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Overdoor
An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intended for this purpose. Description The overdoor is usually architectural in form, but may take the form of a cartouche in Rococo settings, or it may be little more than a moulded shelf for the placement of ceramic vases, busts or curiosities. An overmantel serves a similar function above a fireplace mantel. From the end of the 16th century, at first in interiors such as the Palazzo Sampieri, Bologna, where Annibale Carracci provided overdoor paintings, they developed into a minor genre of their own, in which the ''trompe-l'œil'' representations of stone bas-reliefs, or vases of flowers, in which Jean-Baptiste Monnoyer specialized, were heightened by '' sotto in su'' perspective, in which the light was often painted to reproduce the light, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sotto In Su
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea Mantegn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornaments
An ornament is something used for decoration. Ornament may also refer to: Decoration *Ornament (art), any purely decorative element in architecture and the decorative arts *Ornamental turning *Biological ornament, a characteristic of animals that appear to serve only a decorative purpose *Bronze and brass ornamental work, decorative work that dates back to antiquity *Christmas ornament, a decoration used to festoon a Christmas tree *Dingbat, decorations in typography *Garden ornament, a decoration in a garden, landscape, or park *Hood ornament, a decoration on the hood of an automobile *Lawn ornament, a decoration in a grassy area *Ornamental plant, a decorative plant *Peak ornament, a decoration under the peak of the eaves of a gabled building Music *Ornament (music), a flourish that serves to decorate music *Ornament, a Russian band, forerunner to the band Kukuruza Other uses *Ornament (football), the football team from Hong Kong *Ornaments Rubric, a prayer of the Church of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doors
A door is a hinged or otherwise movable barrier that allows ingress (entry) into and egress (exit) from an enclosure. The created opening in the wall is a ''doorway'' or ''portal''. A door's essential and primary purpose is to provide security by controlling access to the doorway (portal). Conventionally, it is a panel that fits into the doorway of a building, room, or vehicle. Doors are generally made of a material suited to the door's task. They are commonly attached by hinges, but can move by other means, such as slides or counterbalancing. The door may be able to move in various ways (at angles away from the doorway/portal, by sliding on a plane parallel to the frame, by folding in angles on a parallel plane, or by spinning along an axis at the center of the frame) to allow or prevent ingress or egress. In most cases, a door's interior matches its exterior side. But in other cases (e.g., a vehicle door) the two sides are radically different. Many doors incorporate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagdschloss
A ''Jagdschloss'' is a hunting lodge in German-speaking countries. It is a ''schloss'' set in a wildlife park or a hunting area (such as a forest, field or by a lake) that served primarily as accommodation for a ruler or aristocrat and his entourage while hunting in the area. Characteristics A ''Jagdschloss'' was often the venue for a banquet accompanying a hunt, and sometimes it also hosted festivals and other events. The term ''Jagdschloss'' is often equated to the '' Lustschloss'' or ''maison de plaisance'', particularly as the hunt was also a recreational activity. However, a ''Lustschloss'' and ''Jagdschloss'' differ in function as well as architecture. The layout and furnishing of a ''Lustschloss'' is unconstrained, while that of a ''Jagdschloss'' is always related to hunting: the walls may be adorned with antlers and other trophies, with scenes of hunting, and also by a deliberate use of wood or other natural materials. A ''Jagdschloss'' could also be very lavishly fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Weenix
Jan Weenix or Joannis Wenix (between 1641/164919 September 1719 (buried)) was a Dutch painter. He was trained by his father, Jan Baptist Weenix, together with his cousin Melchior d'Hondecoeter. Like his father, he painted various subjects, but is mostly known for his paintings of dead game and hunting scenes. Many paintings in this genre were formerly ascribed to the elder Weenix, but are now generally considered to be the work of the son. Life Jan Weenix was born in Amsterdam according to his notice of marriage in 1679 but his date of birth is not exactly known as the baptismal record of this catholic church did not survive. Between 1643 and 1647 his father (Jan Baptist) worked in Italy, but the family moved to Utrecht around 1649. His father subsequently moved into a castle near Vleuten, but died rather young in 1659. By the age of twenty Jan Weenix rivalled and later surpassed his father in breadth of treatment and richness of colour. Jan Weenix was a member of the Utrecht ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Oudry
