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Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded. Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed " Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédér ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Franz Liszt
Hungarian Romantic music, Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard (musician), Leslie Howard. Legend The table below gives the following information for works by Franz Liszt (where applicable): # S. — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard (musician), Leslie Howard). A number sign (#) signifies that a number is no longer in use. # LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''Grove Music Online'' (2010) # Title — normally following the New Liszt Edition' and Library of Congress', as well as other authoritative sources # Forc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Works Of Franz Liszt
The radical change Franz Liszt's compositional style underwent in the last 20 years of his life was unprecedented in Western classical music. The tradition of music had been one of unified progression, even to the extent of Johannes Brahms' First Symphony being known as "Beethoven's Tenth". Beethoven's own three periods of composition are monolithic and united. Liszt's, by comparison, seem deconstructivist. Replacing pages which in Liszt's earlier compositions had been thick with notes and virtuoso passages was a starkness where every note and rest was carefully weighed and calculated, while the works themselves become more experimental harmonically and formally. However, as with his earlier compositions, Liszt's later works continued to abound with forward-looking technical devices. Works such as '' Bagatelle sans tonalité'' ("Bagatelle without Tonality") foreshadow in intent, if not in exact manner, composers who would further explore the modern concept of atonality. Liszt's w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lisztomania
Lisztomania or Liszt fever was the intense fan frenzy directed toward Hungarian composer Franz Liszt during his performances. This frenzy first occurred in Berlin in 1841 and the term was later coined by Heinrich Heine in a feuilleton he wrote on 25 April 1844, discussing the 1844 Parisian concert season. Lisztomania was characterized by intense levels of hysteria demonstrated by fans, akin to the treatment of some celebrity musicians starting in the second half of the 20th century – but in a time not known for such musical excitement. Background Franz Liszt began receiving piano lessons at the age of seven from his father Adam Liszt, a talented musician who played the piano, violin, cello, and guitar, and who knew Joseph Haydn, Johann Nepomuk Hummel, and Ludwig van Beethoven personally. By age eleven, Franz Liszt was already composing music and appearing in concerts. As he grew older, Liszt continued to study and develop his expertise at playing piano. In 1839, Liszt began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New German School
The New German School (, ) is a term introduced in 1859 by Franz Brendel, editor of the ''Neue Zeitschrift für Musik'', to describe certain trends in German music. Although the term has frequently been used in essays and books about music history of the 19th and early 20th centuries, a clear definition is complex. In addition, those held to be representatives of the "New German School" are not all practising musicians. The term is thus problematic. It has been used by different persons at different times with different meanings. It is generally agreed that Franz Liszt and Richard Wagner were among the most prominent representatives of the "New German School". There is also a consensus that Johannes Brahms did not take part. Beyond this, interpretations differ. The present article sets out the main elements associated with this term. Representatives of the New German School conflicted with more conservative musicians in the so-called War of the Romantics. The ''Tonkünstler-Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Von Liszt
Franz Eduard Ritter von Liszt (2 March 1851 – 21 June 1919) was a German jurist, criminologist and international law reformer. As a legal scholar, he was a proponent of the modern sociological and historical school of law. From 1898 until 1917, he was Professor of Criminal Law and International Law at the University of Berlin and was also a member of the Progressive People's Party in the Prussian Chamber of Deputies and the Reichstag. Early life Franz von Liszt's father was Eduard Ritter von Liszt (1817–1879), a lawyer who had completed a brilliant civil service career as the head of the newly created Austrian General Prosecutor's Office. Franz von Liszt's mother was Karolina Pickhart (aka Caroline Pickhardt) (1827–1854). Karolina, who was Eduard von Liszt's first wife, was born in Çilli, Turkey, and died of cholera in Vienna in 1854. Eduard von Liszt's second wife was Henriette Wolf (1825–1920), whom he married on 24 January 1859 in Vienna. The composer and virtuoso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term (tone poem) appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term to his 13 works in this vein, which commenced in 1848. Background While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Of The Romantics
