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Catchiness
Catchiness is how easy it is for a song, tune, or phrase to be recalled. It is often taken into account when writing songs, catchphrases, advertising slogans, jingles etc. Alternatively, it can be defined as how difficult it is for one to forget it. Songs that embody high levels of remembrance or catchiness are referred to as "catchy songs" or "earworms". While it is hard to scientifically explain what makes a song catchy, there are many documented techniques that recur throughout catchy music, such as repetition, hooks and alliteration. ''Selling Sounds: The Commercial Revolution in American Music'' says that "although there was no definition for what made a song catchy, all the songwriting guides agreed that simplicity and familiarity were vital". The physical symptoms of listening to a catchy song include "running tover in our heads or tapping a foot". According to Todd Tremlin, catchy music "spread because tresonates similarly from one mind to the next". Analysis In an ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earworm
An earworm or brainworm, also described as sticky music or stuck song syndrome, is a Catchiness, catchy or memorable piece of music or saying that continuously occupies a person's mind even after it is no longer being played or spoken about. Involuntary Musical Imagery (INMI) is most common after earworms, but INMI as a label is not solely restricted to earworms; musical hallucinations also fall into this category, although they are not the same thing. Earworms are considered to be a common type of Involuntary memory, involuntary cognition. Some of the phrases often used to describe earworms include "musical imagery repetition" and "involuntary musical imagery". The word ''Wikt:earworm, earworm'' is a calque from the German '. The earliest known English usage is in Desmond Bagley, Desmond Bagley's 1978 novel ''Flyaway (novel), Flyaway'', where the author points out the German origin of his word. Researchers who have studied and written about the phenomenon include Theodor Reik, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener." The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be somethin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catchphrase
A catchphrase (alternatively spelled catch phrase) is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through word of mouth and a variety of mass media (such as films, internet, literature and publishing, television, and radio). Some become the de facto or literal "trademark" or "signature" of the person or character with whom they originated, and can be instrumental in the typecasting (acting), typecasting of a particular actor. Catchphrases are often humorous, can be (or become) the punch line of a joke, or a callback (comedy), callback reminder of a previous joke. Culture According to Richard Harris, a psychology professor at Kansas State University who studied why people like to cite films in social situations, using film quotes in everyday conversation is similar to telling a joke and a way to form solidarity with others. "People are doing it to feel good about themselves, to m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perception, perceptual property that allows sounds to be ordered on a frequency-related scale (music), scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melody, melodies. Pitch is a major auditory system, auditory attribute of musical tones, along with duration (music), duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective Psychoacoustics, psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their percep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Psychology
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern work in the psychology of music is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. In addition to its basic-science role in the cognitive sciences, the field has practical relevance for many areas, including music performance, composition, education, criticism, and therapy; investigations of human attitude, skill, performance, intelligence, creativity, and social behavior; and links between music and health. The psychology of music can shed light on non-psychological aspects of musicology and musical practice. For example, it contrib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Levitin Effect
The Levitin effect is a phenomenon whereby people, even those without musical training, tend to remember songs in the correct key. The finding stands in contrast to the large body of laboratory literature suggesting that such details of perceptual experience are lost during the process of memory encoding, so that people would remember melodies with relative pitch, rather than absolute pitch. The effect was first documented by Daniel J. Levitin in 1994 and was regarded as a significant result in cognitive psychology. In 2012, the effect was replicated for the first time. There are theories as to the possible development of this effect and a strong differentiation between a person's ability to distinguish relative pitch versus absolute pitch. Cognitive disorders can affect a person's ability to experience the Levitin effect. Levitin effect studies Levitin's original study consisted of 46 volunteer students from Stanford University asked to participate in the study. Upon arriva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timing (music)
