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Friedrich Heinrich Adolf Bernhard Marx . B. Marx(15 May 1795,
Halle Halle may refer to: Places Germany * Halle (Saale), also called Halle an der Saale, a city in Saxony-Anhalt ** Halle (region), a former administrative region in Saxony-Anhalt ** Bezirk Halle, a former administrative division of East Germany ** Hall ...
– 17 May 1866,
Berlin Berlin is Capital of Germany, the capital and largest city of Germany, both by area and List of cities in Germany by population, by population. Its more than 3.85 million inhabitants make it the European Union's List of cities in the European U ...
) was a
German German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ger ...
music theorist,
critic A critic is a person who communicates an assessment and an opinion of various forms of creative works such as art, literature, music, cinema, theater, fashion, architecture, and food. Critics may also take as their subject social or govern ...
, and
musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some m ...
.


Life

Marx was the son of a Jewish doctor in Halle who, though a member of the congregation, was according to his son a convinced atheist. Marx was given the names Samuel Moses at birth, but changed these at his baptism in 1819. He began his career studying law at Halle, but also learned musical composition there—a fellow student was the composer Carl Loewe. After rejecting an offer for legal appointment at
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, in 1821 he went to Berlin, where in 1825
Adolf Martin Schlesinger Adolf Martin Schlesinger (4 October 1769 – 11 October 1838) was a German music publisher whose firm became one of the most influential in Berlin in the early nineteenth century. Career Schlesinger was Jewish, and was born Aaron Moses Schlesi ...
appointed him editor of the music journal he had founded, the ''Berliner allgemeine musikalische Zeitung''. Marx's intellectual critiques were appreciated by, amongst others,
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
, although they often offended the Berlin establishment, including Carl Friedrich Zelter. Marx became an intimate of the family of Felix Mendelssohn, who was greatly influenced by Marx's ideas about the representational qualities of music—Marx's influence in the revision of Mendelssohn's overture to 'A Midsummer Night's Dream' (1826) was noted by their mutual friend
Eduard Devrient (Philipp) Eduard Devrient (11 August 18014 October 1877) was a German baritone, libretto, librettist, playwright, actor, theatre director, and theatre reformer and historian. Devrient came from a theatrical family. His uncle was Ludwig Devrient a ...
in his memoirs. After Mendelssohn's revival of J. S. Bach's ''
St. Matthew Passion The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets ...
'' in 1829, Marx persuaded Schlesinger to undertake the publication of this work, making Bach's masterpiece accessible to scholars for the first time. As Mendelssohn matured however the two drifted apart. At one time each agreed to write the libretto for an
oratorio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
to be composed by the other. Mendelssohn wrote a text on the subject of '' Moses'', while Marx wrote one on the subject of '' St. Paul''. However Mendelssohn's later oratorio on St. Paul used an extensively revised text; and when Marx asked Mendelssohn to perform his ''Moses'' in 1841 in
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, Mendelssohn refused because of its poor quality. The enraged Marx thereupon threw his extensive correspondence with Mendelssohn into the river, and it has therefore been lost forever. ''Moses'' was eventually given a performance by
Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
at
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in 1853. In 1830, with Mendelssohn's recommendation, Marx was appointed to the new post of professor of music at
Berlin University The Humboldt University of Berlin (german: link=no, Humboldt-Universität zu Berlin, abbreviated HU Berlin) is a public research university in the central borough of Mitte in Berlin, Germany. The university was established by Frederick Willi ...
and, from this time until his death, Marx's main influence was as a writer and teacher. In 1832, he also became music director at the University. In 1850 he was one of the founders of the Berlin Stern conservatory. His four-volume textbook on compositional theory, ''Die Lehre von der musikalischen Komposition'', was one of the most influential of the nineteenth century. It demonstrated a new approach to musical pedagogics, and presented a logically ordered system of the musical forms then in use, concluding with
sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th c ...
, which Marx exemplified using
Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
's piano sonatas. Toward the end of his life Marx completed a biography of the composer. He wrote extensively about the music of his time and also published a two-volume autobiography.


Bibliography


Works by Marx

* ''Über Malerei in der Tonkunst: ein Maigruss an die Kunstphilosophien''. Berlin, 1826. * ''Die Lehre von der musikalischen Komposition, praktisch-theoretisch''. Leipzig, 1837/38/45/47. * ''Die Musik des neunzehnten Jahrhunderts und ihre Pflege: Methode der Musik''. Leipzig, 1855. * ''Ludwig van Beethoven: Leben und Schaffen''. Berlin: Janke, 1859. * ''Erinnerungen aus meinem Leben''. Berlin, 1865. * ''Musical Form in the Age of Beethoven: Selected Writings on Theory and Method''. Edited and Translated by Scott Burnham. Cambridge: Cambridge University Press, 1997.


Others

* Burnham, Scott. "Aesthetics, Theory, and History in the Works of Adolf Bernhard Marx." Ph.D. dissertation, Brandeis University, 1988. * Conway, David, ''Jewry in Music'', Cambridge: Cambridge University Press (2012). * Marx, Josef Bernhard, ''Recollections From My Life: An Autobiography by A.B. Marx'', Pendragon Press, (2017) .


References


External links


Introduction to the Interpretation of the Beethoven Piano Works (1895)
by Marx, translated by Fannie Louise Gwinner. From Sibley Music Library Digital Scores Collection * {{DEFAULTSORT:Marx, Adolf Bernhard 1795 births 1866 deaths 19th-century classical composers 19th-century German composers 19th-century German male musicians Beethoven scholars German autobiographers German male classical composers German people of Jewish descent German music critics German music theorists Musicologists from Berlin German Romantic composers Academic staff of the Humboldt University of Berlin Martin Luther University of Halle-Wittenberg alumni People from Halle (Saale) 19th-century German musicologists