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Where Corals Lie
"Where Corals Lie" is a poem by Richard Garnett which was set to music by Sir Edward Elgar as the fourth song in his song-cycle ''Sea Pictures''. The poem was first published in ''Io in Egypt and other poems'' in 1859 and subsequently anthologized in ''Sea Music'' in 1888. Lyrics (Italicised text indicates lines repeated in the song, but not in the original poem.) The deeps have music soft and low When winds awake the airy spry, It lures me, lures me on to go And see the land where corals lie. ''The land, the land, where corals lie.'' By mount and mead, by lawn and rill, When night is deep, and moon is high, That music seeks and finds me still, And tells me where the corals lie. ''And tells me where the corals lie.'' Yes, press my eyelids close, 'tis well, ''Yes, press my eyelids close, 'tis well'', But far the rapid fancies fly To rolling worlds of wave and shell, And all the land where corals lie. Thy lips are like a sunset glow, Thy smile is like a morning sky, Yet leave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Corals Lie Song Cover
{{disambiguation ...
Where may refer to: * Where?, one of the Five Ws in journalism * where (command), a shell command * Where (SQL), a database language clause * Where.com, a provider of location-based applications via mobile phones * ''Where'' (magazine), a series of magazines for tourists * "Where?", a song by Nickelback from the album '' Curb'', 1996 See also *Ware (other) *Wear (other) *Were (other) ''Were'' is an archaic term for an adult male human, now used as a prefix to indicate a type of shapeshifter. Were may also refer to: * ''were'', a preterite and irrealis form of the English copular verb ''to be'' * Were music, a style of Muslim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Garnett (writer)
Richard Garnett C.B. (27 February 1835 – 13 April 1906) was a scholar, librarian, biographer and poet. He was son of Richard Garnett, an author, philologist (historical linguist) and assistant keeper of printed books in the British Museum, i.e. what is now the British Library. Life Born at Lichfield in Staffordshire, and educated at a school in Bloomsbury, he entered the British Museum in 1851 as an assistant librarian. Anthony Panizzi, a close friend of Garnett's father, invited the then 16-year-old Richard to work at the British Museum following his father's death. In 1875, he became superintendent of the Reading Room, in 1881, editor of the General Catalogue of Printed Books, and in 1890, succeeding George Bullen, he was Keeper of Printed Books until his retirement in 1899. His literary works include numerous translations from the Greek, German, Italian, Spanish, and Portuguese; several books of verse; the book of short stories '' The Twilight of the Gods'' (1888, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for violin and cello, and two symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sea Pictures
''Sea Pictures, Op. 37'' is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece. The songs are: * " Sea Slumber Song" by Roden Noel (approximately 4 minutes) * " In Haven (Capri)" by Caroline Alice Elgar, the composer's wife (under 2 minutes) * "Sabbath Morning at Sea" by Elizabeth Barrett Browning (approximately 4 minutes) * "Where Corals Lie" by Richard Garnett (approximately 3 minutes) * " The Swimmer" by Adam Lindsay Gordon (approximately 5 minutes) Much of the vocal line of the first song, "Sea Slumber Song", is heard again in other parts of the cycle; most notably, the second stanza is heard again almost in its entirety as part of the finale. History Elgar composed the piece on his 1894 Broadwood Square piano while residing at Birchwood Lodge, Great Storridge in Herefordshire. The songs wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: : : Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his '' St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Notable compositions in B minor * Johann Sebastian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colla Parte
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute The minute is a unit of time usually equal to (the first sexagesimal fraction) of an hour, or 60 seconds. In the UTC time standard, a minute on rare occasions has 61 seconds, a consequence of leap seconds (there is a provision to insert a nega ... (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter (music), meter, or these aspects may be indicated along with tempo, all contributing to the overall texture (music), texture. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Register
A vocal register is a range of tones in the human voice produced by a particular vibratory pattern of the vocal folds. These registers include modal voice (or normal voice), vocal fry, falsetto, and the whistle register. Registers originate in laryngeal function. They occur because the vocal folds are capable of producing several different vibratory patterns. Each of these vibratory patterns appears within a particular range of pitches and produces certain characteristic sounds. In speech pathology, the vocal register has three components: a certain vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound. Although this view is also adopted by many vocal pedagogists, others define vocal registration more loosely than in the sciences, using the term to denote various theories of how the human voice changes, both subjectively and objectively, as it moves through its pitch range. There are many divergent theories on vocal registers within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Your Hundred Best Tunes
''Your Hundred Best Tunes'' was a BBC radio music programme, always broadcast on Sunday evenings, which presented popular works which were mostly classical excerpts, choral works, opera and ballads. The hundred tunes which made up the playlist were initially selected by the creator and presenter, Alan Keith. Subsequently, tunes were suggested by requests and polls of listeners. History ''The Hundred Best Tunes in the World'' was broadcast on the BBC Light Programme from 15 November 1959 until 7 February 1960, when Alan Keith's personal list of one hundred had all been played. The title was changed from 14 February 1960. At this point it ran for half an hour from 10 to 10.30 pm, but from 25 December 1960 it was extended and moved to earlier in the evening, running from 7.35 to 8.30 pm. From 12 March 1961 it adopted the 9 to 10 pm time slot which it would occupy for the rest of its life, on four different networks: it moved from the Light Programme to the Home Servi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dame Clara Butt
Dame Clara Ellen Butt, (1 February 1872 – 23 January 1936) was an English contralto and one of the most popular singers from the 1890s through to the 1920s. She had an exceptionally fine contralto voice and an agile singing technique, and impressed contemporary composers such as Saint-Saëns and Elgar; the latter composed his ''Sea Pictures'', Op. 37 with her voice in mind. Her main career was as a recitalist and concert singer. She appeared in only two operatic productions, both of Gluck's ''Orfeo ed Euridice''. Later in her career she frequently appeared in recitals together with her husband, the baritone Kennerley Rumford. She made numerous recordings for the gramophone. Early life and career Clara Butt was born in Southwick, Sussex, the eldest daughter of Henry Albert Butt, a sea captain, and his wife Clara ''née'' Hook. Kennedy, Michael"Butt, Dame Clara Ellen (1872–1936)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Online edition, Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maartje Offers
Maartje Offers (27 February 1891, Koudekerk (aan den Rijn) – 28 January 1944, Tholen) was a Dutch contralto classical singer. Recordings * ''Het Puik van zoete kelen'' (''The Cream of Glorious Voices'') Philips Dutch Masters 464 385-2 Songs include "Where Corals Lie "Where Corals Lie" is a poem by Richard Garnett which was set to music by Sir Edward Elgar as the fourth song in his song-cycle ''Sea Pictures''. The poem was first published in ''Io in Egypt and other poems'' in 1859 and subsequently anthologiz ..." from Elgar's '' Sea Pictures''. * ''Lebendige Vergangenheit'' Preiser Records 2916777 * ''Maartje Offers, contralto cd1: The Opera Recordings 1923-1927'' - DDR 0703 * ''Maartje Offers, contralto cd2: The Lied & Song recordings, 1926-1930'' - DDR 0704 External links * Dutch DivaMaartje Offers biography (English)* Dutch DivaBiografie van Offers, Maartjefrom ''Biografisch Woordenboek van Nederland'' (Dutch / Flemish) 1891 births 1944 deaths 20th-century Dut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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