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Cantiñas
The ''cantiñas'' () is a group of flamenco ''palos'' ( musical forms), originated in the area of Cádiz in Andalusia (although some styles of cantiña have developed in the province of Seville). They share the same '' compás'' or rhythmic pattern with the ''soleá'' and are usually sung in a lively rhythm (between 120 and 160 beats per minute). They are normally sung in a major mode and have a festive mood. The usual chord positions for the tonic chord in the guitar are those of E major, C major and, occasionally, A major, the latter usually reserved for solo guitar pieces. The chord progression is normally of the simple tonic-dominant type, although modern guitar players introduce other transitional chords. The ''palos'' classified under this group are: * '' Alegrías'' * '' Romeras'' * '' Caracoles'' * '' Mirabrás'' * Other ''cantiñas'', including the ''"cantiñas de Pinini"'' (or ''"cantiñas de Utrera''), ''"cantiña del contrabandista"'', ''"cantes de las Mirris"'' or "' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the Gitanos, gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Region of Murcia, Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani people, Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Styles
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of dances, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alegrías
''Alegrías'' () is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 '' 4 5 '' 7 '' 9 0'' 11 2''. Alegrías originated in Cádiz. Alegrías belongs to the group of ''palos'' called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas. Recommended listenings for this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Niña De Los Peines
Pastora Pavón Cruz, known as La Niña de los Peines (10 February 1890 – 26 November 1969), is considered the most important woman flamenco singer of the 20th century. She was a sister of singers Arturo Pavón and Tomás Pavón, also an important flamenco singer, and aunt to Arturo Pavón, the first flamenco pianist. Both brothers, Pastora and Tomás, together with singer Manuel Torre, were the inspiring models for the next generation of singers like Antonio Mairena, Pepe de la Matrona or Fosforito, who led the movement towards the revival of traditional forms in the decades of the 1950s-1970s. Biography Born in the famous quarter of Alameda Hércules, in Seville, she started singing for the public as at the age of 8, in the Seville Spring Fair. Later, when she was singing at Café de la Marina, a café cantante in Madrid, she acquired the nickname ''La Niña de los Peines'' (''The Girl of the Combs'', a nickname she never liked), as she usually sang a stanza in tangos sty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alegrías
''Alegrías'' () is a flamenco palo or musical form, which has a rhythm consisting of 12 beats. It is similar to Soleares. Its beat emphasis is as follows: 1 2 '' 4 5 '' 7 '' 9 0'' 11 2''. Alegrías originated in Cádiz. Alegrías belongs to the group of ''palos'' called Cantiñas and it is usually played in a lively rhythm (120-170 beats per minute). The livelier speeds are chosen for dancing, while quieter rhythms are preferred for the song alone. One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when alegrías are sung as a standalone song (with no dancing). In that case, the stanzas are combined freely, sometimes together with other types of cantiñas. Recommended listenings for this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusia
Andalusia ( , ; , ) is the southernmost autonomous communities of Spain, autonomous community in Peninsular Spain, located in the south of the Iberian Peninsula, in southwestern Europe. It is the most populous and the second-largest autonomous community in the country. It is officially recognized as a nationalities and regions of Spain, historical nationality and a national reality. The territory is divided into eight provinces of Spain, provinces: Province of Almería, Almería, Province of Cádiz, Cádiz, Province of Córdoba (Spain), Córdoba, Province of Granada, Granada, Province of Huelva, Huelva, Province of Jaén (Spain), Jaén, Province of Málaga, Málaga, and Province of Seville, Seville. Its capital city is Seville, while the seat of High Court of Justice of Andalusia, its High Court of Justice is the city of Granada. Andalusia is immediately south of the autonomous communities of Extremadura and Castilla-La Mancha; west of the autonomous community of Region of Mur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Lobato
