Túrin Turambar
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Túrin Turambar
Túrin Turambar (pronounced ) is a fictional character in J. R. R. Tolkien's Tolkien's legendarium, legendarium. ''Turambar and the Foalókë'', begun in 1917, is the first appearance of Túrin in the legendarium. Túrin is a Man (Middle-earth), Man of the First Age of Middle-earth, whose family had been cursed by the Dark Lord Morgoth. While trying vainly to defy the curse, Túrin brings ruin across much of Beleriand, and upon himself and his sister Niënor. His title, "Turambar", means master of fate. Tolkien consciously based the story on the tale of Kullervo in the 19th-century Finnish mythological poem ''Kalevala''. Scholars have noted parallels with other myths including that of Sigmund and Sigurd in the ''Völsunga saga'' of Norse mythology; with the Greek mythology, Greek myth of Oedipus; and in terms of structure and style, with Arthurian legend. Excerpts have been published in prose in ''The Silmarillion'', ''Unfinished Tales'', ''The Book of Lost Tales'' Part II, an ...
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Man (Middle-earth)
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elves, Dwarves, Orcs, and other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs. Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of themes in ''The Lord of the Rings'', especially death and immortality. This appears throughout, but is the central theme of an appendix, " The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolkien had wanted to create a heroic romance suitable for the modern age. Scholars have identified real-world a ...
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Norse Mythology
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The North Germanic languages, northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the Huginn and Muninn, raven-flanked god Odin, the goddess Freyja, and List of Germanic deities, numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of ...
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Doriath (Middle-earth)
In J. R. R. Tolkien's fictional legendarium, Beleriand () was a region in northwestern Middle-earth during the First Age. Events in Beleriand are described chiefly in his work ''The Silmarillion'': It tells the story of the early Ages of Middle-earth, in a style similar to that of the epics of Nordic literature—stories pervaded by a tone of impending doom. Beleriand also appears in the works ''The Book of Lost Tales'', ''The Children of Húrin'', and ''The Lays of Beleriand''. In Tolkien's early writing, he coined many prospective names for the region. Among them were '' Broceliand'', the name of an enchanted forest in medieval romance, and ''Ingolondë''—a play on the name ''England''—when he hoped to root a mythology for England in the region. The scholar Gergely Nagy looked at the prose of the ''Silmarillion'' and found what may be evidence of the structure and syntax of Beleriand's poetry. Fictional history Events in Beleriand are described chiefly in the seco ...
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Elves In Middle-earth
In J. R. R. Tolkien's writings, Elves are the first fictional race to appear in Middle-earth. Unlike Men and Dwarves, Elves do not die of disease or old age. Should they die in battle or of grief, their souls go to the Halls of Mandos in Aman. After a long life in Middle-earth, Elves yearn for the Earthly Paradise of Valinor, and can sail there from the Grey Havens. They feature in ''The Hobbit'' and ''The Lord of the Rings''. Their history is described in detail in ''The Silmarillion''. Tolkien derived Elves from mentions in the ancient poetry and languages of Northern Europe, especially Old English. These suggested to him that Elves were large, dangerous, beautiful, lived in wild natural places, and practised archery. He invented languages for the Elves, including Sindarin and Quenya. Tolkien-style Elves have become a staple of fantasy literature. They have appeared, too, in film and role-playing game adaptations of Tolkien's works. Origins Icelandic folklore ...
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Battle Of Unnumbered Tears
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees, and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the divine creation of the world, followed by the splintering of the ...
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Men In Middle-earth
In J. R. R. Tolkien's Middle-earth fiction, Man and Men denote humans, whether male or female, in contrast to Elf (Middle-earth), Elves, Dwarf (Middle-earth), Dwarves, Orc (Middle-earth), Orcs, and Middle-earth peoples, other humanoid races. Men are described as the second or younger people, created after the Elves, and differing from them in being mortal. Along with Ents and Dwarves, these are the "free peoples" of Middle-earth, differing from the enslaved peoples such as Orcs. Tolkien uses the Men of Middle-earth, interacting with immortal Elves, to explore a variety of Themes of The Lord of the Rings, themes in ''The Lord of the Rings'', especially death and immortality. This appears throughout, but is the central theme of an appendix, "The Tale of Aragorn and Arwen". Where the Hobbits stand for simple, earthbound, comfort-loving people, Men are far more varied, from petty villains and slow-witted publicans to the gentle warrior Faramir and the genuinely heroic Aragorn; Tolki ...
