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Organum
''Organum'' () is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. Depending on the mode and form of the chant, a supporting bass line (or '' bourdon'') may be sung on the same text, the melody may be followed in parallel motion (parallel ), or a combination of both of these techniques may be employed. As no real independent second voice exists, this is a form of heterophony. In its earliest stages, ''organum'' involved two musical voices: a Gregorian chant melody, and the same melody transposed by a consonant interval, usually a perfect fifth or fourth. In these cases the composition often began and ended on a unison, the added voice keeping to the initial tone until the first part has reached a fifth or fourth, from where both voices proceeded in parallel harmony, with the reverse process at the end. ''Organum'' was originally improvised; while one singer performed a notated melody (the ''vox principalis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pérotin
Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies. Other than a brief mention by music theorist Johannes de Garlandia in his '' De Mensurabili Musica'', virtually all information on Pérotin's life comes from Anonymous IV, a pseudonymous English student who probably studied in Paris. Anonymous IV names seven titles from a '' Magnus Liber''—including '' Viderunt omnes'', ''Sederunt principes'' and ''Alleluia Nativitas''—that have been identified with surviving works and gives him the title ''Magister Perotinus'' (Pérotinus the Master), meaning he was licensed to teach. It is assumed that Perotinus was French and named Pérotin, a diminutive of Peter, but attempts to match him with persons in contemporary documents remain speculative. Ident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léonin
Léonin (also Leoninus, Leonius, Leo; ) was the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre-Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name. The name Léonin is derived from "Leoninus", which is the Latin diminutive of the name Leo; therefore it is likely that Léonin's given French name was Léo. Overview All that is known about him comes from the writings of a later student at the cathedral known as Anonymous IV, an Englishman who left a treatise on theory and who mentions Léonin as the composer of the ''Magnus Liber,'' the "great book" of organum. Much of the ''Magnus Liber'' is devoted to clausulae— melismatic portions of Gregorian chant which were extracted into separate pieces where the original note values of the chant were greatly slowed down and a fast-moving upper part is superimposed. Léon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, Latin influence in English, including English, having contributed List of Latin words with English derivatives, many words to the English lexicon, particularly after the Christianity in Anglo-Saxon England, Christianization of the Anglo-Saxons and the Norman Conquest. Latin Root (linguistics), roots appear frequently in the technical vocabulary used by fields such as theology, List of Latin and Greek words commonly used in systematic names, the sciences, List of medical roots, suffixes and prefixes, medicine, and List of Latin legal terms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hucbald Of St
Hucbald ( – 20 June 930; also Hucbaldus or Hubaldus) was a Benedictine monk active as a music theorist, poet, composer, teacher, and hagiographer. He was long associated with Saint-Amand Abbey, so is often known as Hucbald of St Amand. Deeply influenced by Boethius' '' De Institutione Musica'', Hucbald's (''De'') ''Musica'', formerly known as ''De harmonica institutione'', aims to reconcile ancient Greek music theory and the contemporary practice of Gregorian chant with the use of many notated examples. Among the leading music theorists of the Carolingian era, he was likely a near contemporary of Aurelian of Réôme, the unknown author of the '' Musica enchiriadis'', and the anonymous authors of other music theory texts ''Commemoratio brevis'', ''Alia musica'', and ''De modis''. Life Born in northern France, about 840 or 850, Hucbald studied at Elnone Abbey (later named Saint-Amand Abbey, after its 7th-century founder) where his uncle Milo was chief master of studies (''schola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsory
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gradual
The gradual ( or ) is a certain chant or hymn in liturgical Christian worship. It is practiced in the Catholic Mass, Lutheran Divine Service, Anglican service and other traditions. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. It is customarily placed after a reading of scripture. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Hallelujah, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Halle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Île De La Cité
The Île de la Cité (; English: City Island, "Island of the City") is one of the two natural islands on the Seine River (alongside, Île Saint-Louis) in central Paris. It spans of land. In the 4th century, it was the site of the fortress of the area governor for the Roman Empire. In 508, Clovis I, the first King of the Franks, established his palace on the island. In the 12th century, it extended its importance as a religious centre, the home of Notre-Dame de Paris, Notre-Dame cathedral, and the castle chapel of Sainte-Chapelle, as well as the city hospital, the Hôtel-Dieu de Paris, Hôtel-Dieu (possibly the oldest continuously operating hospital in the world). It is also the site of List of bridges in Paris#Seine, the city's oldest surviving bridge, the Pont Neuf. Even with the departure of the French kings to the Louvre Palace across the right bank, and then to the Palace of Versailles, the island remained a centre of administration and law courts. In 1302, it hosted the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre-Dame Cathedral
Notre-Dame de Paris ( ; meaning "Cathedral of Our Lady of Paris"), often referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the River Seine), in the 4th arrondissement of Paris, France. It is the cathedral church of the Roman Catholic Archdiocese of Paris. The cathedral, dedicated to the Virgin Mary ("Our Lady"), is considered one of the finest examples of French Gothic architecture. Several attributes set it apart from the earlier Romanesque style, including its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre-Dame is also exceptional for its three pipe organs (one historic) and its immense church bells. The construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified in succeeding centuries. In the 1790s, during the French Revolutio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of The Sorbonne
The University of Paris (), known Metonymy, metonymically as the Sorbonne (), was the leading university in Paris, France, from 1150 to 1970, except for 1793–1806 during the French Revolution. Emerging around 1150 as a corporation associated with the cathedral school of Paris, it was considered the List of medieval universities, second-oldest university in Europe.Charles Homer Haskins: ''The Rise of Universities'', Henry Holt and Company, 1923, p. 292. Officially chartered in 1200 by Philip II of France, King Philip II and recognised in 1215 by Pope Innocent III, it was nicknamed after its theological College of Sorbonne, founded by Robert de Sorbon and chartered by King Louis IX around 1257. Highly reputed internationally for its academic performance in the humanities ever since the Middle Ages – particularly in theology and philosophy – it introduced academic standards and traditions that have endured and spread, such as Doctor (title), doctoral degrees and student nations. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modal Rhythm
In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms). The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by the position of the ligature relative to other ligatures. Modal notation was developed by the composers of the Notre Dame school from 1170 to 1250, replacing the even and unmeasured rhythm of early polyphony and plainchant with patterns based on the metric feet of classical poetry, and was the first step towards the development of modern mensural notation. The rhythmic modes of Notre Dame Polyphony were the first coherent system of rhythmic notation developed in Western music since antiquity. History Though the use of the rhythmic modes is the most characteristic feature of the music of the late Notre Dame school, especially the compositions of Péro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the '' Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scolica Enchiriadis
''Scolica enchiriadis'' is an anonymous ninth-century music theory treatise and commentary on its companion work, the '' Musica enchiriadis''. These treatises were once attributed to Hucbald, but this is no longer accepted.Hoppin, Richard H. ''Medieval Music''. Norton, 1978, pp.188-193. . The ''Scolica enchiriadis'' is written as a tripartite dialogue, and despite being a commentary on the ''Musica enchiriadis'', it is nearly three times as long.Erickson, Raymond. "Musica enchiriadis, Scholia enchiriadis". ''The New Grove Dictionary of Music and Musicians''. London: Macmillan, 2001. Much of the theory discussed by the treatise is indebted to Augustinian conceptions of music, especially its affirmations of the importance of mathematics to music as kindred disciplines of the ''quadrivium''. Later sections draw heavily on the music theory of Boethius and Cassiodorus, two early medieval authors whose works on music were widely read and circulated hundreds of years after their death. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
