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Vibhag
'Vibhag' (in music) represents a duration of rhythmic phrasing in Indian classical music made up of a certain number of beats. They are the rough equivalent of bars in western music, but instead of always being equal subdivisions of the tala (the rhythmic cycle - think 12 bar blues), they can be uneven. In certain traditions of talas in Tabla or in any other percussion instrument in classical music have Vibhagas to get a track of the beats on Matra (music)">Matras on which the singer or player is singing or playing on. For example taking different talas, Tala Teental has 16 matras in it. It has 4 Vibhags. So Teental with Vibhags is written as This can also be shown using the following figure If you see both the tables then you may realize that after every 4 syllables i.e. considering the 1st line so Dha Dhin Dhin Dha after this is a line like this , . This is the symbol of Vibhag. And after the 4 syllables Dha Dhin Dhin Dha is the Vibhag. Now it is simple Maths that if ther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rupak Tala
Rupak Tala (rupak taal) or also known as Roopak Taal is a popular tala in Hindustani music that is common in Bhajans and Geets.Ram Avatar 'Vir' 2002, p. 33 It has seven matras (beats) in three vibhags (divisions). Unlike the popular Tintal, the vibhags of Rupak Tala are not of equal length. Also, both the khali and sam of Rupak Tala fall on the first matra Matra (an acronym for Mécanique Aviation Traction) was a major French industrial Conglomerate (company), conglomerate. Its business activities covered a wide range of industries, notably aerospace manufacturer, aerospace, defence industry, def .... Aavartan The aavaratan (cycle) of Rupak Tala has three vibhags (divisions). The first vibhag has three matras and both the second and third vibhags have two matras. Sam is on the first matra of the first vibhag. The aavaratan of Rupak Taal may be written as follows: Examples There are numerous examples of Rupak Tala that differ based upon the instrument used. The fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhaptal
Jhaptal (Hindi: झपताल) is a '' tala'' used in Hindustani music. It presents quite a different rhythmical structure from '' teental'' in that it is not symmetrical. It is used in madhyalay (medium-tempo) khyal. Arrangement Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (vibhag 'Vibhag' (in music) represents a duration of rhythmic phrasing in Indian classical music made up of a certain number of beats. They are the rough equivalent of bars in western music, but instead of always being equal subdivisions of the tala (the ...), of 2-3-2-3, the third of which is the khali, or open division. To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division). A wave of the hand indicates beat 6, the first beat of the khali section. Series of Claps and Waves: clap, 2, clap, 2, 3, wave, 2, clap, 2, 3 Theka There are 4 vibhags: The split for Jhaptaal : 2 / 3 / 2 / ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matra (music)
In Indian classical music, a Matra is a beat, the smallest rhythmic sub-unit of a tala - the musical meter. It is one of the three levels of structure for tala along with Vibhag (measure) and Avartan (cycle). Retrieved 2016-11-08 The significance of beats depends on their occurrence in a cycle. However, the value of the beats may be stretched or contracted depending on various factors. See also * * Tala * |
Teental
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common '' taal'' of Hindustani music, and is used for ''drut'' (fast tempo). It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. ''It is of 16 beats'' with 4/4/4/4/ pattern and 4 divisions.There are 3 claps(tali) and 1 gap(khali). Arrangement Teentaal has sixteen (16) beats in four equal divisions (Vibhag). The period between every two beats is equal. The first beat out of 16 beats is called ''sam'' and the 9th beat is called ''khali'' ('empty'). To count the Teentaal, the audience claps on the first beat, claps on the 5th beat, then waves on the 9th beat and lastly again claps on the 13th beat; these three claps (Hindi Modern Standard Hindi (, ), commonly referred to as Hindi, is the Standard language, standardised variety of the Hindustani language written in the Devanagari script. It is an of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektal
