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Tirupallantu
The ''Tirupallantu'' (), also rendered the ''Pallandu'', is a Tamil benedictory hymn dedicated to the Hindu deity Vishnu. Written by the poet-saint Periyalvar, it is the opening hymn of the medieval devotional compendium of the Alvars, the ''Nalayira Divya Prabandham''. It is referenced in other works of this anthology, such as the '' Perumal Tirumoli''. This hymn is commonly recited at temples that adhere to the Sri Vaishnava tradition during the morning. Etymology ''Tiru'' is a Tamil word that denotes sacredness, while ''paḷḷāṇṭu'' translates to 'many years.' Legend There exists a Sri Vaishnava legend regarding the composition of this hymn. Periyalvar was once invited by the Pandya king to participate in a religious debate. The poet-saint was able to defeat a number of Jain scholars in this event, which won him the praise of the king. He was honoured by the monarch with a procession, where he was taken around the capital while seated upon an elephant. Pleased by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Periyalvar
Periyalvar (), also known as Vishnuchittar, was one of the twelve '' Alvar'' saints of South India who are known for their affiliation to the Vaishnava tradition of Hinduism. He was the foster father of Andal. Andal, also called as Kodhai, is the only female Alvar, and is considered to be the incarnation of Bhudevi according to Sri Vaishnavism. The verses of '' Alvars'' are compiled as the '' Naalayira Divya Prabandham'' and the 108 temples revered are classified as '' Divya Desam''. According to some accounts, Periyalvar is considered the first in the line of the twelve Alvars, while other accounts place him as the eighth. His original name was Vishnuchittar. Since he blessed Vishnu as though assuming he were an elder to the deity, he is called Periyalvar. According to Hindu legend, Periyalvar was the foster father of Andal, the only female Alvar. The works of Periyalvar contributed to the philosophical and theological ideas of Vaishnavism, the proponent behind the Bhakti m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naalayira Divya Prabandham
The Naalayira Divya Prabandham () is a collection of 4,000 Tamil verses composed by the 12 Alvars. It was compiled in its present form by Nāthamuni during the 9th–10th centuries. The work, an important liturgical compilation of the Tamil Alvars who lived between 5th and 8th Century CE, marks the beginning of the canonisation of 12 ''Vaishnava'' poet saints, and these hymns are still sung extensively today. Description The ''Divya Prabandham'' sings the praises of Narayana (Vishnu) and his many forms. The Alvars sang these songs at various sacred shrines known as the Divya Desams. The Tamil '' Vaishnavites'', also known as ''Ubhaya Vedanti'' follow both the Sanskrit Vedas as well as the Tamil-language '' Tiruvaymoli,'' a work which devotees of Sri Vaishnavism regard as the Tamil Veda. In many temples — Srirangam, for example — the chanting of the Divya Prabandham forms a major part of the daily service. It is also recited in some North Indian Vaishnavite temples, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirupalliyeḻuchi
The ''Tirupalliyeḻuchi'' (), also rendered ''Tirupalli Eluchi'', is a work of Tamil Hindu literature written by Tondaradippodi Alvar, comprising ten hymns. The title of this work is a reference to the act of Suprabhatam, a Sri Vaishnava ritual, the prayer at dawn that is believed to rouse Vishnu from his sleep and protect the world. The work is part of the compendium of the hymns of the Alvars, known as the ''Nalayira Divya Prabandham''. Tirupalliyeḻuchi, as a ritual, is performed prominently throughout the month of Margaḻi in the Vishnu temples of South India. Hymns The first hymn of this work begins as follows: The fourth hymn makes references to the avataras of Rama and Krishna: See also * ''Tirupallantu The ''Tirupallantu'' (), also rendered the ''Pallandu'', is a Tamil benedictory hymn dedicated to the Hindu deity Vishnu. Written by the poet-saint Periyalvar, it is the opening hymn of the medieval devotional compendium of the Alvars, the ''Nala ...'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiruppavai
