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Toeachizown
''Toeachizown'' is the first solo studio album by American neo-boogie musician Dâm-Funk, released on October 27, 2009 by Stones Throw Records. Album was produced by Leon Sylvers III, a record producer of SOLAR Records and a member of 70s disco group The Sylvers. The album is influenced by 1980s funk, post-disco, electro, boogie, P-funk, sci-fi music of the 1970s and the 1980s and other eighties-influenced music. The album was generally well received by critics. Reception *The Allmusic (4/5) review by Andy Kellman awarded the album 4 stars stating "what also sets Dâm apart from his contemporaries is a total reliance on, and mastery of, old gear; that's how some of these tracks swing like the best of Mtume's '80s albums while bouncing, kicking, and squirming like Zapp and early Prince." *The Pitchfork Media (8.2/10) review by Nate Patrin states that "Toeachizown is a deep, astute collection that feels like a natural resuscitation and progression of funk as it stood just before h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-disco
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither R&B."Kellman, Andy"Unlimited Touch"artist biog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie (genre)
Boogie (sometimes called post-disco and electro-funk) is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.Serwer, Jesse (2009XLR8R Jesse Serwer in an interview with Dam-Funk. Retrieved on 2-2-2010. Characteristics Boogie, following the example of post-disco, generally lacks the four-on-the-floor beat, the "traditional" rhythm of disco music; instead has a strong accent on the second and fourth beats, and tempo generally in the 110 to 116 beats-per-minute range. Aside from applying certain technological and promotional aspects of new wave music and having been fairly exposed to its subgenre synthpop, boogie is, however, R&B-rooted and predominantly draws from funk music. Other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-disco
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither R&B."Kellman, Andy"Unlimited Touch"artist biog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dâm-Funk
Damon Garrett Riddick (born June 15, 1971), better known by his stage name Dam-Funk (stylized as DāM-FunK; pronounced "Dame Funk"), is an American funk musician, vocalist and producer from Pasadena, California. In 2007, Riddick signed with the L.A.-based record label Stones Throw Records. Partial discography Solo albums * '' Toeachizown'' (Stones Throw, 2009) * '' Invite the Light'' (Stones Throw, 2015) * ''Private Life'' ( Music from Memory, 2017) * ''Above the Fray'' (Glydezone, 2021) Collaborative albums * ''Higher'' (with Steve Arrington) (Stones Throw, 2013) * '' 7 Days of Funk'' (with Snoopzilla as 7 Days of Funk) (Stones Throw, 2013) Extended plays * ''LA Series #7'' (with Computer Jay) (All City Dublin, 2010) * ''InnaFocusedDaze'' (Scion/AV, 2011) * ''I Don't Wanna Be A Star!'' (Stones Throw, 2012) * ''STFU'' (Stones Throw, 2015) * ''Architecture'' (Saft, 2016) * ''Nite Funk'' (2016) (with Nite Jewel) * ''STFU II'' (Glydezone, 2019) Compilations * ''Rhythm Tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Album
The LP (from long playing or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records. Format advantages At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark De Clive-Lowe
Mark de Clive-Lowe (born 16 August 1974) is an Japan-based Japanese-New Zealand musician, composer, DJ and producer raised in Auckland and now based in Tokyo, Japan. Early life Born in Auckland, New Zealand, de Clive-Lowe was raised bi-culturally and bilingually by his Japanese mother, and New Zealand father who had previously lived for over two decades in Japan. He cites his family upbringing in New Zealand as culinarily, culturally, and linguistically Japanese as well as traditionally patriarchal. At the age of 4 he was enrolled in piano lessons by his father. He developed an early awareness of jazz through his father's record collection and oldest brother's piano playing, although his formal musical training remained predominantly classical throughout his childhood. De Clive-Lowe spent time growing up and cultivating musical influences in both New Zealand and Japan. His initial exposure to Japanese culture outside of home life came from visiting every summer with his fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince (musician)
Prince Rogers Nelson (June 7, 1958April 21, 2016) was an American singer, songwriter, musician, and actor. Regarded as one of the most influential musicians of his generation, Prince was known for his flamboyant, androgynous persona, wide vocal range, which included a far-reaching falsetto and high-pitched screams, as well as his skill as a multi-instrumentalist, often preferring to play all or most of the instruments on his recordings. His music incorporated a wide variety of styles, including funk, disco, Rhythm and blues, R&B, Rock music, rock, New wave music, new wave, soul music, soul, synth-pop, Pop music, pop, jazz, blues, and hip hop music, hip hop. Prince produced his albums himself, pioneering the Minneapolis sound. Born and raised in Minneapolis, Prince signed a record deal with Warner Bros. Records at the age of 18, soon releasing the studio albums ''For You (Prince album), For You'' (1978) and ''Prince (album), Prince'' (1979). He went on to achieve critical succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapp (band)
Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the Electro (music), electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger Troutman, Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton (funk musician), George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979. Zapp released its Zapp (album), eponymous debut album in 1980, and achieved mainstream recognition with the single "More Bounce to the Ounce". The group's 1982 follow-up ''Zapp II'' sold well and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mtume
Mtume (pronounced ''em-tu-may'') was an American funk and soul group that rose to prominence during the early 1980s and had several R&B hits during its career. Its founder, former percussionist James Mtume, previously played and toured with Miles Davis in the early 1970s. Other members of the group included Reggie Lucas, Philip Field, and vocalist Tawatha Agee. Mtume also gained recognition after having its hit single "Juicy Fruit" extensively sampled by many hip-hop artists, most notably by the Notorious B.I.G. in the 1994 hit song " Juicy". History During the start of the group's career, they recorded three albums, their first for Strata-East Records (1972) titled ''Alkebu-Lan- The Land of the Blacks'', and two for the independent label Third Street Records: ''Kawaida'' (1973); ''Alkebu-Lan'' (1975); and ''Rebirth Cycle'' (1977). However, not finding pop or R&B chart success, they signed to major label Epic Records in 1978, releasing the albums '' Kiss This World Goodbye'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music magazine founded in 1996 by Ryan Schreiber in Minneapolis. It originally covered Alternative rock, alternative and independent music, and expanded to cover genres including pop, hip-hop, jazz and metal. ''Pitchfork'' is one of the most influential Music magazine, music publications to have emerged in the internet age. In the 2000s, ''Pitchfork'' distinguished itself from print media through its unusual editorial style, frequent updates and coverage of emerging acts. It was praised as passionate, authentic and unique, but criticized as pretentious, mean-spirited and elitist, playing into stereotypes of the cynical Hipster (contemporary subculture), hipster. It is credited with popularizing acts such as Arcade Fire, Broken Social Scene, Bon Iver and Sufjan Stevens. ''Pitchfork'' relocated to Chicago in 1999 and Brooklyn, New York, in 2011. It expanded with projects including the annual Pitchfork Music Festiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
