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Yogavasishtha
''Vasishta Yoga Samhita'' (, IAST: '; also known as ''Mokṣopāya'' or ''Mokṣopāyaśāstra'', and as ''Maha-Ramayana'', ''Arsha Ramayana'', ''Vasiṣṭha Ramayana'', ''Yogavasistha-Ramayana'' and ''Jnanavasistha'', is a historically popular and influential syncretic philosophical text of Hinduism, dated to the 11th—14th century CE. According to Mainkar, writing in 1977, the text started as an Upanishad, which developed into the ''Laghu Vasistha'', incorporating Buddhist ideas, and then, between 1150 and 1250, the ''Yoga Vasistha'', incorporating Shaivite Trika ideas. According to Slaje, writing in the 2000s, the ''Mokṣopāya'' was written in Kashmir in the 10th century. According to Hanneder and Slaje, the ''Mokṣopāya'' was later (11th to the 14th century) modified, showing influences from the Saivite Trika school, resulting in the ''Yogavāsiṣṭha'', which became an orthodox text in Advaita Vedanta. The text is attributed to Maharishi Valmiki, but the real autho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Brahmic family, Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the 19th century from suggestions by Sir Charles Trevelyan, 1st Baronet, Charles Trevelyan, William Jones (philologist), William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva International Congress of Orientalists, Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyamaka
Madhyamaka ("middle way" or "centrism"; ; ; Tibetic languages, Tibetan: དབུ་མ་པ་ ; ''dbu ma pa''), otherwise known as Śūnyavāda ("the Śūnyatā, emptiness doctrine") and Niḥsvabhāvavāda ("the no Svabhava, ''svabhāva'' doctrine"), refers to a tradition of Buddhist philosophy and practice founded by the History of Buddhism in India, Indian Buddhist monk and philosopher Nagarjuna, Nāgārjuna ().Wynne, Alexander (2015) ''Early Buddhist Teaching as Proto-śūnyavāda.'' Journal of the Oxford Centre for Buddhist Studies, 6. pp. 213-241. The foundational text of the Mādhyamaka tradition is Nagarjuna, Nāgārjuna's ''Mūlamadhyamakakārikā'' ("Root Verses on the Middle Way"). More broadly, Madhyamaka also refers to the ultimate nature of phenomena as well as the non-conceptual realization of ultimate reality that is experienced in Buddhist meditation, meditation. Since the 4th century CE onwards, Madhyamaka philosophy had a major influence on the subsequent d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Mythology
Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the ''Mahabharata'' and the ''Ramayana''), and the Puranas. They also appear in regional and ethnolinguistic texts, including the Bengali ''Mangal Kavya'' and the Tamil '' Periya Puranam'' and ''Divya Prabandham''. Additionally, Hindu myths are also found in widely translated fables like the ''Panchatantra'' and the '' Hitopadesha'', as well as in Southeast Asian texts influenced by Hindu traditions. Meaning of "myth" Myth is a genre of folklore or theology consisting primarily of narratives that play a fundamental role in a society, such as foundational tales or origin myths. For folklorists, historians, philosophers or theologians this is very different from the use of "myth" simply indicating that something is not true. Instead, the truth value of a myth is not a def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contents And Stories Of The Yoga Vasistha
The below list gives an overview of the contents and stories in the ''Yoga Vasistha'', as it appears in Swami Venkatesananda's translation. The same stories are included in the ''Moksopaya'', on which the ''Yoga Vasistha'' was based, as well. In the beginning of the book Vasistha states that the stories have a "definite purpose and a limited intention. They are not to be taken literally, nor is their significance to be stretched beyond the intention."Swami Venkatesananda, 1984, pp. 36. Section One: On Dispassion Section Two: On the Behavior of a Seeker *The Story of Śuka *Self Effort Section Three: On Creation *The Story of Lila (Hinduism), Lila *The Story of Karkati *The Story of the Sons of Indu *The Story of Ahalya *The Story of the Great Forest *The Story of the Three Non-Existent Princes *The Story of Lavana Section Four: On Existence *The Story of Shukra, Sukra *The Story of Dama, Vyala and Kata *The Story of Bhima, Bhasa and Drdha *The Story of Dasura *Kaca’s Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru
Guru ( ; International Alphabet of Sanskrit Transliteration, IAST: ''guru'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian religions, Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or ''wikt:शिष्य, shisya'' in Sanskrit, literally ''seeker [of knowledge or truth'']) or student, with the guru serving as a "counsellor, who helps mould values, shares experiential knowledge as much as Knowledge#Hinduism, literal knowledge, an Role model, exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown says that a tantra, tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Granth Sahib
The Guru Granth Sahib (, ) is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion. The Adi Granth (), its first rendition, was compiled by the fifth guru, Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside the Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh, the tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth.Adi Granth Encyclopaedia Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhakti Movement
The Bhakti movement was a significant religious movement in medieval Hinduism that sought to bring religious reforms to all strata of society by adopting the method of Bhakti, devotion to achieve salvation. Originating in Tamilakam during 6th century CE, it gained prominence through the poems and teachings of the Vaishnava Alvars and Shaiva Nayanars in Middle kingdoms of India#The Deccan plateau and South, early medieval South India, before spreading northwards. It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE. The Bhakti movement regionally developed around different God in Hinduism, Hindu gods and goddesses, and some sub-sects were Vaishnavism (Vishnu), Shaivism (Shiva), Shaktism (Shakti goddesses), and Smartism.Wendy Doniger (2009)"Bhakti" ''Encyclopædia Britannica'' The Bhakti movement preached using the local languages so that the message reached the masses. The movement was inspired by many poet- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayanta Bhatta
Jayanta Bhatta ( CE – CE) was a poet, teacher, logician, and an advisor to King Sankaravarman of Kashmir. He was a philosopher of the Nyaya school of Hindu philosophy. He authored three works on Nyaya, Nyāya philosophy: one of which is not known, an allegorical drama, and a commentary on Pāṇini, Pāṇinian grammar. Early life Jayanta was born into a wealthy Gaur Brahmins, Gaur Brahmin family. He was a child prodigy, composing a commentary to Pāṇini, Panini’s ''Ashtadhyayi'' and earned the name Nava-Vrittikara, or new commentator. Later in life, he mastered various ''shastra'' and ''Agama (Hinduism), agama'', distinguished himself in scholarly debates, and passed his knowledge on to his students. Jayanta's birth year, lifespan, dates of his written works are a subject of scholarly debates. His philosophical work ''Nyāyamañjarī'' as well as his drama ''Āgamaḍambara'', refer to King Sankaravarman (883 – 902 CE) as a contemporary. ''Kādambarikathāsāra'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upanishad
The Upanishads (; , , ) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices.A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p. 285Jan Gonda (1975), ''Vedic Literature: (Saṃhitās and Brāhmaṇas)'', Otto Harrassowitz Verlag, While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
