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Gregorian Chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that he only ordered a compilation of melodies throughout the whole Christian world, after having instructed his emissaries in the Schola cantorum, where the Neume, neumatical notation was perfected, with the result of most of those melodies being a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 mode (music), modes. Typical melodic features include a characteristic Ambitus (music), ambitus, and also characteristic intervallic patterns relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graduale Aboense 2
The gradual ( or ) is a certain chant or hymn in liturgical Christian worship. It is practiced in the Mass in the Catholic Church, Catholic Mass, Lutheranism, Lutheran Divine Service (Lutheran), Divine Service, Anglicanism, Anglican service and other traditions. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the Ambon (liturgy), ambo or altar. It is customarily placed after a reading of scripture. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Hallelujah, or, during penitential seasons, before the Tract (liturgy), tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the Proper (liturgy), proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reciting Tone
In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant, the first is also called tenor, dominant or tuba, while the second includes psalm tones (each with its own associated Gregorian mode) as well as simpler formulae for other readings and for prayers. Reciting tones in Gregorian chant Regular psalm tones Reciting tones occur in several parts of the Roman Rite. These include the accentus prayers and lessons chanted by the deacons or priests such as the Collect, Epistle, Gospel, Secret, Preface, Canon, and Postcommunion, as well as such regular texts as the Pater noster, Te Deum, and the Gloria in excelsis Deo. They are also sung in versicles and responds such as the ''Dominus vobiscum'' ("The Lord be with you") of the officiant followed by the ''Et cum spiritu tuo'' ("and with your spirit") of the choir. Some tones, presumably from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Rite
The Roman Rite () is the most common ritual family for performing the ecclesiastical services of the Latin Church, the largest of the ''sui iuris'' particular churches that comprise the Catholic Church. The Roman Rite governs Rite (Christianity), rites such as the Roman Mass and the Liturgy of the Hours as well as the manner in which Sacraments of the Catholic Church, sacraments and Blessing in the Catholic Church, blessings are performed. The Roman Rite developed in the Latin language in the city of Rome and, while distinct Latin liturgical rites such as the Ambrosian Rite remain, the Roman Rite has gradually been adopted almost everywhere in the Latin Church. In medieval times there were numerous local variants, even if all of them did not amount to distinct rites, yet uniformity increased as a result of the invention of printing and in obedience to the decrees of the Council of Trent of 1545–1563 (see ''Quo primum''). Several Latin liturgical rites which had survived into th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Order
A religious order is a subgroup within a larger confessional community with a distinctive high-religiosity lifestyle and clear membership. Religious orders often trace their lineage from revered teachers, venerate their Organizational founder, founders, and have a document describing their lifestyle called a rule of life. Such orders exist in many of the world's religions. Buddhism In Buddhist societies, a religious order is one of the number of Monasticism, monastic orders of monks and nuns, many of which follow a certain school of teaching—such as Thailand's Dhammayuttika Nikaya, Dhammayuttika order, a monastic order founded by King Mongkut (Rama IV). A well-known China, Chinese Buddhist order is the ancient Shaolin Monastery, Shaolin order in Ch'an (Zen) Buddhism; and in modern times, the Order of Hsu Yun. Christianity Catholic tradition A religious order in the Catholic Church is a kind of religious institute, a society whose members (referred to as "religious (Catho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir
A choir ( ), also known as a chorale or chorus (from Latin ''chorus'', meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, accordion, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organum
''Organum'' () is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or '' bourdon'') may be sung on the same text, the melody may be followed in parallel motion (parallel ), or a combination of both of these techniques may be employed. As no real independent second voice exists, this is a form of heterophony. In its earliest stages, ''organum'' involved two musical voices: a Gregorian chant melody, and the same melody transposed by a consonant interval, usually a perfect fifth or fourth. In these cases the composition often began and ended on a unison, the added voice keeping to the initial tone until the first part has reached a fifth or fourth, from where both voices proceeded in parallel harmony, with the reverse process at the end. ''Organum'' was originally improvised; while one singer performed a notated melody (the ''vox principalis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staff (music)
In Western musical notation, the staff"staff" in the Collins English Dictionary "in British English: also called: stave; plural: staffs or staves""staff" in the Merriam-Webster Dictionary /ref> ( UK also stave; : ''staffs'' or ''staves''), also occasionally referred to as a pentagram, is a set of five horizontal lines and four spaces that each represent a different musical pitc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. For example, classical performers most often use sheet music using staves, time signatures, key signatures, and noteheads for writing and deciphering pieces. But even so, there are far more systems just that, for instance in professional country music, the Nashville Number System is the main method, and for string instruments such as guitar, it is quite common for tablature to be used by player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neume
A neume (; sometimes spelled neum) is the basic element of Western and some Eastern systems of musical notation prior to the invention of five-line staff (music), staff notation. The earliest neumes were inflective marks that indicated the general shape but not necessarily the exact Musical note, notes or rhythms to be sung. Later developments included the use of heightened neumes that showed the relative Pitch (music), pitches between neumes, and the creation of a four-line musical staff that identified particular pitches. Neumes do not generally indicate rhythm, but additional symbols were sometimes juxtaposed with neumes to indicate changes in Articulation (music), articulation, duration (music), duration, or tempo. Neumatic notation was later used in medieval music to indicate certain patterns of rhythm called rhythmic modes, and eventually evolved into Modern musical symbols, modern musical notation. Neumatic notation remains standard in modern editions of plainchant. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexachord
In music, a hexachord (also hexachordon) is a six- note series, as exhibited in a scale ( hexatonic or hexad) or tone row. The term was adopted in this sense during the Middle Ages and adapted in the 20th century in Milton Babbitt's serial theory. The word is taken from the , compounded from ἕξ (''hex'', six) and χορδή (''chordē'', string f the lyre whence "note"), and was also the term used in music theory up to the 18th century for the interval of a sixth ("hexachord major" being the major sixth and "hexachord minor" the minor sixth). Middle Ages The hexachord as a mnemonic device was first described by Guido of Arezzo, in his ''Epistola de ignoto cantu''. In each hexachord, all adjacent pitches are a whole tone apart, except for the middle two, which are separated by a semitone. These six pitches are named ''ut'', ''re'', ''mi'', ''fa'', ''sol'', and ''la'', with the semitone between ''mi'' and ''fa''. These six names are derived from the first syllable of e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note (music)
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music. This discretization facilitates performance, comprehension, and analysis. Notes may be visually communicated by writing them in musical notation. Notes can distinguish the general pitch class or the specific pitch played by a pitched instrument. Although this article focuses on pitch, notes for unpitched percussion instruments distinguish between different percussion instruments (and/or different manners to sound them) instead of pitch. Note value expresses the relative duration of the note in time. Dynamics for a note indicate how loud to play them. Articulations may further indicate how performers should shape the attack and decay of the note and express fluctuations in a note's timbre and pitch. Notes may even distinguish the use of different extended techniques by using special symbols. The term ''note'' can refer to a specific musical event, for i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
