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Ustad Alla Rakha
Alla Rakha Qureshi (29 April 1919 – 3 February 2000) was an Indian tabla player who specialised in Hindustani classical music. Widely revered as one of history's most iconic players of the tabla, he was a frequent accompanist of sitar player Pandit Ravi Shankar and was largely responsible for introducing tabla to the Western audience. Personal life and education Allah Rakha Qureshi was born on 29 April 1919 in Ghagwal village in the Jammu Province of the princely kingdom of Jammu and Kashmir under British Raj; today located in the Samba District of the union territory of the same name in India. His mother tongue was Dogri and his family were Muslim Dogras, although most of the Dogra clan around them were Hindus. Growing up on a farm, Ustad Alla Rakha was always in awe of music, praising the travelling musicians he would occasionally have the opportunity to witness. His father, at that time, looked down upon singing or learning to play a musical instrument as a profession ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ustad
Ustad, ustadh, ustaz or ustadz (abbreviated as Ust., Ut. or Ud.; from Persian language, Persian ''ustād'') is an honorific title used in West Asia, North Africa, Central Asia, South Asia and Southeast Asia. It is used in various languages, including Persian, Arabic (as ''’ustāḏ''), Azerbaijani language, Azerbaijani, Urdu, Hindi, Bengali language, Bengali, Marathi language, Marathi, Maldivian language, Dhivehi, Punjabi language, Punjabi, Pashto language, Pashto, Turkish language, Turkish, Kazakh language, Kazakh, Uzbek language, Uzbek, Indonesian language, Indonesian, Malay language, Malay and Kurdish languages, Kurdish. Etymology The Persian language, Persian word () is from Middle Persian (, 'master, craftsman'). Usage The title precedes the name and was historically usually used for well-regarded teachers and Islamic art, artists. It can be used for any sort of master of an art or occupation; for example, an acknowledged master motorcycle mechanic would be address ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi Award
Sangeet Natak Akademi Award (IAST: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama. It is the highest Indian recognition given to people in the field of performing arts. In 2003, the award consisted of Rs. 50,000, a citation, an '' angavastram'' (a shawl), and a ''tamrapatra'' (a brass plaque). Since 2009, the cash prize has been increased to ₹1,00,000. The awards are given in the categories of music, dance, theatre, other traditional arts and puppetry, and for contribution/scholarship in performing arts. Award recipients The recipients of the Sangeet Natak Akademi award in various categories of performing arts have been listed below: Music Hindustani music Vocal *1952 – Mushtaq Hussain Khan *1953 – Kesarbai Kerkar *1954 – Rajab Ali Khan *1955 – Anant Manohar Joshi *1956 – Rajabhaiyya Poonchhwale *1957 – Rasoolan Bai * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All India Radio
All India Radio (AIR), also known as Akashvani (), is India's state-owned public broadcasting, public radio broadcaster. Founded in 1936, it operates under the Ministry of Information and Broadcasting (India), Ministry of Information and Broadcasting and is one of the two divisions of Prasar Bharati. Headquartered at the ''Akashvani Bhavan'' in New Delhi, it houses the Drama Section, FM Section, and National Service. It also serves as the home of the Indian television station Doordarshan Kendra. All India Radio is the largest radio network in the world in terms of the number of languages broadcast, the socioeconomic diversity it serves, and the scale of its broadcasting organisation. AIR's domestic service includes 420 stations nationwide, covering nearly 92% of India's geographic area and 99.19% of its population, with programming available in 23 languages and 179 dialects. History Akashvani When the Indian State Broadcasting Service (ISBS) was renamed to All India Radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Scale
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar and Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa, the primary development of which has been going down into the lower octave, in contrast with the traditional middle oct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