The ''Tiruppavai'' () is a set of Tamil Hindu hymns attributed to the female poet-saint Andal. The ''Tiruppavai'' consists of thirty stanzas referred to as ''pasurams'' in praise of Perumal. It is a part of the ''Nalayira Divya Prabandham'', a collection of the works of the twelve poet-saints called the Alvars, an important part of the devotional genre of Tamil literature. The ''Tiruppavai'' has also been translated into Telugu by Mullapudi Venkataramana as ''Melupalukula Melukolupu.'' In this work, Andal calls upon to all people to recite the name and glories of Vishnu. Genre The ''Tiruppavai'' belongs to the ''pāvai'' genre of songs. This genre referred to the Tamil tradition of unmarried girls performing rites and upholding a vow (vrata) of their performance throughout the month of ''Margaḻi''. This practice assumes special significance during '' Margaḻi'': each day of this month gets its name from one of the thirty verses. There are references to this vow in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Periyalvar Tirumoli
The ''Periyalvar Tirumoli'' () is a Tamil Hindu work of literature written by Periyalvar, one of the twelve Alvars, the poet-saints of Sri Vaishnavism. Comprising 473 verses, it is part of the compendium of hymns called the ''Nalayira Divya Prabandham'', dating back to the 9th century CE. Hymns A hymn of the ''Periyalvar Tirumoli'' describes the temple of Srirangam as the home of the Dashavatara, as translated by Vasudha Narayanan: Periyalvar also extols Krishna's act of lifting the mountain, Govardhana: See also {{Tamil literature * '' Kanninun Cirutampu'' * ''Periya Tiruvantati The ''Periya Tiruvantati'' ( ) is a compilation of hymns written by Nammalvar, one of the Alvars, the poet-saints of the Sri Vaishnavism, Sri Vaishnava tradition. This work, which is a part of the Naalayira Divya Prabandham, ''Nalayira Divya Praba ...'' * '' Perumal Tirumoli'' References Naalayira Divya Prabandham Tamil Hindu literature Vaishnava texts Tamil-language literature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinduism
Hinduism () is an Hypernymy and hyponymy, umbrella term for a range of Indian religions, Indian List of religions and spiritual traditions#Indian religions, religious and spiritual traditions (Sampradaya, ''sampradaya''s) that are unified by adherence to the concept of ''dharma'', a Ṛta, cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, it has also been described by the modern term ''Sanātana Dharma'' () emphasizing its eternal nature. ''Vaidika Dharma'' () and ''Arya dharma'' are historical endonyms for Hinduism. Hinduism entails diverse systems of thought, marked by a range of shared Glossary of Hinduism terms, concepts that discuss God in Hinduism, theology, Hindu mythology, mythology, among other topics in Hindu texts, textual sources. Hindu texts have been classified into Śruti () and Smṛti (). The major Hin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil-language Literature
Tamil (, , , also written as ''Tamizhil'' according to linguistic pronunciation) is a Dravidian language natively spoken by the Tamil people of South Asia. It is one of the longest-surviving classical languages in the world,. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). attested since 300 BC, 300 BCE.: "...the most acceptable periodisation which has so far been suggested for the development of Tamil writing seems to me to be that of A Chidambaranatha Chettiar (1907–1967): 1. Sangam Literature – 200BC to AD 200; 2. Post Sangam literature – AD 200 – AD 600; 3. Early Medieval literature – AD 600 to AD 1200; 4. Later Medieval literature – AD 1200 to AD 1800; 5. Pre-Modern literature – AD 1800 to 1900" at p. 610 Tamil was the lingua franca for early maritime traders in South India, with Tamil inscriptions found outside of the Indian subcontinent, such as Indonesia, Thailand, and Egypt. The language has a well-documented history wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Hindu Literature