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Siege Of Angband
In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainu (Middle-earth), Ainur entered Arda (Middle-earth), Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees, and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar. Major themes of the history are the Christianity in Middle-eart ...
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Húrin
Húrin is a fictional character in the Middle-earth legendarium of J. R. R. Tolkien. He is introduced in '' The Silmarillion'' as a hero of Men during the First Age, said to be the greatest warrior of both the Edain (Men of Númenor and their descendants) and all Men in Middle-earth. His actions, however, bring catastrophe and ruin to his family and to the people of Beleriand. Scholars have remarked the power and grimness of the tale. Tom Shippey calls the scene where Húrin is freed after 28 years by the Dark Lord Morgoth the "lyric core" of the tale of the fall of Gondolin. Christopher Garbowski comments that when Húrin cries aloud, revealing the hidden entrance to Gondolin, the effect is quite unlike that of ''The Lord of the Rings''. Helen Lasseter Freeh comments on the version in '' Unfinished Tales'' where Húrin and Morgoth discuss luck and fate in Middle-earth. Shippey remarks that Tolkien often provides double explanations of events throughout his Middle-eart ...
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Turin Turambar Locations In Beleriand
Turin ( , ; ; , then ) is a city and an important business and cultural centre in northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital from 1861 to 1865. The city is mainly on the western bank of the Po (river), River Po, below its Susa Valley, and is surrounded by the western Alpine arch and Superga hill. The population of the city proper is 856,745 as of 2025, while the population of the urban area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million. The city was historically a major European political centre. From 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia (1720–1861), Kingdom of Sardinia ruled by the House of Savoy, and the first capital of the Kingdom of Italy from 1861 to 1865. Turin is sometimes called "the cradle of Italian liberty" for having been the politi ...
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Alliterative Verse
In meter (poetry), prosody, alliterative verse is a form of poetry, verse that uses alliteration as the principal device to indicate the underlying Metre (poetry), metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English language, Old English Epic poetry, epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse language, Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', Layamon's Brut and the ''Alliterative Morte Arthur'' all use alliterative verse. While alliteration is common in many poetic traditio ...
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The Lay Of The Children Of Húrin
''The Lays of Beleriand'', published in 1985, is the third volume of Christopher Tolkien's 12-volume book series, ''The History of Middle-earth'', in which he analyzes the unpublished manuscripts of his father J. R. R. Tolkien. Book Contents The book contains the long heroic lays or lyric poetry from Tolkien's legendarium, omitted from ''The Silmarillion'': these are ''The Lay of the Children of Húrin'' about the saga of Túrin Turambar, and ''The Lay of Leithian'' (also called ''Release from Bondage'') which tells the Tale of Beren and Lúthien. Although Tolkien abandoned them before their respective ends, they are both long enough to occupy many stanzas, each of which can last for over ten pages. The first poem is in alliterative verse, and the second is in rhyming couplets. Both exist in two versions. In addition to these two poems, the book contains three short, soon-abandoned alliterative poems, ''The Flight of the Noldoli from Valinor'', ''The Lay of Eärendel ...
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Christopher Tolkien
Christopher John Reuel Tolkien (21 November 1924 – 16 January 2020) was an English and naturalised French academic editor and writer. The son of the author and academic J. R. R. Tolkien, Christopher edited 24 volumes based on his father's Posthumous work, posthumously published work, including ''The Silmarillion'' and the 12-volume series ''The History of Middle-Earth'', a task that took 45 years. He also drew the original Tolkien's maps, maps for his father's fantasy novel ''The Lord of the Rings''. Outside his father's unfinished works, Christopher edited three tales by Geoffrey Chaucer (with Nevill Coghill) and his father's translation of ''Sir Gawain and the Green Knight''. Tolkien scholars have remarked that he used his skill as a Philology, philologist, demonstrated in his editing of those medieval works, to research, collate, edit, and comment on his father's Middle-earth writings exactly as if they were real-world legends. The effect is both to frame his father's wor ...
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