Trío Romántico
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Trío Romántico
A trío romántico is a group of vocalists-guitarists, with origins in Mexico and other places in Hispanic America, that performs romantic songs, based on rhythms like bolero, vals and pasillo, mostly. The ensemble may be composed of three musicians: first guitar, second guitar and requinto guitar. Sometimes it is accompanied by maracas, or one of the guitars may be replaced by a double bass, tololoche, guitarron or Mexican vihuela. Among the renowned artists are Los Tres Caballeros, Los Panchos, Los Tres Ases, Los Tres Reyes, and the singers Eydie Gormé and Lucho Gatica Luis Enrique Gatica Silva (11 August 1928 – 13 November 2018),
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Los Panchos Auditorio Nacional 2012
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Maracas
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ...
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Eydie Gormé
Eydie Gormé ( ; born Edith Gormezano; August 16, 1928 – August 10, 2013) was an American singer who achieved notable success in pop, Latin, and jazz genres. She sang solo and in the duo Steve and Eydie with her husband, Steve Lawrence, on albums and television. She also performed on Broadway and in Las Vegas. Born in the Bronx, New York, Gormé began her career singing in a band on weekends while working as a translator. She gained prominence after appearing on the radio program ''Cita Con Eydie'' and changing her name for easier pronunciation. Gormé's career took off in the early 1950s, starting with her two-month stint with the Tommy Tucker band, followed by a year with Tex Beneke's band. She signed with Coral Records in 1952, releasing her first single and later joining ''The Tonight Show'', where she met Lawrence. The duo's success included the hits "Too Close for Comfort" and " Blame It on the Bossa Nova", with Gormé also achieving solo success and earning Grammy Aw ...
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Los Panchos
Originally, Trio Los Panchos were a '' trío romántico'' formed in New York City in 1944 by Alfredo Gil, Chucho Navarro, and the Puerto Rican Hernando Avilés. The trio became one of the leading exporters of the bolero and the romantic ballad in Latin America. The group sold hundreds of millions of records since its creation in the mid 1940s, some of their best known songs being their interpretations of classic folk songs such as " Besame Mucho", " Sabor a Mí", "Sin Ti", " Solamente Una Vez", "Contigo", " Quizas, Quizas, Quizas", "Contigo Aprendi", " Aquellos Ojos Verdes", " Cuando vuelva a tu lado", " Se te olvida", " El Reloj", " Noche de Ronda", "Rayito de Luna". Los Panchos are regarded as one of the top musical trios of all time and one of the most influential Latin American artists of all time. They sold out concerts around the globe for over 70 years and have appeared in more than 50 films. A characteristic instrument of Los Panchos and other Mexican ''tríos romà ...
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Mexican Vihuela
The Mexican vihuela () is a guitar-like string instrument from 19th-century Mexico with five strings and typically played in mariachi groups. Description Although the Mexican vihuela has the same name as the historical Spanish plucked string instrument, the two are distinct. The Mexican vihuela has more in common with the Timple Canario (see: timple) due to both having five strings and both having vaulted (convex) backs. The Mexican vihuela is tuned similarly to the guitar. The difference is that the open G, the D and the A strings are tuned an octave higher than a guitar thus giving it a tenor sound or a higher pitch. The gauge of the strings and the order in which they are applied is important in producing a soft sound or a punchy bold sound when the instrument is strummed (the strum is called a mánico, and also references rhythmic patterns). The implementation of the vihuela to a mariachi is to give a duet of sorts with the Spanish guitar, one having a low tuning while th ...
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Tololoche
The tololoche is a traditional musical instrument from southern Mexico. Its name comes from "tolo loch", from the Mayan language: tolo (bull) and loch (embraced), which would later become tololoche. It is a variant of the European double bass, though sightly smaller, and is still large enough to produce low-pitched sounds. It has three or four strings, and is plucked with the fingers (pizzicato). It is purely a folk instrument, and not used in classical music. In northern Mexico it is used in Fara Fara and Norteño (music), norteño music. These styles include the accordion, snare drum, tololoche, saxophone, guitar or bajo sexto. It is used by musicians playing in bars and taverns in northern cities, and is also used by university student musicians in Guanajuato City, Guanajuato playing traditional songs for callejoneadas. The tololoche became established in the north of Mexico as indispensable to the interpretation of regional music and less awkward than the classical Double ...
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