Timing in music refers to the ability to "keep time" accurately and to synchronise to an ensemble, as well as to expressive timing—subtle adjustment of note or beat duration, or of tempo, for aesthetic effect. Research in music cognition has shown that time as a subjective structuring of events in music, differs from the concept of time in physics. Listeners to music do not perceive rhythm on a continuous scale, but recognise rhythmic categories that function as a reference relative to which the deviations in timing can be appreciated.Honing, H. (2002) ''Structure and interpretation of rhythm and timing'' in ''Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie)''. vol 7(3), p. 227-23pdf/ref> Temporal patterns in music combine two different time scales—rhythmic durations such as half and quarter notes on the one hand, and on the other, the continuous timing variations that characterize an expressive musical performance. See also *Rhythm *Time signature A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time (magazine)
''Time'' (stylized in all caps as ''TIME'') is an American news magazine based in New York City. It was published Weekly newspaper, weekly for nearly a century. Starting in March 2020, it transitioned to every other week. It was first published in New York City on March 3, 1923, and for many years it was run by its influential co-founder, Henry Luce. A European edition (''Time Europe'', formerly known as ''Time Atlantic'') is published in London and also covers the Middle East, Africa, and, since 2003, Latin America. An Asian edition (''Time Asia'') is based in Hong Kong. The South Pacific edition, which covers Australia, New Zealand, and the Pacific Islands, is based in Sydney. Since 2018, ''Time'' has been owned by Salesforce founder Marc Benioff, who acquired it from Meredith Corporation. Benioff currently publishes the magazine through the company Time USA, LLC. History 20th century ''Time'' has been based in New York City since its first issue published on March 3, 1923 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spice Girls
The Spice Girls are an English girl group formed in 1994, consisting of Mel B ("Scary Spice"), Melanie C ("Sporty Spice"), Emma Bunton ("Baby Spice"), Geri Halliwell ("Ginger Spice"), and Victoria Beckham ("Posh Spice"). They have sold over 100 million records worldwide, making them List of best-selling girl groups#Best-selling girl groups worldwide, the best-selling girl group of all time. With their "girl power" mantra, the Spice Girls redefined the girl-group concept by targeting a young female fanbase. They led the teen pop resurgence of the 1990s, were a major part of the Cool Britannia era, and became popular culture icons of the decade. The Spice Girls were formed by Heart Management, who held auditions to create a girl group to compete with the British boy bands popular at the time. After leaving Heart, the Spice Girls hired Simon Fuller as their manager and signed with Virgin Records. They released their debut single, "Wannabe", in 1996, which reached number one on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wannabe
"Wannabe" is the debut single by the British girl group the Spice Girls, released on 26 June 1996. It was written by the Spice Girls, Matt Rowe and Richard "Biff" Stannard and produced by Rowe and Stannard for the group's debut album, ''Spice'', released in November 1996. The song was originally mixed by Dave Way, however the Spice Girls were not pleased with the result, and the recording was instead mixed by Mark "Spike" Stent. A dance-pop song, its lyrics address the value of female friendship over romantic relationships. It has since became a symbol of female empowerment and the most emblematic song of the group's girl power philosophy. "Wannabe" was heavily promoted. Its music video, directed by Johan Camitz, became a success on the British cable network the Box, which sparked press interest in the group. Subsequently, the song had intensive radio airplay across England, while the Spice Girls performed it on television and began doing interviews and photo shoots for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Science And Industry (Manchester)
The Science and Industry Museum in Manchester, England, traces the development of science, technology and industry with emphasis on the city's achievements in these fields. The museum is part of the Science Museum Group, a non-departmental public body of the Department for Digital, Culture, Media and Sport, having merged with the National Science Museum in 2012. There are extensive displays on the theme of transport (cars, railway locomotives and rolling stock), power (water, electricity, steam and gas engines), Manchester's sewerage and sanitation, textiles, communications and computing. The museum is an Anchor Point of the European Route of Industrial Heritage and is on the site of the world's first passenger railway station – Manchester Liverpool Road – which opened as part of the Liverpool & Manchester Railway in 1830. The railway station frontage and 1830 warehouse are both Grade I listed. History The museum was called the North Western Museum of Science an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
