|
Ijo Temple
Ijo temple (; ) is a Hindu candi (temple) located 4 kilometers from Ratu Boko or around 18 kilometers east from Yogyakarta, Indonesia. The temple was built between 10th to 11th century CE during the Mataram Kingdom period. Location The temple compound is located in Groyokan hamlet, Sambirejo village, Kecamatan Prambanan, Sleman Regency, Yogyakarta. The temple's name derived from its location, the Gumuk Ijo hill. The temple compound stood on western slope of the hill, in a quiet region east of Yogyakarta, around 4 kilometers southeast from Ratu Boko archaeological compound. The temple elevation is 410 meters above the sea level. The western hill of Gumuk Ijo overlooks rice paddies, villages and Adisucipto International Airport. The temple compound measures 0.8 hectares, however the original temple compound is estimated to be far larger. On the hill foot and slopes on western sides there are some archaeological artifacts and temple ruins which suggest the larger compound may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratu Boko
Ratu Boko () or Ratu Boko Palace () is an archaeological site in Java. Ratu Boko is located on a plateau, about three kilometres south of Prambanan temple complex in Yogyakarta, Indonesia. The original name of this site is still unclear, however the local inhabitants named this site after King Boko, the legendary king mentioned in Roro Jonggrang folklore. In Javanese, ''Ratu Boko'' means "Stork King". The site covers 16 hectares in two hamlets (''Dawung'' and ''Sambireja'') of the village of Bokoharjo and Prambanan, Sleman Regency. In striking contrast to other Classic-period sites in Central Java and Yogyakarta, which are remains of Hindu temples, Ratu Boko displays attributes of an occupation or settlement site, although its precise function is unknown. Probably the site was a palace complex which belonged to the Shailendra dynasty or Mataram Kingdom that also built temples scattered across the Prambanan Plain. The argument was based on the fact that this complex was not a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
In architecture, a niche (Canadian English, CanE, or ) is a recess or cavity constructed in the thickness of a wall for the reception of decorative objects such as statues, busts, urns, and vases. In Classical architecture examples are an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. In the first century B.C, there was no exact mention of niches, but rather a zotheca or small room. These rooms closely resemble alcoves similar to a niche but slightly larger. Different sizes and sculpture methods suggest the term niche was understood. Greeks and Romans especially, used niches for important family tombs. Etymology The word derives from the Latin (), via the French . The Italian ''Contrade of Siena#Nicchio (Seashell), nicchio'' () may also be involved in the origin of the word, as the traditional decoration for the top of a niche is a scallop shell, hence also the alternative term of semi-dome, "conch" for a semi-dome, usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banyunibo
Banyunibo () is a 9th-century Buddhist temple located in Cepit hamlet, Bokoharjo village, Prambanan, Sleman Regency, Special Region of Yogyakarta, Indonesia. The temple, dating from the era of Mataram Kingdom, sits in a narrow valley surrounded by paddy fields about two kilometers southeast of the Ratu Boko archaeological park on the east side of modern Yogyakarta. Further north is the Prambanan temple, and to the south are the Gunung Sewu Hills, an extension of Gunung Kidul Hills. Architecture Banyunibo has a curved rooftop design crowned with a solitary stupa; this theme is unique among the surviving Buddhist temples of Central Java. The curved rooftop was either meant to symbolize lotus or padma petals or meant to mimic the organic roof made from ''ijuk'' fibres (black fibres surrounding the trunk of ''Arenga pinnata'') common in ancient Java vernacular architecture and also found today in Balinese temple roof architecture. The main structure was originally surrounded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prambanan
Prambanan (, , Javanese script, Hanacaraka: ꦫꦫꦗꦺꦴꦁꦒꦿꦁ) is a 9th-century Hindu temple, Hindu Candi of Indonesia, temple compound in the Special Region of Yogyakarta, in southern Java, Indonesia, dedicated to the Trimurti, Trimūrti, the expression of God as the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located approximately northeast of the city of Yogyakarta on the boundary between Central Java and Special Region of Yogyakarta, Yogyakarta provinces. The temple compound, a UNESCO World Heritage Site, is the largest Hindu temple site in Indonesia and the List of largest Hindu temples, second-largest in Southeast Asia after Angkor Wat. It is characterized by its tall and pointed architecture, typical of Hindu architecture, and by the towering central building inside a large complex of individual temples. Prambanan temple compounds originally consisted of 240 temple structures, which represented the grandeur of ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kewu Plain
Kewu Plain, also known as Prambanan Plain or Opak River Valley, is a fertile volcanic plain that lies between the Merapi-Merbabu complex in the north, the Bantul lowlands and Sewu karst limestone range in the south, Bengawan Solo river valley in the east, the Progo River in the west, and Kedu Plain on the northwest. It is located within the Yogyakarta Special Region, Sleman Regency, Klaten Regency, and Solo City ( Central Java), Indonesia. Historically the area was identified as Mamratipura. The region was the center of both the Mataram kingdom in the 8th to 10th centuries, and later the Mataram Sultanate in the 16th century. It has been an important location in Central Javanese history and culture for over a millennium since it contains many ancient archaeological remnants of historic significance. If each temple structure was counted separately, the 9th century Central Java period could be said to have produced thousands of temples, scattered from Dieng Plateau, K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antefix
