Burning Spirits (genre)
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Burning Spirits (genre)
A number of overlapping punk rock subgenres have developed since the emergence of punk rock (often shortened to ''punk'') in the mid-1970s. Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo. However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits. Afro-punk Afro-punk (sometimes spelled AfroPunk) refers to the participation of African Americans in the punk and alternative music cultures. Afro-punks represent a majority in the punk culture in predominantly black regions of the world that have burgeoning punk communities, such as in parts of Africa. There are many punk rock bands with black members, and several with lineups that are all black. Anarcho punk Anarcho-punk is punk rock that promotes anarchism. The term ''anarcho-punk'' is sometimes applied exclusively to bands that wer ...
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Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ...
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Amebix
Amebix were an English punk rock band from Tavistock, Devon. A pioneer of the crust punk genre, Amebix's merger of anarcho-punk and post-punk with elements of heavy metal music, heavy metal, particularly early extreme metal, inspired musicians who would go on to define the genres of grindcore, black metal, death-doom and metalcore. Formed in 1978 as the Band with No Name, the band's two consistent members were brothers Rob Miller (musician), Rob "the Baron" Miller (vocals, bass) and Chris "Stig" Miller (guitar). The band's earliest releases were post-punk, before beginning to adopt elements of heavy metal music on their debut album ''No Sanctuary (album), No Sanctuary'' (1983). This album was one of the earliest examples of the crust punk genre, a style which the band would codify with its follow up ''Arise! (Amebix album), Arise!'' (1985). Shortly after the release of their third album ''Monolith (Amebix album), Monolith'' (1987), the group disbanded. The band reunited in 2008 ...
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Camp (style)
Camp is an Aesthetics, aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or Irony, ironic element. ''Camp'' is historically associated with LGBTQ culture and especially gay men. Camp aesthetics disrupt modernism, modernist understandings of high art by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement. Camp art is distinct from but often confused with kitsch''.'' The American writer Susan Sontag emphasized its key elements as embracing frivolity, excess and artifice.'''' Art historian David Carrier notes that, despite these qualities, it is also subversive and political. ''Camp'' may be sophisticated, but subjects deemed ''camp'' may also be perceived as being dated, offensive or in Bad taste (aesthetics), bad taste.Babuscio (1993, 20), Feil (2005, 478), Morrill (1994 ...
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Tongue-in-cheek
Tongue-in-cheek is an idiom that describes a humorous or sarcastic statement expressed in a serious manner. History The phrase originally expressed contempt, but by 1842 had acquired its modern meaning. Early users of the phrase include Sir Walter Scott in his 1828 ''The Fair Maid of Perth''. The physical act of putting one's tongue into one's cheek once signified contempt. For example, in Tobias Smollett's ''The Adventures of Roderick Random,'' which was published in 1748, the eponymous hero takes a coach to Bath and on the way apprehends a highwayman. This provokes an altercation with a less brave passenger: The phrase appears in 1828 in ''The Fair Maid of Perth'' by Sir Walter Scott: It is not clear how Scott intended readers to understand the phrase. The more modern ironic sense appeared in a poem in ''The Ingoldsby Legends'' (1842) by the English clergyman Richard Barham Richard Harris Barham (6 December 1788 – 17 June 1845) was an English cleric of the Church of ...
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