Chano Lobato (December 1927 in Cadiz – 5 April 2009 in Seville) was a Spanish flamenco singer. Born in the Santa María neighborhood of Cadiz, he began performing at nightclubs in his hometown and later moved to Madrid, where he joined Alejandro Vega's Flamenco dance group. He became well known for performing with Antonio El Bailarín in particular, but also Manuel Morao and El Serna and for various notable dancers, including Matilde Coral. In 1974 Lobato received the Enrique El Mellizo award at the national contest Concurso Nacional de Córdoba and in 1996 he received the Medalla de Andalucía (Medal of Andalusia). Chano Lobato made many recordings. Amongst the most recent are: 1996 La Nuez Mosca 1997 Aromas de Cadiz 1997 Con sabor a cuarto 1998 El Flamenco Vive 2CD 2000 Azucar Cande 2000 Que viente anos no es nada 2002 Romea 2003 Memorias de Cadiz According to writer and flamencologist Manuel Ríos Ruiz, "Chano Lobato is an artist who gets emotional when he sings, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayte Martín
María Teresa Martín Cadiemo (born 1965) is a Spanish singer. Early life Martín was born in 1965 in Barcelona, Spain. Her mother was from Catalonia, and her father was from Málaga, Andalusia. While on a holiday in Cartagena, her father entered her in a Flamenco/ cante contest, which she won. She expanded her knowledge of flamenco styles by listening to recordings of singers such as Juan Valderrama, Manolo Caracol, Camarón de la Isla, Lole Montoya, and Pastora Pavón Cruz (also known as La Niña de los Peines). She also received formal musical training and worked as a "''Cantaora de atrás''" (singer for flamenco dance). Career In 1987, she won the Lámpara Minera prize at the Concurso Nacional de La Unión (aka Festival de las Minas). Two years later, she won the Antonio Chacón Prize for malagueña at the Concurso Nacional de Arte Flamenco de Córdoba. She began an international career after being chosen by Peter Gabriel to perform at WOMAD Festivals in 2009. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Linares
Carmen Pacheco Rodríguez (Born in 1951 in Linares, Jaén), better known by her stage name Carmen Linares, is a Spanish flamenco singer. She belongs to the best generation of flamenco artists with Paco de Lucía, Camarón, Enrique Morente, Jose Mercé, Manolo Sanlúcar and Tomatito and she is considered as flamenco legend. Carmen Linares has carved out a place for herself in contemporary Spanish musical culture. She was awarded Spain's Premio Nacional de Música for interpretation in 2001. In 2022 she received the Princess of Asturias Award in the category "Arts". Biography Born in Linares, in the heart of Andalusia. Carmen Linares is known as one of the finest flamenco singers in Spain. She moved to Madrid with her family in 1965. Her professional career began in the dance company of Carmen Mora, and she made her first recording in 1971. She is also recognized as flamenco lead vocal reference and ''maestra'' for young generation like Miguel Poveda, Estrella Morente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camarón De La Isla
José Monje Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla, was a Spanish Romani flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century. Early life He was born in San Fernando, Cádiz, Spain, into a Spanish Romani family, the seventh of eight children. His mother was Juana Cruz Castro, a "Canastera", literally a basket weaver, and meaning from a wandering Roma family, and whose gift of singing was a strong early influence. His father, Juan Luis Monje, was also a singer as well as a blacksmith, and had a forge where Camarón worked as a boy. His uncle José nicknamed him ''Camarón'' (Spanish for "Shrimp") because he was blonde and fair skinned. When his father died of asthma, while still very young, the family went through financi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Chacón
Antonio Chacón (1869–1929) was a Spanish flamenco singer antaor Chacón was born in Jerez de la Frontera, Cádiz Province. He began earning a living by performing flamenco around 1884. He toured Andalucia with his two friends, the Molina brothers - dancer Antonio Molina, and guitarist Javier Molina. He was later hired by Silverio Franconetti for his café in Seville. He was noted for his skill in singing the cartagenera, malagueñas, granaína and media granaína, which earned him the popular title of "Don". According to Fernando el de Triana, he was so accomplished that all of the most successful ''cantaores'' (singers) performing with him renounced their right of seniority and allowed Chacón to perform last, because the audience would simply leave when he finished. Had they not preceded him, they would have been performing to an empty hall. He performed with many of the best performers of his era. The great guitarist Ramón Montoya performed as Chacón's acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
