Candi Prambanan

Prambanan (, , Hanacaraka: ꦫꦫꦗꦺꦴꦁꦒꦿꦁ) is a 9th-century Hindu temple compound in the Special Region of Yogyakarta, in southern Java, Indonesia, dedicated to the Trimūrti, the expression of God as the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located approximately northeast of the city of Yogyakarta on the boundary between Central Java and Yogyakarta provinces.

The temple compound, a UNESCO World Heritage Site, is the largest Hindu temple site in Indonesia and the second-largest in Southeast Asia after Angkor Wat. It is characterized by its tall and pointed architecture, typical of Hindu architecture, and by the towering central building inside a large complex of individual temples. Prambanan temple compounds originally consisted of 240 temple structures, which represented the grandeur of ancient Java's Hindu art and architecture, and is also considered as a masterpiece of the classical period in Indonesia. Prambanan attracts many visitors from around the world.

History

Construction

The Prambanan temple is the largest Hindu temple of ancient Java, and the first building was completed in the mid-9th century. It was likely started by Rakai Pikatan and inaugurated by his successor King Lokapala. Some historians that adhere to dual dynasty theory suggest that the construction of Prambanan probably was meant as the Hindu Sanjaya dynasty's answer to the Buddhist Sailendra dynasty's Borobudur and Sewu temples nearby, and was meant to mark the return of the Hindu Sanjaya dynasty to power in Central Java after almost a century of Buddhist Sailendra dynasty domination. Nevertheless, the construction of this massive Hindu temple signified a shift of the Mataram court's patronage, from Mahayana Buddhism to Shaivite Hinduism.

A temple was first built at the site around 850 CE by Rakai Pikatan and expanded extensively by King Lokapala and Balitung Maha Sambu, the Sanjaya king of the Mataram Kingdom. A short red-paint script bearing the name "pikatan" was found on one of the finials on top of the balustrade of the Shiva temple, which confirms that King Pikatan was responsible for the initiation of the temple construction.

The temple complex is linked to the Shivagrha inscription of 856 CE, issued by King Lokapala, which described a Shiva temple compound that resembles Prambanan. According to this inscription the Shiva temple was inaugurated on 12 November 856. According to this inscription, the temple was built to honor Lord Shiva, and its original name was ''Shiva-grha'' (the House of Shiva) or ''Shiva-laya'' (the Realm of Shiva).

According to the Shivagrha inscription, a public water project to change the course of a river near the Shivagrha temple was undertaken during the construction of the temple. The river, identified as the Opak River, now runs north to south on the western side of the Prambanan temple compound. Historians suggest that originally the river was curved further to the east and was deemed too near to the main temple. Experts suggest that the shift of the river was meant to secure the temple complex from the overflowing of lahar volcanic materials from Merapi volcano. The project was done by cutting the river along a north to south axis along the outer wall of the Shivagrha Temple compound. The former river course was filled in and made level to create a larger space for the temple expansion, the space for rows of ''pervara'' (ancillary) temples.

Some archaeologists propose that the statue of Shiva in the garbhagriha (central chamber) of the main temple was modelled after King Balitung, serving as a depiction of his deified self after death. The temple compound was expanded by successive Mataram kings, such as Daksa and Tulodong, with the addition of hundreds of ''pervara'' temples around the chief temple.

With the main ''prasada'' tower soaring up to 47 metres high, a vast walled temple complex consists of 240 structures. Shivagrha Trimurti temple was the tallest and the grandest of its time. Indeed, the temple complex is the largest Hindu temple in ancient Java, with no other Javanese temples ever surpassing its scale. Prambanan served as the royal temple of the Kingdom of Mataram, with most of the state's religious ceremonies and sacrifices being conducted there. At the height of the kingdom, scholars estimate that hundreds of brahmins with their disciples lived within the outer wall of the temple compound. The urban center and the court of Mataram were located nearby, somewhere in the Prambanan Plain.

Abandonment

After being used and expanded for about 80 years, the temples were mysteriously abandoned near the half of the 10th century. In the 930s, the Javanese court was shifted to East Java by Mpu Sindok, who established the Isyana dynasty. It was not clear, however, the true reason behind the abandonment of Central Java realm by this Javanese Mataram kingdom. The devastating 1006 eruption of Mount Merapi volcano located around 25 kilometres north of Prambanan in Central Java, or a power struggle may have caused the shift. That event marked the beginning of the decline of the temple, as it was soon abandoned and began to deteriorate.

The temples collapsed during a major earthquake in the 16th century. Although the temple ceased to be an important center of worship, the ruins scattered around the area were still recognizable and known to the local Javanese people in later times. The statues and the ruins became the theme and the inspiration for the Rara Jonggrang folktale.

The Javanese locals in the surrounding villages knew about the temple ruins before formal rediscovery, but they did not know about its historical background: which kingdoms ruled or which king commissioned the construction of the monuments. As a result, the locals developed tales and legends to explain the origin of temples, infused with myths of giants and a cursed princess. They gave Prambanan and Sewu a wondrous origin; these were said in the Rara Jonggrang legend to have been created by a multitude of demons under the order of Bandung Bondowoso.