The "War of the Romantics" is a term used by some music historians to describe the schism among prominent musicians in the second half of the 19th century. Musical structure, the limits of chromatic harmony, and program music versus absolute music were the principal areas of contention. The opposing parties crystallized during the 1850s. The most prominent members of the ''conservative'' circle were Johannes Brahms, Joseph Joachim, Clara Schumann, and the Leipzig Conservatoire, which had been founded by Felix Mendelssohn. Their opponents, the ''radical progressives'' mainly from Weimar, were represented by Franz Liszt and the members of the so-called New German School (German: ''Neudeutsche Schule''), and by Richard Wagner. The controversy was German and Central European in origin; musicians from France, Italy, and Russia were only marginally involved. The conservatives Clara Schumann, Joseph Joachim and Johannes Brahms were early key members of a ''conservative'' group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosima Wagner
Francesca Gaetana Cosima Wagner (; 24 December 1837 – 1April 1930) was the daughter of the Hungarian composer and pianist Franz Liszt and Franco-German romantic author Marie d'Agoult. She became the second wife of the German composer Richard Wagner, and with him founded the Bayreuth Festival as a showcase for his stage works. After his death she devoted the rest of her life to the promotion of his music and philosophy. Commentators have recognised Cosima as the principal inspiration for Wagner's later works, particularly ''Parsifal''. In 1857, after a childhood largely spent under the care of her grandmother and with governesses, Cosima married the conductor Hans von Bülow. Although the marriage produced two children, it was largely a loveless union, and in 1863 Cosima began a relationship with Wagner, who was 24 years her senior. They married in 1870; after Wagner's death in 1883 she directed the Bayreuth Festival for more than 20 years, increasing its repertoire to form the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for Piano solo, solo piano. He has maintained worldwide renown as a leading composer of his era whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his early works in Warsaw before leaving Poland at age 20, less than a month before the outbreak of the November Uprising, November 1830 Uprising; at 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the Salon (gathering), salon. He supported himself, selling his compositions and giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolyne Zu Sayn-Wittgenstein
Princess Carolyne zu Sayn-Wittgenstein (née Iwanowska, ; 8 February 18199 March 1887) was a Polish noblewoman who is best known for her 40-year relationship with musician Franz Liszt. She was also an amateur journalist and essayist. It is conjectured that she did much of the actual writing of several of Liszt's publications, especially his 1852 ''Life of Chopin''. She maintained an enormous correspondence with Liszt and many others, which is of vital historical interest. She admired and encouraged Hector Berlioz, as is clear from their extensive correspondence, and Berlioz dedicated his ''Les Troyens'' to her. Biography Early years and first marriage Karolina Elżbieta Iwanowska was born at her maternal grandfather's home in Monasterzyska, now in western Ukraine but then part of the Kingdom of Galicia and Lodomeria, a crownland of the Austrian Empire. She was the only child of wealthy parents, members of the untitled Polish nobility, Piotr Iwanowski (1791-1844) and his wif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Czerny
Carl Czerny (; ; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils and would later on be one of the main teachers of Franz Liszt. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His father was of Czech origin; his mother was Moravian. Czerny came from a musical family: his grandfather was a violinist at Nimburg, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungarian Rhapsodies
The Hungarian Rhapsodies, S.244, R.106 (, , ), are a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885. Liszt also arranged versions for orchestra, piano duet and piano trio. Some are better known than others, with Hungarian Rhapsody No. 2 being particularly famous and No. 6, No. 10, No. 12, No. 14 (especially as arranged for piano and orchestra as the Hungarian Fantasy), and No.15 also being well known. In their original piano form, the ''Hungarian Rhapsodies'' are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer). Form Liszt incorporated many themes he had heard in his native western Hungary and which he believed to be folk music, though many were in fact tunes written by members of the Hungarian upper middle class, or by composers such as József Kossovits, often played by Roma (Gypsy) bands. The large scale structure of each was influenced by the verbunkos, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
