We Got Love (Real Thing)
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We Got Love (Real Thing)
"We Got Love" is a song written by Lynsey de Paul and Terry Britten that was first recorded by British soul group, The Real Thing. It was produced by the American R&B and pop record producer, Nick Martinelli, and released on the RCA label, both as a 7-inch single, and a 12-inch extended play version, in October 1984. Content The lyrics of the song discuss love being more important than riches and wealth, and fame being meaningless. Reception It received positive reviews from the mainstream music press. ''Music Week'' described the song (and their debut on the RCA label) as "another veteran (and home-grown) dancefloor mak nga welcome reappearance in the shape of Real Thing with We Got Love... produced in Philadelphia by the ubiquitous Nick Martinelli,... tcould well be a step back towards their old consistency for the scouse soulsters."https://worldradiohistory.com/UK/Music-Week/1984/Music-Week-1984-11-03-I.pdf On his weekly disco page for ''Record Mirror'', James Hamilton w ...
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The Real Thing (British Band)
The Real Thing are a British soul group formed in the 1970s. The band charted internationally with their song "You to Me Are Everything", which reached No. 1 on the UK Singles Chart. They also had successes with a string of British hits such as " Can't Get By Without You" and " Can You Feel the Force?". They returned to mainstream success in 1986 with the Decade Remix of "You to Me Are Everything". By number of sales, they were the most successful black rock/soul act in England during the 1970s. The journalist, author and founder of ''Mojo'' magazine Paul Du Noyer credits them alongside Deaf School with restoring "Liverpool's musical reputation in the 1970s" with their success. History Founded in 1970 by Chris Amoo, Dave Smith, Kenny Davis and Ray Lake, the Real Thing's live, progressive soul-influenced covers of American hits attracted enough attention for them to secure a recording deal with EMI. The singles they released through EMI in 1972 and 1973 such as "Vicious Circle" ...
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The Real Thing (British Band) Songs
The Real Thing or Real Thing may refer to: Film and television * ''The Real Thing'' (film) or ''Livers Ain't Cheap'', a 1996 American film * ''The Real Thing'', a 1980 television documentary by James Burke * ''The Real Thing'' (TV series), Australian music television show (1977-78) * "The Real Thing" (''All Saints''), a television episode * "The Real Thing" (''Lovejoy''), a television episode Literature * ''The Real Thing'' (play), a 1982 play by Tom Stoppard * "The Real Thing" (story), an 1892 short story by Henry James * ''The Real Thing'', a 1980 collection of humorous essays by Kurt Andersen * "The Real Thing", a 2006 short story by Alison Goodman Music Performers * The Real Thing (British band), a pop group * The Real Thing (Norwegian band), a jazz quartet * The Real Thing, an American jazz group fronted by Ray Santisi Albums * ''The Real Thing'' (Angela Winbush album), 1989 * ''The Real Thing'' (Bo Bice album) or the title song, 2005 * ''The Real Thing'' (Dizzy G ...
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RCA Records Singles
RCA Corporation was a major American electronics company, which was founded in 1919 as the Radio Corporation of America. It was initially a patent trust owned by General Electric (GE), Westinghouse, AT&T Corporation and United Fruit Company. In 1932, RCA became an independent company after the partners were required to divest their ownership as part of the settlement of a government antitrust suit. An innovative and progressive company, RCA was the dominant electronics and communications firm in the United States for over five decades. In the early 1920s, RCA was at the forefront of the mushrooming radio industry as a major manufacturer of radio receivers, and the exclusive manufacturer of the first superheterodyne sets. The company also created the first nationwide American radio network, the National Broadcasting Company (NBC). RCA was also a pioneer in the introduction and development of television, both black and white and especially color television. Throughout most o ...
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1984 Singles
Events January * January 1 – The Bornean Sultanate of Brunei gains full independence from the United Kingdom, having become a British protectorate in 1888. * January 7 – Brunei becomes the sixth member of the Association of Southeast Asian Nations (ASEAN). * January 9 – Van Halen releases their sixth studio album ''1984 (Van Halen album), 1984'' (''MCMLXXXIV''), which debuts at number 2 on the Billboard 200 albums chart, and will go to sell over 10 million copies in the United States. * January 10 ** The United States and the Vatican City, Vatican (Holy See) restore full diplomatic relations. ** The Victoria, Seychelles, Victoria Agreement is signed, institutionalising the Indian Ocean Commission. *January 24 – Steve Jobs launches the Macintosh 128K, Macintosh personal computer in the United States. *January 27 – American singer Michael Jackson's hair caught on fire during the making of the Pepsi commercial. February * February 3 ** John Buster and the research ...
