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Vastu
''Vastu shastra'' ( hi, वास्तु शास्त्र, ' – literally "science of architecture") is a traditional Indian system of architecture based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. The designs aim to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilising geometric patterns (yantra), symmetry, and directional alignments. Vastu Shastra are the textual part of ''Vastu Vidya'' - the broader knowledge about architecture and design theories from ancient India. Vastu Vidya is a collection of ideas and concepts, with or without the support of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the organisation of space and form within a building or collection of buildings, based on their functions in relation to each other, their usage and the overall fabric of the Va ...
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Hindu Temple
A Hindu temple, or ''mandir'' or ''koil'' in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion.; Quote: "The Hindu temple is designed to bring about contact between man and the gods" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve the boundaries between man and the divine". The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron". A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and ...
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Mayamata
Mamuni Mayan ( ''Māmuṉi'' meaning '' Brahmarishi Mayan'', ''Sangakala Sirpachithan Mamuni Mayan'', ''Mayamuni'', ''Mayendran'') is a culture hero character from Tamil Sangam literature (the Silappathikaram, Manimekalai, and Civaka Cintamani epics), identified with the asura Maya Dānava (''Mayasura'') of the Mahabharata, the mythical founder of Vastu Shastra. Romakapura (Sanskrit) rom romaka hairy + pura city, fortified townCity of hairy ones; in the Surya-Siddhanta (1:6; 12:39), is given as the birthplace of Asura maya. In 2004, V. G. Sthapati started construction of a "monument to Mayan" near Mamallapuram. Mayan is credited with the authorship of the Mayamata Vastu Shastra as well as the ''Aintiram'' ('' Aindra'', a school of grammar connected with the Tolkāppiyam). If there had been a grammatical treatise called ''Aintiram'', it has been lost, but a text called ''Mayan's Aintiram'' dealing with Vastu Shastra was published by Sthapati in 1986, with the support ...
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Manasara
The ''Mānasāra'', also known as ''Manasa'' or ''Manasara Shilpa Shastra'', is an ancient Sanskrit treatise on Indian architecture and design. Organized into 70 ''adhyayas'' (chapters) and 10,000 ''shlokas'' (verses), it is one of many Hindu texts on ''Shilpa Shastra'' – science of arts and crafts – that once existed in 1st-millennium CE. The ''Manasara'' is among the few on Hindu architecture whose complete manuscripts have survived into the modern age. It is a treatise that provides detailed guidelines on the building of Hindu temples, sculptures, houses, gardens, water tanks, laying out of towns and other structures. Title The word ''Manasara'' is a compound of Sanskrit ''māna'' (measurement) and ''sara'' (essence), meaning "essence of measurement" states P.K. Acharya – the scholar who discovered the complete manuscript (70 chapters) and was first to translate it into English in early 20th-century. While the text is now commonly referred as simply ''Manasara'', the Sa ...
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Samarangana Sutradhara
''Samarangana Sutradhara'', sometimes referred to as ''Samarāṅgaṇasūtradhāra'', is an 11th-century poetic treatise on classical Indian architecture ( Vastu Shastra) written in Sanskrit language attributed to Paramara King Bhoja of Dhar. The title ''Samarāṅgaṇasūtradhāra'' is a compound word that literally means "architect of human dwellings", but can also be decomposed to an alternate meaning as "stage manager for battlefields" – possibly a play of words to recognize its royal author. Three manuscripts of ''Samarangana Sutradhara'' were discovered in early 20th century, while others were found later. They vary somewhat and all survive in an incomplete form. The most complete version is one likely copied and recompiled in the 15th century. This manuscript has 7,430 ''shlokas'' (verses) set in 83 ''adhyayas'' (chapters). A notable aspect of each ''adhyaya'' is that it starts with a verse composed in ''anustubh'' meter (''chanda'' in Hindu texts) and ends with a ver ...
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Shastra
''Shastra'' (, IAST: , ) is a Sanskrit word that means "precept, rules, manual, compendium, book or treatise" in a general sense.Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'zAstra'' The word is generally used as a suffix in the Indian literature context, for technical or specialized knowledge in a defined area of practice. ''Shastra'' has a similar meaning to English ''-logy'', e.g. ecology, psychology, meaning scientific and basic knowledge on a particular subject. Examples in terms of modern neologisms include # 'physics', # 'chemistry', # 'biology', # 'architectural science', # 'science of mechanical arts and sculpture', # 'science of politics and economics', and # 'compendium of ethics or right policy'. In Western literature, ''Shastra'' is sometimes spelled as Sastra, reflecting a misunderstanding of the IAST symbol 'ś', which corresponds to the English 'sh'. Etymology The word ''Śāstra'' literally ...
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Brahmasthan
A brahmasthan is a principle of Vedic architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings ... and community planning that designates the center point of a building or geographical area. Vedic architecture is based on Vastu Shastra. The brahmasthan is a special central zone in a building. It is free from any obstructions in the form of a wall, pillar or beam, furniture or fixtures and is often well lit from above, by skylights for instance. See also * Maharishi Sthapatya Veda#Features External links Maharishi Vastu buildings in harmony with Natural Law Architectural elements {{architecturalelement-stub ...
