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Ustad Allauddin Khan
Ustad Allauddin Khan (8 October 1862 – 6 September 1972), was a Bengali sarod player and multi-instrumentalist, composer and one of the most notable music teachers of the 20th century in Indian classical music. For a generation many of his students, across different instruments like sitar and violin, dominated Hindustani classical music and became one of the most famous exponents of the form ever, including his son Ali Akbar Khan. Early life Khan was born to a Bengali Muslim family in Shibpur village in Brahmanbaria (in present-day Bangladesh). His father, Sabdar Hossain Khan, was a musician. Khan took his first music lessons from his elder brother, Fakir Aftabuddin Khan. At age ten, Khan ran away from home to join a jatra party where he was exposed to a variety of folk genres: jari, sari, baul, bhatiyali, kirtan, and panchali. Khan went to Kolkata, where he met a physician named Kedarnath, who helped him to become a disciple of Gopal Krishna Bhattacharya (also known as Nulo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bangladesh
Bangladesh, officially the People's Republic of Bangladesh, is a country in South Asia. It is the List of countries and dependencies by population, eighth-most populous country in the world and among the List of countries and dependencies by population density, most densely populated with a population of over 171 million within an area of . Bangladesh shares land borders with India to the north, west, and east, and Myanmar to the southeast. It has a coastline along the Bay of Bengal to its south and is separated from Bhutan and Nepal by the Siliguri Corridor, and from China by the List of Indian states, Indian state of Sikkim to its north. Dhaka, the capital and list of cities and towns in Bangladesh, largest city, is the nation's political, financial, and cultural centre. Chittagong is the second-largest city and the busiest port of the country. The territory of modern Bangladesh was a stronghold of many List of Buddhist kingdoms and empires, Buddhist and List of Hindu empir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maihar Gharana
The Maihar Gharana or Maihar-Senia Gharana is a gharana or school of classical music, a style of Indian classical music originating in the northern parts of the Indian subcontinent. The school was formed by Allaudin Khan in the princely state of Maihar, now in the central Indian state of Madhya Pradesh, and hence the name. Allauddin Khan learnt music from Vina player Wazir Khan, an exponent of the Senia gharana. The Maihar gharana is therefore sometimes referred to as the ''Maihar-Senia gharana''. It is one of the most prominent gharanas of the 20th century; much of the fame of Hindustani classical music in the west stems from this gharana. Prominent musicians belonging to the Maihar gharana include prominent sitar players Ravi Shankar, Nikhil Banerjee, Allauddin Khan's son sarod player Ali Akbar Khan, daughter Annapurna Devi and grandsons Aashish Khan, Dhyanesh Khan, Pranesh Khan, Rajesh Ali khan, Alam Khan, Manik Khan and Shiraz Ali Khan. Other prominent musicians with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maihar State
Maihar State was a princely state in India during the British Raj, located in what is today Madhya Pradesh, central India. The state had an area of , and a population of 63,702 in 1901. The state, which was watered by the Tons River, consists mainly of alluvial soil covering sandstone, and is fertile except in the hilly district of the south. A large area was under forest, the produce of which provided a small export trade. The state gained India-wide and later, worldwide fame for Maihar gharana, a gharana or school of Indian classical music. It is one of the most prominent gharanas of the 20th century; much of the fame of Hindustani classical music in the west stems from this gharana. History Maihar was originally a dependency of Rewa, but Harde Sah, the eldest son of Chhatrasal, took advantage of the minority of Audhut Singh Ju Deo of Rewa, attacked him, and annexed Maihar and Bijairaghogarh to his territories. Hindupat, the Raja of Panna, granted Maihar as a jagi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wazir Khan (Rampur)
Ustad Mohammad Wazir Khan (1860–1926) served as the head of Arbab-e-Nishat (Music Department of Rampur State) during the period of Nawab Hamid Ali Khan of Rampur. He was also an excellent playwright who established the Rampur theatre in the building of club Ghar in Rampur. Early life and background Wazir Khan was born in 1860 in the former Rampur State to Ameer Khan Beenkar. He was the descendant of Naubat Khan and Hussaini (Tansen's daughter). Besides music, Wazir Khan's interests spanned many fields and areas. He was also a professional playwright, poet, published author, painter, passionate photographer, and a well-practiced calligrapher. Primarily he used to do calligraphy in Arabic and Persian. In poetry, he was the student of the noted poet Daagh Dehlvi. As a musicologist, he wrote the Risala Mausibi. In addition, Wazir Khan was proficient in many languages, such as Arabic, Persian, Urdu, Hindi, Bangla, Marathi and Gujarati. Cuisine All the Naubat Khanis were fond o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( IAST: vīṇā), is any of various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the '' Rudra veena'', the '''', the '' Vichitra veena'' and others. The North Indian ''rudra veena'', used in |
Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakhavaj
The ''pakhavaj'' is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. The bass face tends to be smeared with some fresh wheat dough which acts as the ''kiran'' and g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naqareh
The ''naqareh'', ''naqqāra'', ''nagara'' or ''nagada'' is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term ''naqqāra'' (), also ''naqqarat'', ''naqqarah'', ''naqqåre'', ''nakkare'', ''nagora'' comes from the Arabic verb ''naqr-'' that means "to strike, beat". The instrument was also adopted in Europe following the Crusades, and known as the naccaire or naker. Construction The rounded section of a naqqara is made of baked clay, while the flat side consists of treated skin fastened around the rim with string which is tightened over the back of the bow. Playing This percussion instrument is often played in pairs, where one ''naqqara'' will produce low pitch beats called ''nar'' and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called ''damka''. Varieties Iraq and the other Arab countries ''Naqqārāt'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swami Vivekananda
Swami Vivekananda () (12 January 1863 – 4 July 1902), born Narendranath Datta, was an Indian Hindus, Hindu monk, philosopher, author, religious teacher, and the chief disciple of the Indian mystic Ramakrishna. Vivekananda was a major figure in the introduction of Vedanta and Yoga to the Western world, and is credited with raising Interfaith dialogue, interfaith awareness and elevating Hinduism to the status of a major world religion. Born into an aristocratic Bengali Kayastha family in Calcutta (now Kolkata), Vivekananda showed an early inclination towards religion and spirituality. At the age of 18, he met Ramakrishna and became his devoted disciple, and later took up the vows of a ''sannyasin'' (renunciate). Following Ramakrishna’s death, Vivekananda travelled extensively across the Indian subcontinent as a wandering monk, gaining first-hand knowledge of the often harsh living conditions endured by the Indian masses under then British India, he sought a way to alleviat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
