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Vocal Register
A vocal register is a range of tones in the human voice produced by a particular vibratory pattern of the vocal folds. These registers include modal voice (or normal voice), vocal fry, falsetto, and the whistle register. Registers originate in larynx, laryngeal function. They occur because the vocal folds are capable of producing several different vibratory patterns. Each of these vibratory patterns appears within a particular range of Pitch (music), pitches and produces certain characteristic sounds. In speech pathology, the vocal register has three components: a certain vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound. Although this view is also adopted by many vocal pedagogy, vocal pedagogists, others define vocal registration more loosely than in the sciences, using the term to denote various theories of how the human voice changes, both subjectively and objectively, as it moves through its pitch range. There are many divergent theo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Fold
In humans, the vocal cords, also known as vocal folds, are folds of throat tissues that are key in creating sounds through Speech, vocalization. The length of the vocal cords affects the pitch of voice, similar to a violin string. Open when breathing and vibrating for speech or singing, the folds are controlled via the recurrent laryngeal nerve, recurrent laryngeal branch of the vagus nerve. They are composed of twin infoldings of mucous membrane stretched horizontally, from back to front, across the larynx. They vibration, vibrate, modulating the flow of air being expelled from the lungs during phonation. The 'true vocal cords' are distinguished from the 'false vocal folds', known as vestibular folds or ''ventricular folds'', which sit slightly superior to the more delicate true folds. These have a minimal role in normal phonation, but can produce deep sonorous tones, screams and growls. The length of the vocal fold at birth is approximately six to eight millimeters and grows t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Garcia (baritone)
Manuel may refer to: People * Manuel (name), a given name and surname * Manuel (''Fawlty Towers''), a fictional character from the sitcom ''Fawlty Towers'' * Manuel I Komnenos, emperor of the Byzantine Empire * Manuel I of Portugal, king of Portugal * Manuel I of Trebizond, Emperor of Trebizond Places *Manuel, Valencia, a municipality in the province of Valencia, Spain *Manuel Junction, railway station near Falkirk, Scotland Other * Manuel (American horse), a thoroughbred racehorse * Manuel (Australian horse), a thoroughbred racehorse * Manuel and The Music of The Mountains, a musical ensemble * ''Manuel'' (album), music album by Dalida, 1974 See also *Manny (other), a common nickname for those named Manuel *Manoel (other) *Immanuel (other) *Emmanuel (other) *Emanuel (other) *Emmanuelle (other) *Manuela (other) Manuela may refer to: People * Manuela (given name), a Spanish and Portuguese feminine given na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' (), ''8va bassa'' (, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing this mark above or below the staff. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glottal Closure
The glottal stop or glottal plosive is a type of consonantal sound used in many spoken languages, produced by obstructing airflow in the vocal tract or, more precisely, the glottis. The symbol in the International Phonetic Alphabet that represents this sound is . As a result of the obstruction of the airflow in the glottis, the glottal vibration either stops or becomes irregular with a low rate and sudden drop in intensity. Features Features of the glottal stop: * It has no phonation at all, as there is no airflow through the glottis. It is voiceless, however, in the sense that it is produced without vibrations of the vocal cords. Writing In the traditional romanization of many languages, such as Arabic, the glottal stop is transcribed with the apostrophe or the symbol , which is the source of the IPA character . In many Polynesian languages that use the Latin alphabet, however, the glottal stop is written with a rotated apostrophe, (called '' ʻokina'' in Hawai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ponticello
A variety of musical terms is encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; : Tierce organ stop ; 2 : two feet – pipe organ indication; see ; : pipe organ s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passaggio
Passaggio () is a term used in classical singing to describe the transition area between the vocal registers. The ''passaggi'' (plural) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a penetrating sound is accessible, but usually only through vocal training. The historic Italian school of singing describes a ''primo passaggio'' and a ''secondo passaggio'' connected through a ''zona di passaggio'' in the male voice and a ''primo passaggio'' and ''secondo passaggio'' in the female voice. A major goal of classical voice training in classical styles is to maintain an even timbre throughout the passaggio. Through proper training, it is possible to produce a resonant and powerful sound. Vocal registers Vocal registers may be described as "perceptually distinct regions of vocal quality that can be maintained over some ranges of pitch and loudness." Discrepan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thyroarytenoid Muscle
