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Trío Romántico .
A trío romántico is a group of vocalists-guitarists, with origins in Mexico and other places in Hispanic America, that performs romantic songs, based on rhythms like bolero, vals and pasillo, mostly. The ensemble may be composed of three musicians: first guitar, second guitar and requinto guitar. Sometimes it is accompanied by maracas, or one of the guitars may be replaced by a double bass, tololoche, guitarron or Mexican vihuela. Among the renowned artists are Los Tres Caballeros, Los Panchos, Los Tres Ases, Los Tres Reyes, and the singers Eydie Gormé and Lucho Gatica Luis Enrique Gatica Silva (11 August 1928 – 13 November 2018), ''The New York Times''. Retriev ... References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Panchos Auditorio Nacional 2012
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Maracas
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eydie Gormé
Eydie Gormé ( ; born Edith Gormezano; August 16, 1928 – August 10, 2013) was an American singer who achieved notable success in pop, Latin, and jazz genres. She sang solo and in the duo Steve and Eydie with her husband, Steve Lawrence, on albums and television. She also performed on Broadway and in Las Vegas. Born in the Bronx, New York, Gormé began her career singing in a band on weekends while working as a translator. She gained prominence after appearing on the radio program ''Cita Con Eydie'' and changing her name for easier pronunciation. Gormé's career took off in the early 1950s, starting with her two-month stint with the Tommy Tucker band, followed by a year with Tex Beneke's band. She signed with Coral Records in 1952, releasing her first single and later joining ''The Tonight Show'', where she met Lawrence. The duo's success included the hits "Too Close for Comfort" and " Blame It on the Bossa Nova", with Gormé also achieving solo success and earning Grammy Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Panchos
Originally, Trio Los Panchos were a '' trío romántico'' formed in New York City in 1944 by Alfredo Gil, Chucho Navarro, and the Puerto Rican Hernando Avilés. The trio became one of the leading exporters of the bolero and the romantic ballad in Latin America. The group sold hundreds of millions of records since its creation in the mid 1940s, some of their best known songs being their interpretations of classic folk songs such as " Besame Mucho", " Sabor a Mí", "Sin Ti", " Solamente Una Vez", "Contigo", " Quizas, Quizas, Quizas", "Contigo Aprendi", " Aquellos Ojos Verdes", " Cuando vuelva a tu lado", " Se te olvida", " El Reloj", " Noche de Ronda", "Rayito de Luna". Los Panchos are regarded as one of the top musical trios of all time and one of the most influential Latin American artists of all time. They sold out concerts around the globe for over 70 years and have appeared in more than 50 films. A characteristic instrument of Los Panchos and other Mexican ''tríos rom� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexican Vihuela
The Mexican vihuela () is a guitar-like string instrument from 19th-century Mexico with five strings and typically played in mariachi groups. Description Although the Mexican vihuela has the same name as the historical Spanish plucked string instrument, the two are distinct. The Mexican vihuela has more in common with the Timple Canario (see: timple) due to both having five strings and both having vaulted (convex) backs. The Mexican vihuela is tuned similarly to the guitar. The difference is that the open G, the D and the A strings are tuned an octave higher than a guitar thus giving it a tenor sound or a higher pitch. The gauge of the strings and the order in which they are applied is important in producing a soft sound or a punchy bold sound when the instrument is strummed (the strum is called a mánico, and also references rhythmic patterns). The implementation of the vihuela to a mariachi is to give a duet of sorts with the Spanish guitar, one having a low tuning while th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tololoche
The tololoche is a traditional musical instrument from southern Mexico. Its name comes from "tolo loch", from the Mayan language: tolo (bull) and loch (embraced), which would later become tololoche. It is a variant of the European double bass, though sightly smaller, and is still large enough to produce low-pitched sounds. It has three or four strings, and is plucked with the fingers (pizzicato). It is purely a folk instrument, and not used in classical music. In northern Mexico it is used in Fara Fara and Norteño (music), norteño music. These styles include the accordion, snare drum, tololoche, saxophone, guitar or bajo sexto. It is used by musicians playing in bars and taverns in northern cities, and is also used by university student musicians in Guanajuato City, Guanajuato playing traditional songs for callejoneadas. The tololoche became established in the north of Mexico as indispensable to the interpretation of regional music and less awkward than the classical Double ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requinto Guitar
A requinto guitar is a smaller version of a classical guitar, with a scale length between 52-54cm. It is tuned a fourth higher than a standard classical guitar, to A2-D3-G3-C4-E4-A4. They often, but not always, have a cutout to reach the higher frets. Classical use The requinto guitar is traditionally used in guitar orchestras, along with other sized guitars. The Requinto is also used in Mexican and Ecuadorian culture, and their national songs like pasillos and boleros, where the requinto plays a very big role in improvisation. The playing style of the requinto is very similar, in all the songs, and it is rarely played differently. Modern use The requinto guitar is now especially popular in Mexico and elsewhere in Latin America. In Mexico it is used in trío romántico groups. ''Requintos'' made in Mexico have a deeper body than a standard classical guitar ( as opposed to ). ''Requintos'' made in Spain tend to be of the same depth as the standard classical. See also * * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasillo
Pasillo () is an Ecuadorean and Colombian genre of music popular in the territories that composed the 19th century Viceroyalty of New Granada: Born in the Andes during the independence wars, it spread to other areas; especially Ecuador (where it is considered the national musical style) and, to a lesser extent, the mountainous regions of Venezuela and Panama. Venezuelans refer to this style of music as "''vals''" (Spanish for "Waltz"). Today, it has incorporated more European features of classical dance, such as Viennese waltz in Colombia and features of sanjuanito and yaraví in Ecuador. As it spread during the Gran Colombia period, pasillo also absorbed the individual characteristics of isolated villages. This gives it an eclectic feel; however, the style, tone, and tempo of the music differ in each village and indeed between each country. In its waltz, pasillo alters the classically European dance form to accompany guitar, mandolin, and other string instruments. UNESCO's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vals Criollo
The vals criollo (), or Peruvian waltz (), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country. It also became popular outside of Peru, particularly in Argentina, where local artists composed many notable Peruvian waltz compositions such as Amarraditos and Que nadie sepa mi sufrir. History "La Guardia Vieja," translated as "the old guard," was a time period in Peru approximately from 1900 to 1920 in which as a result of the combination of European, Afro-Peruvian, and indigenous musical elements the ''vals criollo'' emerged among the public. The music is characterized by the use of triple metre, sometimes compound duple time, and the lyrics consist of verses in strophic form with intercalated choruses. Throughout the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
