|
Fasıl
The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' yürük semâ'î'', '' gazel'', ''şarkı'' and '' saz semâ'î'', played continuously without interludes and interconnected through aranağme arrangements. A modern ''fasıl'' typically includes movements such as '' taksim'', '' peşrev'', ''şarkı (ağır aksak)'', '' yürük semâ'î'', ''Türk aksağı'', '' taksim'', ''şarkı (a few with increasing tempo)'' and '' saz semâ'î''. Traditional Fasıl (both classical and modern) is a musical act distinct from the performance of "oriental" or "arabesque" pop and folk songs found at meyhanes and taverns, which have come to be sometimes referred to by the same name. Şarkı A ''şarkı'' is an art song in Ottoman classical music which forms one of the movements of a ''fasıl'' (sui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Classical Music
Ottoman music () or Turkish classical music (, or more recently ) is the tradition of Art music, classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its Golden Age, golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic Culture, Hellenic and Persianate society, Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called ''Turkish makam, makam'', ''dastgah'' or ''echos'', is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, List of makams, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkey
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization. Ashik, Âşık, Aytysh, atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Music of Greece, Greek, Music of Armenia, Armenian, Music of Albania, Albanian, Music of Poland, Polish, Music of Azerbaijan, Azeri and Jewish communities, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peşrev
''Peşrev'' or Peshrev ( Turkish, "prelude"; pronounced ) is an instrumental form in Ottoman music. It is the name of the first piece of music played during a group performance called a fasıl (). It also serves as the penultimate piece of the ''Mevlevi ayini'', a ritual music of the Mevlevi Order, under the name ''son peşrev'' (final peşrev), preceding ''son semai''. It usually uses long rhythm cycles, stretching over many measures as opposed to the simpler usul the other major form of instrumental music uses, ''saz semai''. Along with the saz semai, called in Arabic the sama'i, it was introduced into Arabic music in the 19th century and became particularly popular in Egypt. Etymology In Ottoman Turkish, ''peşrev'' combines a New Persian loanword, ''piš'' "before, ahead" and the native term ''rev'', "that which goes". coming to mean "that which comes first". Structure Peşrevs are composed of movements called ''hane'' (lit. "house"), at the end of which there is always ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kar (Turkish Music)
The ''kar'' is a vocal genre in Ottoman classical music. It was a movement of the ''fasıl The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' ...'', or suite. References External links''Kar'' page Music of Turkey Turkish words and phrases {{Turkey-culture-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beste (Turkish Music)
The ''beste'' is a vocal genre in Ottoman classical music. It was a movement of the ''fasıl'', or suite. Beste was one of the main forms of ''fasil'' (along with '' semâ'î''), and its lyrics came from the Ottoman Turkish language poetry forms '' gazel'' and ''murabba Murabba (from ) is a sweet fruit preserve which is popular in many regions of South Caucasus, Central Asia, South Asia, and the Middle East. It is generally prepared with fruits, sugar, and spices. A similar dish to murabba ( spoon sweets) is al ...''. ''Abstract''Project Muse/ref> References External links''Beste'' page Music of Turkey Turkish words and phrases Song forms Forms of Turkish makam music Forms of Ottoman classical music {{Turkey-culture-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saz Semâ'î
The ''saz semai'' (also spelled in Turkish as ''saz sema'i'', ''saz sema-i'', ''saz sema i'', ''saz semaī'', ''saz semâ'î'', ''sazsemai'', ''saz semaisi'', or ''sazsemaisi'' and in the Arab world as ''samâi'') is an instrumental form in Ottoman classical music. It was typically the closing movement of a ''fasıl'' (i.e. suite). The saz semai is metered and typically uses the usul (rhythmic structure) called ''aksak semai''. A saz semai is typically in 4 movements, called ''hane'' (lit. "house"), each movement followed by a '' teslim'' (refrain). The ''teslim'' and the first three ''hane'' are usually in rhythm structure 10/8, unlike the fourth ''hane'' which is usually in 6/4, 3/4, or 6/8. Common Saz Semaisi Some Saz Semaisi are very well-known and played in the all makam music area (From Greece to Iraq, and from Iraq to Morocco). Here a few of them : *Semâi al Thakil - also called : Arap saz semai. This samai is in makam Bayati. *Semâi Al-Aryan - also called : Samâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waslah
