beijeren did many of these. The Dutch were less given to the Flemish style of combining large still life elements with other types of painting – they would have been considered prideful in portraits – and the Flemish habit of specialist painters collaborating on the different elements in the same work. But this sometimes did happen – Philips Wouwerman was occasionally used to add men and horses to turn a landscape into a hunting or skirmish scene, Berchem or Adriaen van de Velde to add people or farm animals. File:Willem van Aelst - Bloementuil.jpg,

Willem van Aelst Willem van Aelst (16 May 1627 – buried 22 May 1683)Aelst, Willem van

, ''Still life with a watch'' (c. 1665), with typical dark background. File:Heda, Willem Claeszoon - Breakfast Table with Blackberry Pie - WGA.jpg,

, ''Breakfast Table with Blackberry Pie'' (1631); Heda was famous for his depiction of reflective surfaces. File:Jan Davidszoon de Heem, Still-life with Books and Skull (Vanitas).JPG, Jan Davidszoon de Heem, ''Vanitas'' (1629) File:Jan Weenix 003.jpg, Jan Weenix, ''Still Life with a Dead Peacock'' (1692), set in the gardens of a large country house.

Foreign lands

Gezicht op Olinda, Brazilië Rijksmuseum SK-A-742

For Dutch artists, Karel van Mander's ''Schilderboeck'' was meant not only as a list of biographies, but also a source of advice for young artists. It quickly became a classic standard work for generations of young Dutch and Flemish artists in the 17th century. The book advised artists to travel and see the sights of Florence and Rome, and after 1604 many did so. However, it is noticeable that the most important Dutch artists in all fields, figures such as Rembrandt, Vermeer, Hals, Steen, Jacob van Ruisdael, and others, had not made the voyage. Many Dutch (and Flemish) painters worked abroad or exported their work;

was also an important export market, by which Rembrandt became known across Europe. The Dutch Gift to Charles II of England was a diplomatic gift which included four contemporary Dutch paintings. English painting was heavily reliant on Dutch painters, with Sir Peter Lely followed by Sir Godfrey Kneller, developing the English portrait style established by the Flemish Anthony van Dyck before the English Civil War. The marine painters van der Velde, Willem van de Velde the Elder, father and Willem van de Velde the Younger, son, were among several artists who left Holland at the French invasion of 1672, which brought a collapse in the art market. They also moved to London, and the beginnings of English landscape painting were established by several less distinguished Dutch painters, such as Hendrick Danckerts. The Bamboccianti were a colony of Dutch artists who introduced the genre scene to Italy. Jan Weenix and Melchior d'Hondecoeter specialized in game and birds, dead or alive, and were in demand for country house and shooting-lodge overdoors across Northern Europe. Although the Dutch control of the northeast sugar-producing region of Dutch Brazil turned out to be brief (1630-54), Governor Johan Maurits van Nassau-Siegen invited Dutch artists to paint scenes which are valuable in showing the seventeenth-century landscape and peoples of the region. The two most well known of these artists were Frans Post, a landscapist, and a still life painter, Albert Eckhout, who produced ethnographic paintings of Brazil's population. These were originally displayed in the Great Hall of the Vrijburg Palace in Recife. There was a market in Amsterdam for such paintings, and Post continued to produce Brazilian scenes for years after his return to the Netherlands. The Dutch East Indies were covered much less well artistically. File:Landschap_bij_de_rivier_Senhor_de_Engenho,_Brazilië_Rijksmuseum_SK-A-2334.jpeg, Landscape with sugar mill, Frans Post File:Frans_Post_-_Brazilian_Landscape_with_a_Workers_House.jpg, Landscape with a worker's house, Frans Post File:Albert Eckhout - Brazil.jpg, Brazilian Indian warrior, Albert Eckhout File:Albert Eckhout - Bananas, goiaba e outras frutas.jpg, Bananas, goiaba, and other fruits, Albert Eckhout

Subsequent reputation

Philips Wouwerman - Travelers Awaiting a Ferry

The enormous success of 17th-century Dutch painting overpowered the work of subsequent generations, and no Dutch painter of the 18th century—nor, arguably, a 19th-century one before Van Gogh—is well known outside the Netherlands. Already by the end of the period artists were complaining that buyers were more interested in dead than living artists. If only because of the enormous quantities produced, Dutch Golden Age painting has always formed a significant part of collections of Old Master paintings, itself a term invented in the 18th century to describe Dutch Golden Age artists. Taking only Wouwerman paintings in old royal collections, there are more than 60 in Gemäldegalerie Alte Meister, Dresden and over 50 in the Hermitage Museum, Hermitage. But the reputation of the period has shown many changes and shifts of emphasis. One nearly constant factor has been admiration for