Rediscovery

In 1733, Cornelis Antonie Lons, a VOC employee, provided the first report on Prambanan temple in his journal. Lons was escorting Julius Frederick Coyett, a VOC commissioner of the northeast Java coast, to Kartasura, then the capital of Mataram, a powerful local Javanese kingdom. During his sojourn in Central Java, he had the opportunity to visit the ruins of Prambanan temple, which he described as "Brahmin temples" that resemble a mountain of stones.

After the division of Mataram Sultanate in 1755, the temple ruins and the Opak River were used to demarcate the boundary between Yogyakarta and Surakarta Sultanates, which was adopted as the current border between Yogyakarta and the province of Central Java.

The temple attracted international attention early in the 19th century. In 1803, Nicolaus Engelhard, the Governor of the northeast coast of Java, made a stop in Prambanan during his official visits to two Javanese sultans: Pakubuwana IV of Surakarta and Hamengkubuwana II of Yogyakarta. Impressed by the temple ruins, in 1805, Engelhard commissioned H.C. Cornelius, an engineer stationed in Klaten, to clear the site from earth and vegetation, measure the area, and make drawings of the temple. This was the first effort to study and restore Prambanan temple.

In 1811, during the short-lived British occupation of the Dutch East Indies, Colin Mackenzie, a surveyor in the service of Thomas Stamford Raffles, came upon the temples by chance. Although Raffles subsequently commissioned a full survey of the ruins, they remained neglected for decades. Dutch residents carried off sculptures as garden ornaments, and native villagers used the foundation stones for construction material. Half-hearted excavations by archaeologists in the 1880s adversely facilitated looting instead, as numbers of temple sculptures were taken away as collections.

Reconstruction

In 1918, the Dutch colonial government began the reconstruction of the compound; however, proper restoration only commenced in 1930. Due to the massive scale and the sheer numbers of temples, the efforts at restoration still continue up to this day. By the 1930s, the reconstruction project by the Dutch East Indies Archaeological Service successfully restored two apit (flank) temples in the central court and two smaller pervara or (ancillary) temples. The reconstruction used the anastylosis method, in which a ruined temple is restored using the original stone blocks as much as possible.

The restoration efforts was hampered by the economic crisis in 1930s, and finally ceased altogether due to the outbreak of World War II Pacific War (1942-1945), and the following Indonesian National Revolution (1945-1949). After the war, the temple reconstruction resumed in 1949, despite much of technical drawings and photographs were damaged or lost during the war. The reconstruction of the main Shiva temple was completed in 1953 and inaugurated by Indonesia's first president Sukarno.

The Indonesian government continued the reconstruction effort to complete the temple compound. The Brahma temple was reconstructed between 1978 and 1987. The Vishnu temple was rebuilt from 1982 to 1991. The Vahana temples of the eastern rows and some smaller shrines were completed from 1991 to 1993. Thus, by 1993, the whole towering main temples of the Prambanan central zone were erected and completed, simultaneously inaugurated by President Suharto together with the inauguration of the Sewu compound central temple nearby.

Since much of the original stonework has been stolen and reused at remote construction sites, restoration was hampered considerably. Given the scale of the temple complex, the government decided to rebuild shrines only if at least 75% of their original masonry was available, in accordance with anastylosis discipline. The reconstruction continues up to this day, with efforts now focused on the pervara (ancillary) temples of the outer compound. A Pervara temple on the eastern side, second row number 35, was completed in December 2017.

As per February 2023, from originally 224 pervara temples, only 6 of them are completely reconstructed: 4 on the eastern side, 1 on the southern side, and 1 on the northern side. Two of pervara temples, a corner pervara temple with double porticos on the northeast corner and a pervara temple on the east side, were reconstructed during the Dutch East Indies colonial era circa 1930s. The other 4 pervara temples were completed in 2015, 2017, 2019 and 2021, respectively. Most of the smaller shrines are now visible only in their foundations. The restoration of pervara temples will be carried out in stages. If all of 224 pervara temples are to be restored completely, it will take at least 200 years, since an anastylosis reconstruction of one pervara temple takes approximately 8 to 12 months to complete.

In the early 1990s, the government removed the market that had sprung up near the temple and redeveloped the surrounding villages and rice paddies as an archaeological park. The park covers a large area, from Yogyakarta-Solo main road in the south, encompassing the whole Prambanan complex, the ruins of Lumbung and Bubrah temples, and as far as the Sewu temple compound in the north. In 1992, the Indonesian government created a State-owned Limited Liability Enterprise (Persero), named "PT Taman Wisata Candi Borobudur, Prambanan, dan Ratu Boko." This enterprise is the authority for the park management of Borobudur Prambanan Ratu Boko and the surrounding region. Prambanan is one of the most visited tourist attractions in Indonesia.

The Trimurti open-air and indoor stages on the west side of the temple, across the Opak River, were built to stage the ballet of the traditional ''Ramayana'' epic. This traditional Javanese dance is the centuries-old dance of the Javanese court. Since the 1960s, it has been performed every full moon night in the Prambanan temple. Since then, Prambanan has become one of the major archaeological and cultural tourism attractions in Indonesia.

Contemporary events

Since the reconstruction of the main temples in the 1990s, Prambanan has been reclaimed as an important religious center for Hindu rituals and ceremonies in Java. Balinese and Javanese Hindu communities in Yogyakarta and Central Java revived their practices of annually performing their sacred ceremonies in Prambanan, such as Galungan, Tawur Kesanga, and Nyepi