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Werner Kaegi (composer)
__NOTOC__ Werner Kaegi (born 17 June 1926) is a Swiss electronic composer, musicologist and educator. During the 1960s, he promoted electronic music in his home country. In the 1970s, as a composer and researcher at Utrecht's Institute of Sonology, The Netherlands, he developed pioneering programs in the field of computer-generated music. Early life Kaegi was born in Uznach, in the St. Gallen canton as the third child of Heinrich Kaegi and Clara Kaegi-Schlaepfer. In their parental home he came into contact with classical music literature at an early age because a lot of music was being played at home. His father in particular was a passionate amateur violinist. His sister played excellent piano, and his brother played violin, viola and flute. The young Werner soon proved able to arrange pieces for the house concerts. From six years he received clarinet and piano lessons. He studied mathematical logic and music in Zürich, Heidelberg and Basel, and music composition in Zürich, ...
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Uznach
Uznach is a municipality in the ''Wahlkreis'' (constituency) of See-Gaster in the canton of St. Gallen in Switzerland. History Uznach is first mentioned in 741 as ''Uzinaa'' in a grant from a noble lady at Benken Abbey to the Abbey of Saint Gall. It was also mentioned later as both ''Uzinaha'' and ''Uzzinriuda''.City of Uznach website-history
accessed 8 January 2010
In the late 12th Century, the village was transferred from the Abbey of St. Gallen to the Counts of Toggenburg. Between 1180 and 1195 Diethelm VI. married Guta of Rapperswil and received as dowry the
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The Art Of Fugue
''The Art of Fugue'', or ''The Art of the Fugue'' (german: Die Kunst der Fuge, links=no), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, ''The Art of Fugue'' is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues and four canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue. Sources Mus. ms. autogr. P 200 The earliest extant source of the work is an autograph manuscript possibly written from 1740 to 1746, usually referred by its call number as Mus. ms. autogr. P 200 in the Berlin State Library. Bearing the title ''Di ...
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Expo '70
The or Expo 70 was a world's fair held in Suita, Osaka Prefecture, Japan between March 15 and September 13, 1970. Its theme was "Progress and Harmony for Mankind." In Japanese, Expo '70 is often referred to as . It was the first world's fair held in Japan. The Expo was designed by Japanese architect Kenzō Tange, assisted by 12 other Japanese architects. Bridging the site along a north–south axis was the Symbol Zone. Planned on three levels, it was primarily a social space with a unifying space frame roof. The Expo attracted international attention for the extent to which unusual artworks and designs by Japanese avant-garde artists were incorporated into the overall plan and individual national and corporate pavilions. The most famous of these artworks is artist Tarō Okamoto's iconic Tower of the Sun, which still remains on the site today. Background Osaka was chosen as the site for the 1970 World Exposition by the Bureau International des Expositions (BIE) in 196 ...
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Electronic Oscillator
An electronic oscillator is an electronic circuit that produces a periodic, oscillating electronic signal, often a sine wave or a square wave or a triangle wave. Oscillators convert direct current (DC) from a power supply to an alternating current (AC) signal. They are widely used in many electronic devices ranging from simplest clock generators to digital instruments (like calculators) and complex computers and peripherals etc. Common examples of signals generated by oscillators include signals broadcast by radio and television transmitters, clock signals that regulate computers and quartz clocks, and the sounds produced by electronic beepers and video games. Oscillators are often characterized by the frequency of their output signal: *A low-frequency oscillator (LFO) is an electronic oscillator that generates a frequency below approximately 20 Hz. This term is typically used in the field of audio synthesizers, to distinguish it from an audio frequency oscillator. *An ...
