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Ursula Wendt-Walther
Ursula Wendt-Walther (13 March 1934/1939 – 11 April 2016) was a German operatic soprano. She was a member of the Staatstheater Nürnberg for decades, where she performed leading roles by Mozart, Strauss and Wagner. In contemporary opera, she appeared as Marie in Bernhard Zimmermann's ''Die Soldaten'', and created the role of Marei in Zemlinsky's ''Der Traumgörge''. Life and career Ursula Wendt was born in Berlin, the daughter of insurance director Hugo Wendt. She studied at the Musikhochschule Berlin She also took private lessons with Finnish baritone Kari Nurmela in Zürich. Wendt was a member of the Staatstheater Hannover in 1956–1958, the following season at the Theater Rheydt, followed by a year at the . She had her first engagement as a lead singer from 1960 until 1963 at the Landestheater Detmold where she made her debut in the title role of Verdi's ''La traviata''. In the 1964/65 season, Wendt appeared as a guest at the Württembergische Landesbühne Esslingen. Fur ...
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Hochschule Für Musik "Hanns Eisler"
' (, plural: ') is the generic term in German for institutions of higher education, corresponding to ''universities'' and ''colleges'' in English. The term ''Universität'' (plural: ''Universitäten'') is reserved for institutions with the right to confer doctorates. In contrast, ''Hochschule'' encompasses ''Universitäten'' as well as institutions that are not authorized to confer doctorates. Roughly equivalent terms to ''Hochschule'' are used in some other European countries, such as '' högskola'' in Sweden and Finland, ''hogeschool'' in the Netherlands and Flanders, and ' (literally "main school") in Hungary, as well as in post-Soviet countries (deriving from высшее учебное заведение) in Central Europe, in Bulgaria ( висше училище) and Romania. Generic term The German education system knows two different types of universities, which do not have the same legal status. The term ''Hochschule'' can be used to refer to all institutions of higher ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote '' Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural ('' tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. ...
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Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story " Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in l ...
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Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and '' auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere a ...
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Peter Beauvais
Peter Beauvais (September 9, 1916, Weißenstadt, Germany – December 17, 1986, Baden-Baden, Germany) was a German television film director and scriptwriter. As a director for three decades, he helped pioneer and significantly influenced the development of German television. Career Beauvais was the son of a factory owner of Jewish origin. He attended the Municipal Liebig High School in Frankfurt am Main, where he studied drama, until 1935. In 1936, under the Nazi regime, he was forced to emigrate to the United States on account of his Jewish background. There he worked as an actor on Broadway. Beauvais returned to Germany in 1945 or 1946 with the United States Army, for whom worked as an interpreter, including for the Nuremberg Trials, and as a theatre officer. In 1950 Beauvais became an actor at the theatre in Hanover, then worked as an actor and trainee director at Werner Finck's Kabarett Die Mausefalle (Mousetrap Cabaret) in Stuttgart, and acted in American films produced in ...
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Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection '' Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the '' Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same ye ...
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Karl-Heinz Thiemann
Karl-Heinz Thiemann (born 1933 in Herbern (Ascheberg) near Münster, Westfalen), is a German operatic tenor. Career Origin and education Thiemann was born in Münsterland to a musical family.Siegfried Augustin: ''Karl-Heinz Thiemann. Ein Porträt des Künstlers in einigen seiner großen Rollen'' (CD-Booklet; 2008). He worked as a railway official and first appeared as a soloist at various singing clubs. After a successful audition, he studied singing at the Dortmund Conservatory from 1956 to 1961, majoring in voice with Rudolf Watzke and at the Hochschule für Musik und Tanz Köln with Dietger Jakob.''Wir stellen vor: Karl-Heinz Thiemann''. In: Programmheft und Besetzungszettel zur Oper ''Lohengrin''; Aufführung vom 5 July 1980 (Staatstheater Nürnberg)Programmheft Neujahrskonzert der Nürnberger Symphoniker 1996 vo 5./6. January 1996, .Programmheft Hans-Sachs-Chor Nürnberg 10 April 1998 During his studies he sang the tenor part in Verdi's Requiem in Dortmund in a performance ...
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Hansjörg Utzerath
Hansjörg (or ''Hansjoerg'') may refer to: Hansjörg *Hansjörg Aschenwald (born 1965), Austrian Nordic combined skier *Hansjörg Dittus, German physicist whose fields of expertise are gravitational physics, metrology, inertial sensors *Hansjörg Felmy (1931–2007), German actor * Hansjörg Göritz (born 1959), German architect * Hansjörg Hirschbühl (born 1937), Swiss bobsledder who competed in the early 1950s * Hansjörg Jäkle (born 1971), German former ski jumper who competed from 1993 to 2002 *Hansjörg Knauthe (born 1944), East German former biathlete, who competed at the Olympics *Hansjörg Kunze (born 1959), German track and field athlete *Hansjörg Lunger (born 1964), Italian ski mountaineer * Giovanni Giorgio Moroder, also known as ''Hansjörg Moroder'' (born 1940), Italian music producer and DJ, the " Father of Disco" *Hansjörg Pauli (born 1931), Swiss musicologist, writer, and music critic *Hansjörg Raffl (born 1958), Italian luger who competed from the late 1970s to ...
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Arabella
''Arabella'', Op. 79, is a lyric comedy, or opera, in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration. Performance history It was first performed on 1 July 1933 at the Dresden Sächsisches Staatstheater. The opera received its premiere in the UK on 17 May 1934 at London's Royal Opera House. Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera."Best Opera"

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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by prese ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, '' La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the crit ...
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Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play '' Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 '' Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally pr ...
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