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Xiaoze Xie
Xiaoze Xie (; born 1966 in Guangdong, China) is a Chinese American, Chinese-American visual artist and professor.Loos, Ted"Fish Wrap, Bird Cage Liner, Still Life,"''The New York Times'', March 21, 2004, p. 32. Retrieved August 22, 2019. He is based in Stanford, California, where Xie is currently the Paul L. & Phyllis Wattis Professor of Art at Stanford University.Stanford University Department of Art & Art History"Xiaoze Xie,"People. Retrieved August 22, 2019. His art work includes painting, drawing, photography, installation, and video, the best-known of which are his monumental paintings of library books and newspapers, which explore the ephemeral nature of time, history and cultural memory.Nichols, Matthew Guy. "Xiaoze Xie at Charles Cowles," ''Art in America'', June/July 2004, p. 181.Morse, Trent. "Xiaoze Xie at Chambers Fine Art," ''ARTnews'', June 2011, p. 109.Wei, Lilly. "Xie Xiaoze at Chambers Fine Art," ''ARTnews'', December 2013, p. 107. ''San Francisco Chronicle'' critic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guangdong
Guangdong (, ), alternatively romanized as Canton or Kwangtung, is a coastal province in South China on the north shore of the South China Sea. The capital of the province is Guangzhou. With a population of 126.01 million (as of 2020) across a total area of about , Guangdong is the most populous province of China and the 15th-largest by area as well as the second-most populous country subdivision in the world (after Uttar Pradesh in India). Its economy is larger than that of any other province in the nation and the fifth largest sub-national economy in the world with a GDP (nominal) of 1.95 trillion USD (12.4 trillion CNY) in 2021. The Pearl River Delta Economic Zone, a Chinese megalopolis, is a core for high technology, manufacturing and International trade, foreign trade. Located in this zone are two of the Chinese city tier system, four top Chinese cities and the List of Chinese prefecture-level cities by GDP, top two Chinese prefecture-level cities by GDP; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oakland Museum Of California
The Oakland Museum of California or OMCA (formerly the Oakland Museum) is an interdisciplinary museum dedicated to the art, history, and natural science of California, located adjacent to Oak Street, 10th Street, and 11th Street in Oakland, California. The museum contains more than 1.8 million objects dedicated to "telling the extraordinary story of California." History The OMCA was founded in 1969 as merger of three smaller area museums – the Oakland Public Museum, Oakland Art Gallery, and the Snow Museum of Natural History. The seeds of this merger began in 1954 when the three organizations established a nonprofit association with the goal of merging their collections under one umbrella. This plan was eventually realized in 1961 when voters approved a $6.6 million bond issue to start the development of what would become the OMCA campus overlooking Lake Merritt in the city center. The museum's founding credo positioned itself as a “people’s museum,” wherein it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Smith
Roberta Smith (born 1948) is co-chief art critic of ''The New York Times'' and a lecturer on contemporary art. She is the first woman to hold that position. Early life Born in 1948 in New York City and raised in Lawrence, Kansas. Smith studied at Grinnell College in Iowa. Her career in the arts started in 1968, while an undergraduate summer intern at the Corcoran Gallery of Art in Washington D.C. Career In 1968-1969 she participated in the Art History/Museum Studies track of the Whitney Independent Study Program (ISP) where she met and developed an affinity for Donald Judd and became interested in minimal art. After graduation, she returned to New York City in 1971 to take a secretarial job at the Museum of Modern Art, followed by part-time assistant jobs to Judd in the early 1970s, and Paula Cooper for the first three years that she had her Paula Cooper Gallery, beginning in 1972. While at the Paula Cooper Gallery Smith wrote exhibition reviews for '' Artforum'', and sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC) launched by Mao Zedong in 1966, and lasting until his death in 1976. Its stated goal was to preserve Chinese communism by purging remnants of capitalist and traditional elements from Chinese society. The Revolution marked the effective commanding return of Mao –who was still the Chairman of the Chinese Communist Party (CCP)– to the centre of power, after a period of self-abstention and ceding to less radical leadership in the aftermath of the Mao-led Great Leap Forward debacle and the Great Chinese Famine (1959–1961). The Revolution failed to achieve its main goals. Launching the movement in May 1966 with the help of the Cultural Revolution Group, Mao charged that bourgeois elements had infiltrated the government and society with the aim of restoring capitalism. Mao called on young people to " bombard the hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Guards
Red Guards () were a mass student-led paramilitary social movement mobilized and guided by Chairman Mao Zedong in 1966 through 1967, during the first phase of the Cultural Revolution, which he had instituted.Teiwes According to a Red Guard leader, the movement's aims were as follows: Despite being met with resistance early on, the Red Guards received personal support from Mao, and the movement rapidly grew. The movement in Beijing culminated during the " Red August" of 1966, which later spread to other areas in mainland China. Mao made use of the group as propaganda and to accomplish goals such as seizing power and destroying symbols of China's pre-communist past (" Four Olds"), including ancient artifacts and gravesites of notable Chinese figures. Moreover, the government was very permissive of the Red Guards, and even allowed the Red Guards to inflict bodily harm on people viewed as dissidents. The movement quickly grew out of control, frequently coming into conflict with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglim Gilbert Gallery
Anglim Trimble Gallery, formerly Gallery Paule Anglim, and Anglim Gilbert Gallery, is a contemporary commercial art gallery which is located at Minnesota Street Project, 1275 Minnesota Street, San Francisco, California The gallery was founded by Paule Anglim (1923 –2015) in the early 1970s. The gallery specializes in exhibiting works from West Coast art movements. Following Anglim's passing in the spring of 2015, the gallery was re-opened under the lead of her long-term director, Ed Gilbert, and renamed Anglim Gilbert Gallery. After the death of Gilbert in 2020, it was subsequently renamed Anglim Trimble Gallery under the directorship of Shannon Trimble. The gallery has been located at the Minnesota Street Project since spring of 2016. Movements * California Beat artists * Bay Area Conceptualists * Experimental California art movements Artists * Terry Allen * Anne Appleby * Robert Bechtle * John Beech * Nayland Blake * Louise Bourgeois * Joan Brown * John Buck * Bull. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chambers Fine Art
Chambers Fine Art is an art gallery based in New York City and Beijing that specializes in Chinese contemporary art. Opened in New York in 2000 by Christophe Mao. Notable Chinese artists who had their first solo show in the United States at Chambers include: Lu Shengzhong, Shi Jinsong, Hong Hao, Qiu Zhijie, Hong Lei, and Chi Peng. In 2007 Chambers Fine Art opened a second gallery-space designed by the artist, Ai Weiwei, in the Caochangdi district of Beijing. The inaugural exhibition ''Net: Reimagining Space, Time and Culture'' was organized by eminent Chinese art scholar, Wu Hung, and included works by Chinese contemporary artists Ai Weiwei, He Yunchang, Hong Hao, Hong Lei, Lu Shengzhong, Qiu Zhijie, Rong Rong & inri, Shi Jinsong, Song Dong, Wang Jianwei, Wang Tiande, Wu Jian’an, Yin Xiuzhen, Yu Hong, Guo Hongwei, Zhan Wang, Zhang Peili, Zheng Guogu. In October 2009, Chambers Fine Art moved its New York gallery to a ground-floor space on 19th street in Chelsea's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodernism
Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the "grand narratives" of modernism, opposition to epistemic certainty or stability of meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization. Initially emerging from a mode of literary criticism, postmodernism developed in the mid-twentieth century as a rejection of modernism and has been observ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of realism and made use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody. Modernism also rej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction, speculative and fantasy literature, supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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