In architecture, an antefix () is a vertical block which terminates and conceals the covering tiles of a tiled roof (see imbrex and tegula, monk and nun). It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta, might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in the Roman period. On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon, with its petrifying eyes and sharp teeth, was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by the emperor Augustus as his own lucky star sign and appeared on coins and legionar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devata
''Devata'' (pl: ''devatas'', meaning 'the gods') are smaller and more focused Devas (Deities) in Indian religions, such as Hinduism and Buddhism. The term "devata" itself can also mean deva. They can be either male or female. Every human activity has its devata, its spiritual counterpart or aspect. Types There are many kinds of devatas: vanadevatas (forest spirits, perhaps descendants of early nature-spirit cults), gramadevata (village gods), devatas of river crossings, caves, mountains, and so on. For example, in the Konkan region of India, Hindu devatas are often divided into five categories: # Gramadevata, Grama devatas or village deities who could be the founder deity such as Punjabi folk religion#Jathera—ancestral shrines, Jathera or Balinese Hinduism#Rituals, ancestral worship of Bali, and examples include Santoshi, Renuka, Aiyanar # Sthana devatas or local deities, for example, those in certain places of pilgrimage like Rama in Nasik, Vithoba in Pandharpur, Krishn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakti
Shakti (Devanagari: शक्ति, IAST: Śakti; 'energy, ability, strength, effort, power, might, capability') in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refers to the personified energy or power of a Deva (Hinduism), male deity, often personified as the female consort of the given Hindu god. In Tantric Shaktism, Shakti is the foremost deity, akin to Brahman. In Puranic Hinduism, Shiva and Shakti are the masculine and feminine principles that are complementary to each other. The male deity is ''purusha'', pure consciousness, which creates the universe through the female creative energy of Shakti, which is ''Prakṛti, prakriti'', 'nature'. The term ''Shakta'' is used for the description of people associated with Shakti worship. The Shakta pithas are shrines, which are believed to be the sacred seats of Shakti. Etymology and overview According to the Monier Monier-Williams, Monier-Williams dict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati (, , IPA: /Sanskrit phonology, pɑɾʋət̪iː/), also known as Uma (, , IPA: Sanskrit phonology, /ʊmɑː/) and Gauri (, , IPA: /Sanskrit phonology, gə͡ʊɾiː/), is one of the principal goddesses in Hinduism, revered as the Devi, goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. Along with Lakshmi and Saraswati, Sarasvati, she forms the trinity, known as the Tridevi. From her first appearance as a goddess during the Itihasa-Purana, epic period (400 BCE – 400 CE), Parvati is primarily depicted as the consort of the god Shiva. According to various Puranas, Parvati is the reincarnation of Sati (Hindu goddess), Sati, Shiva's first wife, who relinquished her body to sever familial ties with her father, Daksha, after he had insulted Shiva. Parvati is often equated with the other goddesses such as Sati, Uma, Kali and Durga and due to this close connection, they are often treated as one and the same, with their stories frequently ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nāga
In various Asian religious traditions, the Nāgas () are a divine, or semi-divine, race of half-human, half-serpent beings that reside in the netherworld (Patala), and can occasionally take human or part-human form, or are so depicted in art. Furthermore, nāgas are also known as Dragon, dragons and Water spirit, water spirits. A female nāga is called a Nagin, or a Naiṇī Devī, Nagini. According to legend, they are the children of the sage Kashyapa and Kadru. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least 2,000 years. They are principally depicted in three forms: as entirely human with snakes on the heads and necks, as common serpents, or as half-human, half-snake beings in Hinduism and Buddhism. ''Nagaraja'' is the title given to the king of the nāgas. Narratives of these beings hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures, and within Hinduism and Buddhism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoni
''Yoni'' (Sanskrit: योनि, ), sometimes called ''pindika'', is an abstract or aniconic representation of the Hindu goddess Shakti. It is usually shown with ''linga'' – its masculine counterpart. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The ''yoni'' is conceptualized as nature's gateway of all births, particularly in the esoteric Kaula and Tantra practices, as well as the Shaktism and Shaivism traditions of Hinduism. ''Yoni'' is a Sanskrit word that has been interpreted to literally mean the "womb", the "source", and the female organs of generation., Quote: "Yoni- 'womb, vulva', Yoni- "way, abode' is from a second PIE root ..; It also connotes the female sexual organs such as "vagina", "vulva", and "uterus", or alternatively to "origin, abode, or source" of anything in other contexts. For example, the V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linga
A lingam ( , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. The word ''lingam'' is found in the Upanishads and epic literature, where it means a "mark, sign, emblem, characteristic", the "evidence, proof, symptom" of Shiva and Shiva's power. The lingam of the Shaivism tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones. It is often represented within a disc-shaped platform, the '' yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. The ''lingam'' is an emblem of generative and destructive power. While rooted in representations of the male sexual organ, the ''lingam'' is regarded as the "outward symbol" of the "formless reality", the symbolization of merging of the 'primordial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
