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Post-disco
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither R&B."Kellman, Andy"Unlimited Touch"artist biog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie (genre)
Boogie (sometimes called post-disco and electro-funk) is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.Serwer, Jesse (2009XLR8R Jesse Serwer in an interview with Dam-Funk. Retrieved on 2-2-2010. Characteristics Boogie, following the example of post-disco, generally lacks the four-on-the-floor beat, the "traditional" rhythm of disco music; instead has a strong accent on the second and fourth beats, and tempo generally in the 110 to 116 beats-per-minute range. Aside from applying certain technological and promotional aspects of new wave music and having been fairly exposed to its subgenre synthpop, boogie is, however, R&B-rooted and predominantly draws from funk music. Other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco Music
Disco is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife, particularly in African-American, Italian-American, Gay and Latino communities. Its sound features four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African Americans, Latino Americans, and Italian Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-rock
Dance-rock is a dance- infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco. Examples of early dance-rock include Gina X's "No G.D.M.", Russ Ballard's "On the Rebound", artists such as Dinosaur L, Liquid Liquid and Polyrock, and the compilation album '' Disco Not Disco''. Definitions Michael Campbell, in his book ''Popular Music in America'', defines the genre as "post-punk/post-disco fusion". Campbell also cited Robert Christgau, who described dance-oriented rock (or DOR) as an umbrella term used by various DJs in the 1980s. However, AllMusic defines "dance-rock" as 1980s and 1990s music practiced by rock musicians, influenced by Philly soul, disco and funk, fusing those styles with rock and dance. Artists like the Rolling Stones, David Bowie, Duran Duran, Simple Minds, INXS, Eurythmics, Depeche Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a Music genre, genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of Dance music, dance and Pop music, pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be Record prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unlimited Touch
Unlimited Touch was an American, New York–based disco and post-disco group, most active in the early 1980s. The group's most famous song in its short lifespan was "I Hear Music in the Streets", which made number 6 on US Dance chart in 1981. Overview The group consisted of Audrey Wheeler (lead singer), Philip Hamilton, Tony Cintron, Sandy Anderson, Stephanie James and Lenny Underwood. Raymond Reid and William Anderson from New York–based band Crown Heights Affair instigated Unlimited Touch in the early 1980s, but they were not part of the band. The group was signed to Prelude Records (via Epic Records in the UK) and released their self-titled debut album in 1981. Charles Richards was the executive producer of the group. Lenny Underwood co-wrote "I Hear Music in the Streets" and "Searchin' to Find the One", which were minor hits in the US ''Billboard'' R&B chart. Due to a label and group dispute, they disbanded by the end of 1981, but re-formed in 1983 with a new line-up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p. 2. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26–44, "Electronic Music in Jamaica" Wesleyan University Press. Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Osbourne "King Tubby" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo Disco
Italo disco (variously capitalized, and sometimes hyphenated as Italo-disco) is a music genre which originated in Italy in the late 1970s and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign (hi-NRG, Euro disco) and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish. The origin of the genre's name is strongly tied to marketing efforts of the ZYX record label, which began licensing and marketing the music outside Italy in 1982.Folklore that ZYX boss Bernhard Mikulski coined the term ''Italo-disco'' in 1983 was long published on Wikipedia, but is unsubstantiated; to date, reliable third-party documentation has not been found to support whether ZYX label boss Mikulski himself named it, or whether ZYX was even the first to publish t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p. 2. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26–44, "Electronic Music in Jamaica" Wesleyan University Press. Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Osbourne "King Tubby" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno Music
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