Tamil may refer to: People, culture and language * Tamils, an ethno-linguistic group native to India, Sri Lanka, and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka ** Myanmar or Burmese Tamils, Tamil people of Indian origin settled in Burma/Myanmar primarily during the British period **Tamil Malaysians, Tamil people of Indian origin settled to Malaysia ** Singapore Tamils, Tamil people of Indian origin settled in Singapore **Tamil diaspora, descendants of Tamil immigrants living outside of India and Sri Lanka * Tamil language, the native language of the Tamils * Tamiloid languages, Dravidian languages related to Tamil, spoken in India * Tamil script, the writing system of the Tamil language **Tamil (Unicode block), a block of Tamil characters in Unicode * Tamil dialects, referencing geographical variations in speech * Tamil culture, culture of the Tamil people * Tamil cuisine, cuisine of the Tamil people * Tamil cinema (other) **Tamil cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamil Zvelebil
Kamil Václav Zvelebil (November 17, 1927 – January 17, 2009) was a Czech scholar in Indian literature and linguistics, notably Tamil, Sanskrit, Dravidian linguistics and literature and philology. Life and career Zvelebil studied at the Charles University in Prague from 1946 to 1952 where he majored in Indology, English, literature and philosophy. After obtaining his PhD in 1952 and until 1970 he was a senior research fellow in Tamil and Dravidian linguistics and literature at the Oriental Institute of the Czechoslovak Academy of Sciences. He held the role of associate professor of Tamil and Dravidian at Charles University in Prague until 1968, when he and his family (including his son, the later archaeologist, Marek Zvelebil) were forced to flee after the Warsaw Pact invasion of Czechoslovakia. They fled to the United States at first, but later settled in the Netherlands. During the late 1960s, he made many field trips including those to South India. From 1965 to 1966 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchajanya
Panchajanya (, ) is the '' shankha'' (conch) of the Hindu preserver deity Vishnu, one of his four primary attributes. The Panchajanya symbolises the five elements, and is considered to produce the primeval sound of creation when blown. Literature Mahabharata According to the Mahabharata, Vishnu is stated to have slain a daitya (a member of a clan of asuras) named Panchajana on a mountain named Chakravan constructed by Vishvakarma, and seized the conch shell in which Panchajana had lived for himself. The conch is named after the daitya. Bhagavad Gita In the Bhagavad Gita, the Panchajanya is mentioned: Harivamsha As per the Harivamsha, Krishna, the avatar of Vishnu, is described as possessing a conch shell called Panchajanya, one of his four attributes together with the mace Kaumodaki, the disc-like weapon Sudarshana Chakra, and a lotus. The conch was used during the Kurukshetra War, and is held in popular tradition to have signalled its beginning and end. Ska ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudarshana Chakra
The Sudarshana Chakra (, ) is a divine discus, attributed to Vishnu in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). In the ''Rigveda'', the Sudarshana Chakra is stated to be Vishnu's symbol as the wheel of time. The discus later emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as ''Chakraperumal'' or ''Chakratalvar''. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su'' () meaning "good/auspicious" and '' Darshana'' () meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root (''kram'') or (''rt'') or (''kri'') and refers among many meanings, to the wheel of a carriage, wheel of the sun's chariot or metaphorically to the wheel of time. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vahana
''Vāhana'' () or ''vahanam'' () denotes the being, typically an animal or mythical entity, a particular Hindus, Hindu deity is said to use as a vehicle. In this capacity, the vāhana is often called the deity's "mount". Upon the partnership between the deity and his vāhana is woven much Hindu iconography, iconography and Hindu mythology, Hindu theology. Deities are often depicted riding (or simply mounted upon) the vāhana. Other times, the vāhana is depicted at the deity's side or symbolically represented as a divine attribute. The vāhana may be considered an :wikt:accoutrement, accoutrement of the deity: though the vāhana may act independently, they are still functionally emblematic or even :wikt:syntagmatic, syntagmatic of their "rider". The deity may be seen sitting or standing on the vāhana. They may be sitting on a small platform, or riding on a saddle or bareback. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