A ''wasla'' ( / ALA-LC: ''waṣlah''; plural وَصَلَات / ''waṣalāt'') is a set of pieces in Arabic music. It comprises eight or more movements such as ''muwashshah'', ''taqsim'', ''layali'', '' mawwal'', ''qasida'', '' dawr'', ''sama'i'', '' bashraf'', '' dulab'', and popular songs.Danielson, ''The Voice of Egypt: Umm Kulthūm, Arabic song, and Egyptian Society in the Twentieth Century'', 146. The term is also used to refer to a segment of Sufi music. References {{Reflist Other sources *Racy, Ali Jihad (1983). "The Waslah: a Compound Form Principle in Egyptian Music", ''Arab Studies Quarterly'', v. 5, no. 4, pp. 396-403. See also *Fasıl The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' ... Arabic music Musical forms Classical and art music traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suites (music)
Suite may refer to: Arts and entertainment *Suite (music), a set of musical pieces considered as one composition ** Suite (Bach), a list of suites composed by J. S. Bach ** Suite (Cassadó), a mid-1920s composition by Gaspar Cassadó ** ''Suite'' (Penderecki), a 1994 composition by Krzysztof Penderecki ** :Suites (music) *Suite, a set of related illustrations considered to be part of one art composition (e.g., the Vollard Suite by Picasso) *''Suite!'', a 2019 album by Roberto Magris *"Suite", a poem by Patti Smith from her book '' Babel'' *''Suite PreCure'', a series of the Pretty Cure anime franchise Architecture and design *Suite (address), a kind of address or location in an office building, shopping mall, etc. *Suite (hotel), a type of hotel room *Secondary suite, an additional separate dwelling unit on a property that would normally accommodate only one dwelling unit *Luxury box, or suite, the most expensive class of seating in stadiums or arenas Other uses *Suite (geolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Forms
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Words And Phrases
Turkish may refer to: * Something related to Turkey ** Turkish language *** Turkish alphabet ** Turkish people, a Turkic ethnic group and nation *** Turkish citizen, a citizen of Turkey *** Turkish communities in the former Ottoman Empire * The word that Iranian Azerbaijanis use for the Azerbaijani language * Ottoman Empire (Ottoman Turkey), 1299–1922, previously sometimes known as the Turkish Empire ** Ottoman Turkish, the Turkish language used in the Ottoman Empire * Turkish Airlines, an airline * Turkish music (style), a musical style of European composers of the Classical music era * Turkish, a character in the 2000 film '' Snatch'' See also * * * Turk (other) * Turki (other) * Turkic (other) * Turkey (other) * Turkiye (other) * Turkish Bath (other) * Turkish population, the number of ethnic Turkish people in the world * Culture of Turkey * History of Turkey ** History of the Republic of Turkey * Turkic languages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longa (Middle Eastern Music)
A ''longa'' () is a Turkish / Eastern European dance, that was later introduced into Arabic music and is often performed at the end of a ''muwashshah''. It generally uses an '' iqa''' equivalent to 2/4, with several sections called ''khanat'' (singular ''khana''), each followed by a ''taslim'' (refrain). The last ''khana'' is generally in 3/4. A common form of ''longa'' is ''longa Riad in Nahawand scale'' (لونجا نهاوند) which is composed by the Egyptian composer Riad Al Sunbati in the ''maqam Nahawand''. See also * Syrtos *Fasıl *Pop-folk Folk-pop is a broad musical fusion genre that includes contemporary folk songs with pop arrangements, and pop songs with intimate, acoustic-based folk arrangements. Folk-pop has been popularized by mainstream media in recent years. Music ... External links''Longa'' page Arabic music Middle Eastern music Forms of Ottoman classical music Forms of Turkish makam music {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