Jean-Baptiste Oudry (; 17 March 1686 – 30 April 1755) was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. His son, Jacques-Charles Oudry, was also a painter. Biography Jean-Baptiste Oudry was born in Paris, the son of Jacques Oudry, a painter and art dealer, and his wife Nicole Papillon,Bryan,1886-9 relative of the engraver Jean-Baptiste-Michel Papillon. His father was a director of the Académie de Saint-Luc art school, which Oudry joined. At first, Oudry concentrated on portraiture, and he became a pupil and perhaps a collaborator of Nicolas de Largillière from 1707 to 1712. He graduated at only 22 years of age, on 21 May 1708, at the same time as his two older brothers. The next year, he married Marie-Marguerite Oudry, Marie–Marguerite Froissé, the daughter of a ''miroitier'' (a mirror-maker) to whom he gave lessons in painting. Oudry became an assista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animalier
An animalier (, ) is an artist, mainly from the 19th century, who specializes in, or is known for, skill in the realistic portrayal of animals. "Animal painter" is the more general term for earlier artists. Although the work may be in any genre or format, the term is most often applied to sculptors and painters. ''Animalier'' as a collective plural noun, or ''animalier bronzes'', is also a term in antiques for small-scale sculptures of animals, of which large numbers were produced, often mass-produced, primarily in 19th-century France and to a lesser extent elsewhere in continental Europe. Although many earlier examples can be found, animalier sculpture became more popular, and reputable, in early 19th-century Paris with the works of Antoine-Louis Barye (1795–1875), for whom the term was coined, derisively, by critics in 1831, and of Émile-Coriolan Guillemin. By the mid-century, a taste for animal subjects was very widespread among all sections of the middle classes. Promine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Croft-Murray
Major Edward Croft-Murray (1 September 1907 – 18 September 1980) was a British antiquarian, an expert on British art, and Keeper of the Department of Prints and Drawings at the British Museum from 1954 to 1973. He was born in Chichester and educated at Lancing College and Magdalen College, Oxford, and rose to the rank of Major in World War II. He was descended from the Croft baronets of Croft Castle and related to a cousin of the Joséphine de Beauharnais, Empress Josephine. He worked at the British Museum from 1933 as a volunteer then assistant keeper and became keeper of Prints and Drawings in 1954. During WW2 he served as one of the Monuments, Fine Arts, and Archives program, Monuments Men. He was also interested in music and studied the violin at school. After his war service he founded ‘The New Mellstock Band’ comprising amateur and professional musicians who played Church Band and Georgian music. He composed music for St Peter's Church, Petersham, Petersham ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Window
A window is an opening in a wall, door, roof, or vehicle that allows the exchange of light and may also allow the passage of sound and sometimes air. Modern windows are usually glazed or covered in some other transparent or translucent material, a sash set in a frame in the opening; the sash and frame are also referred to as a window. Many glazed windows may be opened, to allow ventilation, or closed to exclude inclement weather. Windows may have a latch or similar mechanism to lock the window shut or to hold it open by various amounts. Types include the eyebrow window, fixed windows, hexagonal windows, single-hung, and double-hung sash windows, horizontal sliding sash windows, casement windows, awning windows, hopper windows, tilt, and slide windows (often door-sized), tilt and turn windows, transom windows, sidelight windows, jalousie or louvered windows, clerestory windows, lancet windows, skylights, roof windows, roof lanterns, bay windows, oriel windows, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Monnoyer
Jean-Baptiste Monnoyer (12 January 1636 – 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to the Gobelins tapestry workshops and the Beauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painters who collaborated to produce cartoons for the suite ''The Emperor of China''. Life He was born at Lille, but was in Paris by 1650, where he was documented working on the decors of the Hôtel Lambert. He was taken up by Charles Le Brun for decorative painting at the Château de Marly and at the Grand Dauphin's residence, the Château de Meudon. He was received at the Académie Royale de Peinture et de Sculpture in 1665 with a piece of the genre that he made his specialty, a still life of flowers and fruit combined with ''objets d'art''. His only appearance at the Paris salon was in 1673, when four paintings of flowers were exhibited by "M. Baptiste". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