The thyroarytenoid muscle is a broad, thin muscle that forms the body of the vocal fold and that supports the wall of the ventricle and its appendix. It functions to shorten the vocal folds. Structure It arises in front from the lower half of the angle of the thyroid cartilage, and from the middle cricothyroid ligament. Its fibers pass backward and laterally, to be inserted into the base and anterior surface of the arytenoid cartilage. Parts The lower and deeper fibers of the muscle can be differentiated as a triangular band which is inserted into the vocal process of the arytenoid cartilage, and into the adjacent portion of its anterior surface; it is termed the ''Vocalis'', and lies parallel with the vocal ligament, to which it is adherent.Frank H. Netter, MD "Atlas of Human anatomy", 7th Edition, 2019, Plate 91, superior view The vocal muscle is the upper portion of the thyroarytenoid muscle which is primarily involved in producing speech. A considerable number of the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glottis
The glottis (: glottises or glottides) is the opening between the vocal folds (the rima glottidis). The glottis is crucial in producing sound from the vocal folds. Etymology From Ancient Greek ''γλωττίς'' (glōttís), derived from ''γλῶττα'' (glôtta), variant of ''γλῶσσα'' (glôssa, "tongue"). Function Phonation As the vocal folds vibrate, the resulting vibration produces a "buzzing" quality to the speech, called voice or voicing or pronunciation. Sound production that involves moving the vocal folds close together is called ''glottal''. English has a voiceless glottal transition spelled "h". This sound is produced by keeping the vocal folds spread somewhat, resulting in non-turbulent airflow through the glottis. In many accents of English the glottal stop (made by pressing the folds together) is used as a variant allophone of the phoneme (and in some dialects, occasionally of and ); in some languages, this sound is a phoneme of its own. Skilled p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre (), also known as tone color or tone quality (from psychoacoustics), is the perceived sound of a musical note, sound or tone. Timbre distinguishes sounds according to their source, such as choir voices and musical instruments. It also enables listeners to distinguish instruments in the same category (e.g., an oboe and a clarinet, both woodwinds). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctive with its own unique tone color. Musicians distinguish instruments based on their varied timbres, even instruments playing notes at the same pitch and volume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chest Voice
Chest voice is a term used within vocal music. The use of this term varies widely within vocal pedagogical circles. There is no consistent opinion among vocal music professionals regarding the term. Chest voice can be used in relation to: * A particular part of the vocal range or type of vocal register * A vocal resonance area * A specific vocal timbre History The first recorded mention of the term chest voice was around the 13th century, when it was distinguished from the throat and the head voice ( pectoris, guttoris, capitis—at this time it is likely head voice referred to the falsetto register) by the writers Johannes de Garlandia and Jerome of Moravia.''The New Grove Dictionary of Music & Musicians''. Edited by Stanley Sadie, ''Volume 6. Edmund to Fryklund''. , Copyright Macmillan 1980. The term was later redefined during the bel canto period when it was identified as the lowest of three vocal registers: the chest, passaggio and head registers. This approach is still t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Resonation
Vocal resonance may be defined as "the process by which the basic product of phonation is enhanced in timbre and/or intensity by the air-filled cavities through which it passes on its way to the outside air." Throughout the vocal literature, various terms related to resonation are used, including: amplification, filtering, enrichment, enlargement, improvement, intensification, and prolongation. Acoustic authorities would question many of these terms from a strictly scientific perspective. However, the main point to be drawn from these terms by a singer or speaker is that the result of resonation is to make a better sound, or at least suitable to a certain esthetical and practical domain. Human resonating chambers The voice, like all acoustic instruments such as the guitar, trumpet, piano, or violin, has its own special chambers for resonating the tone. Once the tone is produced by the vibrating vocal cords, it vibrates in and through the open resonating ducts and chambers. Since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