, especially since the Romantic period. Other artists have shown drastic shifts in critical fortune and market price; at the end of the period some of the active Leiden fijnschilders had enormous reputations, but since the mid-19th century realist works in various genres have been far more appreciated. Vermeer was rescued from near-total obscurity in the 19th century, by which time several of his works had been re-attributed to others. However the fact that so many of his works were already in major collections, often attributed to other artists, demonstrates that the quality of individual paintings was recognised even if his collective oeuvre was unknown. Other artists have continued to be rescued from the mass of little-known painters: the late and very simple still lifes of Adriaen Coorte in the 1950s, and the landscapists Jacobus Mancaden and Frans Post earlier in the century. Gerard ter Borch (II) 019

Genre paintings were long popular, but little-regarded. In 1780 Horace Walpole disapproved that they "invite laughter to divert itself with the nastiest indelicacy of boors". Sir Joshua Reynolds, the English leader of 18th-century academic art, made several revealing comments on Dutch art. He was impressed by the quality of Vermeer's ''Milkmaid'' (illustrated at the start of this article), and the liveliness of Hals' portraits, regretting he lacked the "patience" to finish them properly, and lamented that Steen had not been born in Italy and formed by the High Renaissance, so that his talent could have been put to better use. By Reynolds' time the moralist aspect of genre painting was no longer understood, even in the Netherlands; the famous example is the so-called ''The Gallant Conversation, Paternal Admonition'', as it was then known, by

. This was praised by Goethe and others for the delicacy of its depiction of a father reprimanding his daughter. In fact, in the view of most (but not all) modern scholars it is a proposition scene in a brothel – there are two versions (Berlin & Amsterdam) and it is unclear whether a "tell-tale coin" in the man's hand has been removed or overpainted in either. In the second half of the 18th century, the down-to-earth realism of Dutch painting was a "Whig (British political faction), Whig taste" in England, and in France associated with Age of Enlightenment, Enlightenment rationalism and aspirations for political reform.Reitlinger, I, 11-15. Quote p.13 In the 19th century, with a near-universal respect for realism, and the final decline of the hierarchy of genres, contemporary painters began to borrow from genre painters both their realism and their use of objects for narrative purposes, and paint similar subjects themselves, with all the genres the Dutch had pioneered appearing on far larger canvases (still lifes excepted). In landscape painting, the Italianate artists were the most influential and highly regarded in the 18th century, but John Constable was among those Romantics who denounced them for artificiality, preferring the tonal and classical artists. In fact, both groups remained influential and popular in the 19th century.

Notes

References

* "Ekkart": Rudi Ekkart and Quentin Buvelot (eds), ''Dutch Portraits, The Age of Rembrandt and Frans Hals'', Mauritshuis/National Gallery/Waanders Publishers, Zwolle, 2007, * Franits, Wayne, ''Dutch Seventeenth-Century Genre Painting'', Yale UP, 2004, * Fuchs, RH, ''Dutch painting'', Thames and Hudson, London, 1978, * Ingamells, John, ''The Wallace Collection, Catalogue of Pictures, Vol IV, Dutch and Flemish'', Wallace Collection, 1992, *Christopher Lloyd (art historian), Lloyd, Christopher, ''Enchanting the Eye, Dutch Paintings of the Golden Age'', Royal Collection Publications, 2004, * MacLaren, Neil, ''The Dutch School, 1600–1800, Volume I'', 1991, National Gallery Catalogues, National Gallery, London, ; the main source for biographical details * Prak, Maarten, (2003) "Guilds and the Development of the Art Market during the Dutch Golden Age." In: ''Simiolus: Netherlands Quarterly for the History of Art'', vol. 30, no. 3/4. (2003), pp. 236–251. Expanded version is Prak (2008) * Prak, Maarten, (2008)
''Painters, Guilds and the Art Market during the Dutch Golden Age''
in Epstein, Stephen R. and Prak, Maarten (eds), ''Guilds, innovation, and the European economy, 1400–1800'', Cambridge University Press, 2008, , *Gerald Reitlinger, Reitlinger, Gerald; ''The Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760–1960, Barrie and Rockliffe, London, 1961 *Simon Schama, Schama, Simon, ''The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age'', 1987 *Desmond Shawe-Taylor, Shawe-Taylor, Desmond and Scott, Jennifer, ''Bruegel to Rubens, Masters of Flemish Painting'', Royal Collection Publications, London, 2008, *Seymour Slive, Slive, Seymour, ''Dutch Painting, 1600–1800'', Yale University Press, 1995,

External links

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