Ektal or Ektaal is a tala in Indian music. It is commonly used in classical music like kheyal, and semi-classical forms like Rabindra Sangeet. In ''ektal'' the 12 matras are divided into 6 vibhags of two matras each. Ektal is played in Drut gatti ( fast speed ). This tala is mostly played by the use of tabla. One more tala similar to Ektal is Chowtal which is played with the use of Pakhavaj, Ektaal is the tabla counterpart of Chowtaal. Many beautiful Kaida are played in Ektal. But Ektal is mostly played for Vilambit (slow pace of any Tal) . Basic information on tal Ektal : Name - Ektal Sum - 1st matra Tali (claps) - 1, 5, 9, 11 matras Khali (wave) - 3, 7 matras Similar talas - Chowtal, Dadra, Garba (tal) Related instruments - Tabla Related to - Hindustani music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keherwa
Keharwa or Kaharva is an 8 beat tala of Hindustani music. Keherwa has many variations including dhumaali, "bhajani", and qawwali. Arrangement Keharwa is an 8-beat pattern used in ragas. It has eight beats in two equal divisions (vibhag). The period between every two beats is equal. The first beat out of 8 beats is called "sam" and it denotes the start of the first division. The fifth beat out of 8 beats is called "khali" and denotes the start of the second division. To exhibit the Keherwa, the performer claps on the first beat and fifth beat is waved. Theka It has a characteristic pattern of bols (theka). In popular culture The popular Hindi film song, '' Rang Barse Bhige Chunar Wali'' from ''Silsila'' (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. The contemporary traditional Eid al-Fitr song for Bengali Muslims Bengali Muslims (; ) 'Mussalman'' also used in this work.are adherents of Islam who ethnica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhoomra
Jhoomra is a tala of Hindustani music. Jhoomra tala has 14 beats. Jhoomra is often used in the vilambit or ati-vilambit (slow) Khyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with rom .... Arrangement Jhoomra tala can be counted like this: *clap, 2, 3, clap, 2, 3, 4, wave, 2, 3, clap, 2, 3, 4 Or can be counted like this: *clap, 2, 3, clap, 5, 6, 7 wave, 9, 10, clap, 12, 13, 14 Theka This is arrangement of Jhoomra: Dhin , -Dha , TiRiKaTa Dhin , Dhin , Dha Ge , TiRiKaTa Tin , -Ta , TiRiKaTa Dhin , Dhin , Dha Ge , TiRiKaTa Theka of Jhoomra can be arranged like this: References {{Hindustani Classical Music page end Hindustani talas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilwada
Tilwada or tilwara () () is a tala of Hindustani music. Like tintaal, tilwada tala also has 16 beats. Tilwada is often used in Kheyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfor .... Arrangement Cyclical series of equally periodical beats consisted of recurring claps and waves: *clap, 2, 3, 4, clap, 2, 3, 4, wave, 2, 3, 4, clap, 2, 3, 4 or counted out as: *clap, 2, 3, 4, clap, 6, 7, 8, wave, 10, 11, 12, clap 14, 15, 16 Theka This tala has the following arrangement: References {{Hindustani Classical Music page end Hindustani talas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhamar (music)
Dhamar is one of the talas used in Hindustani classical music from the Indian subcontinent. It is associated with the dhrupad style and typically played on the pakhawaj and also tabla. Dhamar taal has 14 beats (''matra''s) grouped asymmetrically into a 5-2-3-4 pattern. A song in dhrupad style set to dhamar tala is also called a dhamar. The text of a dhamar concerns the antics of Krishna teasing the milkmaids during the ''Holi Holi () is a major Hindu festival celebrated as the Festival of Colours, Love and Spring.The New Oxford Dictionary of English (1998) p. 874 "Holi /'həʊli:/ noun a Hindu spring festival ...".Yudit Greenberg, Encyclopedia of Love in World ...'' (''hori'') Spring Festival of colours. It is considered a relatively light, gentle, and romantic musical form. The ''theka'' or syllabic pattern of dhamar tala is: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 क ध्धि ट धि ट धा ऽ ग त ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