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Aparajitaprccha
The ''Aparajitaprccha'' (''lit.'' "the questions of Aparajit") is a 12th-century Sanskrit text of Bhuvanadeva with major sections on architecture ('' Vastu Shastra'') and arts (''Kala''). Predominantly a Hindu text, it largely reflects the north and western Indian traditions. The text also includes chapters on Jain architecture and arts. The text is notable for its sections on temple architecture (''vastu''), sculpture (''shilpa''), painting ('' chitra'') and classical music and dance (''sangita'', ''nritya''). Several incomplete manuscripts of ''Aparajitaprccha'' were discovered in Gujarat in early 20th-century (particularly Baroda), and others later in central and north India. It has at least 239 ''sutras'', each ''sutra'' followed by many verses. This collection is called ''sutrasantana'', and thus extends into over 7500 verses. The first edition and translation of the text was published by Popatbhai Mankad in 1950, while Lal Mani Dubey published another critical study with tran ...
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Vishvakarma
Vishvakarma or Vishvakarman ( sa, विश्वकर्मा, Viśvakarmā, all maker) is a craftsman deity and the divine architect of the devas in contemporary Hinduism. In the early texts, the craftsman deity was known as Tvastar and the word "Vishvakarma" was originally used as an epithet for any powerful deity. However, in many later traditions, Vishvakarma became the name of the craftsman god. Vishvakarma crafted all of the chariots of the devas and weapons including the ''Vajra'' of the god Indra. Vishvakarma was related to the sun god Surya through his daughter Samjna. According to the legend, when Samjna left her house due to Surya's energy, Vishvakarma reduced the energy and created various other weapons using it. Vishvakarma also built various cities like Lanka, Dvaraka, and Indraprastha. According to the epic ''Ramayana'', the ''vanara'' (forest-man or monkey) Nala was the son of Vishvakarma, created to aid the avatar Rama. Literature and legends Vedas Th ...
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Indus Valley Civilization
The Indus Valley Civilisation (IVC), also known as the Indus Civilisation was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300  BCE to 1300 BCE, and in its mature form 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of the Near East and South Asia, and of the three, the most widespread. Its sites spanned an area from much of Pakistan, to northeast Afghanistan, and northwestern India. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan. The term ''Harappan'' is sometimes applied to the Indus civilisation after its type site Harappa, the first to be excavated early in the 20th century in what was then the Punjab province ...
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Mandala
A mandala ( sa, मण्डल, maṇḍala, circle, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines. A mandala generally represents the spiritual journey, starting from outside to the inner core, through layers. Hinduism In Hinduism, a basic mandala, also called a '' yantra'', takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. Mandalas often have radial balance. A '' yantra'' is similar to a mandala, usually smaller and using a more limited colour palette. It may be a two- or three-dimensional geometric ...
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64 Grid Manduka Design Hindu Temple Floor Plan Vastu Purusa Mandala Ancient Architecture
64 or sixty-four or ''variation'', may refer to: * 64 (number) Dates * one of the years 64 BC, AD 64, 1864, 1964, 2064, etc. * June 4th (6/4) ** the date of the 1989 Tiananmen Square protests and massacre * April 6th (6/4) * April 6 AD (6/4) * June 4 AD (6/4) Places * Highway 64, see list of highways numbered 64 ** Interstate 64, a national route in the United States * +64, country code dialing code of New Zealand; see Telephone numbers in New Zealand * 64 Angelina (asteroid 64), a main-belt asteroid Other uses * Nintendo 64, the third home console by Nintendo, released in 1996 * Commodore 64 * 64-bit computing * "64" (song), a 2011 song by hip hop band Odd Future * ''Sixty Four'' (album), a 2004 album recorded in 1964 by Donovan * Sixty-four (ship), a type of sailing warship * A /64 Classless Inter-Domain Routing Classless Inter-Domain Routing (CIDR ) is a method for allocating IP addresses and for IP routing. The Internet Engineering Task Force introduced CIDR in 19 ...
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Stella Kramrisch
Stella Kramrisch (May 29, 1896 – August 31, 1993) was an American pioneering art historian and curator who was the leading specialist on Indian art for most of the 20th century. Her scholarship remains a benchmark to this day. She researched and taught Indian art history for more than six decades on three continents. After writing her dissertation on the essence of early-buddhist sculpture in India, she was invited to teach at Kala Bhavana in Shantiniketan (1922–24) and went on to teach at Calcutta University from 1924 to 1950. In Europe, Kramrisch worked at the Courtauld Institute, London (1937–1940). From 1950, she was professor at the University of Pennsylvania in the Department of South Asia Regional Studies, where she had been recruited by W. Norman Brown, in addition to being a prominent curator at the Philadelphia Museum of Art. Early life and education in Vienna Stella Kramrisch was born on May 29, 1896, in Nikolsburg, Austria (now Mikulov, Czech Republic).< ...
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