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Imagination (band)
Imagination were an English trio, who came to prominence in the early 1980s. They had hits in 28 countries, earning four platinum discs, nine gold discs, and more than a dozen silver discs around the world between 1981 and 1983. History Background Singer/keyboardist Leee John (born 23 June 1957, Hackney, London) was working as a backing vocalist for the Delfonics, Chairmen of the Board, the Velvelettes and the Elgins when he met Ashley Ingram, a guitarist/bassist (born 27 November 1960, Northampton). John and Ingram formed a songwriting partnership, resolving to start their own "slinky, sexy, and erotic" group, working in a short-lived band called Fizzz. While they were auditioning for another short-lived band, Midnight Express, they met drummer Errol Kennedy (born 9 June 1953, Montego Bay, Jamaica), who at a very young age had learned to drum in the Boys' Brigade and Air Training Corps. Kennedy was a member of the London-based soul-funk band TFB (Typical Funk Band), lat ...
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Just A Little Time
''Just a Little Time'' is an album by Lynsey de Paul. It was originally released on 30 September 1994 on the Music Deluxe (catalogue number MSCD9) label but has since been released on the Tring International PLC label (catalogue number JHD128) and on Arc Records/The Magic Collection (Catalogue number MEC 949080). All of the songs on the album are written or co-written by de Paul. Songs The songs "Sugar Me", Getting a Drag", "Storm in a Teacup and "Dancing on a Saturday Night" are radical re-recordings of her earlier hits performed in an updated and uptempo fashion. "Won't Somebody Dance with Me" is still performed as a ballad, but has been updated and extended with an extra refrain. Never before released songs on the album include the ballads "Words Don't Mean a Thing" co-written with Scott English and title track "Just a Little Time" co-written with Gerard Kenny which are both about personal relationships as well as the more uptempo songs "Instant Love" and "Now & Then". "Sugar ...
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Cherry Red Records
Cherry Red Records is a British independent record label founded in Malvern, Worcestershire by Iain McNay in 1978. The label has released recordings by Dead Kennedys, Everything but the Girl, The Monochrome Set, and Felt, among others, as well as the compilation album ''Pillows & Prayers''. In addition to releasing new music, Cherry Red also acts as an umbrella for individual imprints and catalogue specialists. Cherry Red was listed by ''Music Week'' as one of the UK's top ten record companies in Q1 2015 for sales of artist albums. History Cherry Red grew from the rock promotion company (similarly named after the song "Cherry Red" by The Groundhogs) founded in 1971 to promote rock concerts at the Malvern Winter Gardens. In the wake of the independent record boom that followed the advent of punk rock, founders Iain McNay (who remains company chairman) and Richard Jones released the label's first single, "Bad Hearts" by punk band The Tights in June 1978. Cherry Red's earl ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after ''New Musical Express'', it never attained the circulation of its rival. The first UK Albums Chart, UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK Singles Chart, UK singles and UK albums charts used by the BBC for BBC Radio 1, Radio 1 and ''Top of the Pops'', as well as the USA's ''Billboard (magazine), Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when UBM plc, United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds (magazine), Sounds'', to concentrate on trade papers like ''Music Week''. In 2010, Giovanni Di Stefano (fraudster), Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music go ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and p ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as ''Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival '' Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Nick Martinelli
Nicholas J. Martinelli (born 5 July 1952) is an American R&B and pop record producer. During the 1980s he worked with many R&B and pop music artists, some of them based in the UK. Acts he has worked with include Loose Ends, Phyllis Hyman, Five Star, Stephanie Mills and Regina Belle. Early history Martinelli cut his teeth as a teenager in 1969 in the Chips warehouse, an independent record distributor for Motown. He was promoted to warehouse manager as he developed an understanding of distribution and retail sales. In 1977, Motown rewarded Nick's diligence by giving him additional responsibilities handling dance promotion for the Northeast region covering the territory from New York to Washington. It was in the clubs that Martinelli found an outlet to express himself creatively—behind the turntables. In 1978, WMOT Records hired him for a national sales position, transitioning to an A&R position a year later. This enabled him to sign and develop new talent on the Philadelphia ...
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