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Ring Modulation
In electronics, ring modulation is a signal processing function, an implementation of frequency mixing, in which two signals are combined to yield an output signal. One signal, called the carrier, is typically a sine wave or another simple waveform; the other signal is typically more complicated and is called the input or the modulator signal. A ring modulator is an electronic device for ring modulation. A ring modulator may be used in music synthesizers and as an effects unit. The name derives from the fact that the analog circuit of diodes originally used to implement this technique takes the shape of a ring: a diode ring. The circuit is similar to a bridge rectifier, except that instead of the diodes facing left or right, they face clockwise or counterclockwise. Ring modulation is quite similar to amplitude modulation, with the difference that in the latter the modulator is shifted to be positive before being multiplied with the carrier, while in the former the uns ...
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Sine Wave
A sine wave, sinusoidal wave, or just sinusoid is a mathematical curve defined in terms of the '' sine'' trigonometric function, of which it is the graph. It is a type of continuous wave and also a smooth periodic function. It occurs often in mathematics, as well as in physics, engineering, signal processing and many other fields. Formulation Its most basic form as a function of time (''t'') is: y(t) = A\sin(2 \pi f t + \varphi) = A\sin(\omega t + \varphi) where: * ''A'', ''amplitude'', the peak deviation of the function from zero. * ''f'', '' ordinary frequency'', the ''number'' of oscillations (cycles) that occur each second of time. * ''ω'' = 2''f'', '' angular frequency'', the rate of change of the function argument in units of radians per second. * \varphi, '' phase'', specifies (in radians) where in its cycle the oscillation is at ''t'' = 0. When \varphi is non-zero, the entire waveform appears to be shifted in time by the amount ''φ''/''ω'' seconds. A negative val ...
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Tape Music
Jack Dangers (born John Stephen Corrigan, 11 January 1965) is an English electronic musician, DJ, producer, and remixer best known for his work as the primary member of Meat Beat Manifesto. He lives in San Francisco. Career Prior to founding Meat Beat Manifesto together in 1987, Jack Dangers and Jonny Stephens were members of a short-lived group Perennial Divide. While Stephens remained a member for several years, Jack Dangers is the only person credited as a member of the band on every Meat Beat Manifesto release. In addition to his career with Meat Beat Manifesto, Jack Dangers has also contributed other projects. Along with Ben Stokes (DHS-(Dimensional Holofonic Sound)) and Mike Powell and he is a part of unusual breakbeat combo known simply as Tino. Tino's material is released through their independent label, Tino Corp. Another collaboration called Loop Finder General was announced at one time, but the only recording that has surfaced under this name is a track on ''¡H ...
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Bruno Spoerri
Bruno Alexander Spoerri (born 16 August 1935) is a Swiss jazz and electronics musician. Born in Zurich, he studied applied psychology in Basel and Zurich. He played the saxophone as a student, and toured with the Modern Jazz Group Freiburg in Germany and Switzerland. In the early 1960s, he worked as a psychologist and career counsellor. He experimented with electrified saxophone and published the album ''Voice of Taurus'' in 1978.Bruno Spoerri website"Biographie von Bruno Spoerri" ''computerjazz.ch'', accessed 8 July 2011. Discography * ''Jazz-Rock Experience'' (Deram, 1970) * ''Glückskugel (Finders Keepers Records, 1971–1980) * ''Container'' (1976) * ''Voice of Taurus'' (Gold Records/Inzec 1978) * ''AX+BY+CZ+D=0'' (1983) * Zürich Tenors (FFO 1983, with Ernst Gerber, Fernando Fantini, Richard Lipiec, Umberto Foletti, Rolf Cizmek, Hans Brunner) * Albert Mangelsdorff - Bruno Spoerri - Christy Doran - Reto Weber: ''Shake, Shuttle and Blow'' (Enja, 1999) Awards * Jazz F ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of ''elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of ''musique concrèt ...
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Die Musik In Geschichte Und Gegenwart
''Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (MGG)'' is one of the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled ''MGG Online''. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes (''MGG1''; numbered in columns) and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher began planning a second, revised edition with 29 volumes, which were published from 1994 through 2008 in cooperation with the publisher J.B. Metzler (''MGG2''; with a topical part in 9 volumes and a persons part in 17 volumes, ...
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