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Time (Pink Floyd Song)
"Time" is a song by English rock band Pink Floyd. It is included as the fourth track on their eighth album ''The Dark Side of the Moon'' (1973) and was released as a single in the United States. With lyrics written by bassist Roger Waters, guitarist David Gilmour shares lead vocals with keyboardist Richard Wright (his last until " Wearing the Inside Out" on the band's 1994 album '' The Division Bell''). The lyrics deal with the passage of time. Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing. The sounds were recorded in an antique store made as a quadrophonic test by engineer Alan Parsons, not specifically for the album. The album track also includes a reprise of the song " Breathe". It is the only song on the album to credit all four p ...
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Harvest Records
Harvest Records is a British-American record label belonging to Capitol Music Group, originally created by EMI in 1969. History Harvest Records was created by EMI in 1969 to market progressive rock music, and to compete with Philips' Vertigo and Decca's Deram labels, and the independent Island label. Harvest was initially under the direction of Malcolm Jones, and was distributed in North America by EMI's US affiliate, Capitol Records. They were the European licensee for the American label Blue Thumb Records from 1969 to 1971. In the 1970s, the label primarily released progressive rock recordings by British acts including Pink Floyd, Syd Barrett, Kevin Ayers, The Move, Roy Wood, Michael Chapman, Barclay James Harvest, Bill Nelson's avant garde-prog act Be Bop Deluxe and heavy rock band, Deep Purple. Most acts on the Harvest roster were British; two notable exceptions were Australian progressive band Spectrum (whose first two LPs were issued on Harvest) and Spectrum' ...
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Alan Parsons
Alan Parsons (born 20 December 1948) is an English audio engineer, songwriter, musician, and record producer. Parsons was the sound engineer on albums including the Beatles' ''Abbey Road'' (1969) and '' Let It Be'' (1970), Pink Floyd's ''The Dark Side of the Moon'' (1973), and the eponymous debut album by Ambrosia in 1975. Parsons's own group, the Alan Parsons Project, as well as his subsequent solo recordings, have also been commercially successful. He has been nominated for 14 Grammy Awards, with his first win occurring in 2019 for Best Immersive Audio Album for '' Eye in the Sky'' (35th Anniversary Edition). Music career After getting a job working in the tape duplication department at EMI, Parsons heard the master tape for the Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'', and decided to try talking his way into a job at Abbey Road Studios. In October 1967, at the age of 18, Parsons went to work as an assistant engineer at Abbey Road. He was a tape operator duri ...
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Ninth Chord
In music theory, a ninth chord is a chord (music), chord that encompasses the interval (music), interval of a ninth when arranged in close and open harmony, close position with the root (chord), root in the bass (sound), bass. Heinrich Schenker and also Nikolai Rimsky-Korsakov allowed the substitution of the dominant seventh, leading-tone, and leading tone half-diminished seventh chords, but rejected the concept of a ninth chord on the basis that only that on the fifth degree (music), scale degree (V9) was admitted and that Inverted chord, inversion was not allowed of the ninth chord. Dominant ninth There is a difference between a major ninth chord and a dominant ninth chord. A dominant ninth is the combination of a dominant (music), dominant chord (with a minor seventh) and a major ninth. A major ninth chord (e.g., Cmaj9), as an extended chord, adds the major seventh (chord), seventh along with the ninth to the major triad. Thus, a Cmaj9 consists of C, E, G, B and D. When ...
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Major Seventh Chord
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a ''Delta chord'', can be written as maj7, M7, , ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj7, has pitches C–E–G–B: : It can be represented by the integer notation . According to Forte, the major seventh chord is exemplified by IV7, which originates melodically. Forte, Allen (1979). ''Tonal Harmony in Concept & Practice'', p. 150. . : The just major seventh chord is tuned in the ratios 8:10:12:15, as a just major chord is tuned 4:5:6 and a just major seventh is tuned 15:8. The minor flat sixth chord (minor triad with an added minor sixth) is an inversion of this chord. Examples In 1888 ...
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E Major
E major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E major are: * Tonic – E major * Supertonic – F-sharp minor * Mediant – G-sharp minor * Subdominant – A major * Dominant – B major * Submediant – C-sharp minor * Leading-tone – D-sharp diminished Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita ...
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A Major
A major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The A major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic major and melodic major scales are: In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. Scale degree chords The scale degree chords of A major are: * Tonic – A major * Supertonic – B minor * Mediant – C-sharp minor * Subdominant – D major * Dominant – E major * Submediant – F-sharp minor * Leading-tone – G-sharp diminished History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common tha ...
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Binson
The Binson Echorec is a delay effects unit produced by Italian company Binson. Unlike most other electromechanical delays, the Echorec uses an analog magnetic drum recorder instead of a tape loop. After using Meazzi Echomatic machines, Hank Marvin of the Shadows began using Binson echoes. He used various Binson units on record and stage for much of the mid-to-late 1960s. Marvin continued to use Binsons until c.1979/1980, when he began using a Roland Space Echo. Echorecs were used by Syd Barrett, David Gilmour, and Richard Wright of Pink Floyd. The Echorec can be heard on Pink Floyd songs including " Interstellar Overdrive", " Astronomy Domine", " Shine On You Crazy Diamond", "Time", " One of These Days", and " Echoes". A Binson Echorec Baby owned by the band was displayed at the Victoria and Albert Museum as part of the 2017 '' Pink Floyd: Their Mortal Remains'' exhibition. See also * Roland Space Echo * Echoplex The Echoplex is a tape delay effects unit, first made ...
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Lexicon (company)
Lexicon is an American company that engineers, manufactures, and markets audio equipment as a brand of Harman International Industries. The company was founded in 1971 with headquarters in Waltham, Massachusetts, and offices in Salt Lake City, Utah. It was acquired by Harman in 1993. Lexicon traces its history to the 1969 founding of American Data Sciences by MIT professor Dr. Francis F. Lee and engineer Chuck Bagnaschi, developers of digital audio devices for medical heart monitoring. History In 1971, Francis F. Lee founded the Lexicon company, based in Waltham, Massachusetts. The company was purchased by Harman in 1993. The company is widely known for the design and development of the multi-speaker audio system for the Rolls-Royce Phantom, as well as the Hyundai Equus and the Kia K900. Professional audio equipment Digital delay systems Lexicon is sometimes credited as the inventor of commercial digital delay products. The first product to market was the popular Gotham D ...
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Boobam
The boobam is a percussion instrument of the membranophone family consisting of an array of tubes with membranes stretched on one end, the other end open. The tuning depends partly on the tension on the membrane and partly on the length of the tube. History In 1948 Harry Partch, an American composer, developed a system of music that depended on the building of various instruments that could play non-tempered scales. Some of them were based on Greek models and some on more primitive instruments like marimbas. Musician David "Buck" Wheat and his roommate in Sausalito, California, Bill Loughborough, a musician and electronic engineer, assisted Partch in the development of his instruments. Around 1955-1956 Partch designed and built an instrument he called the "boo", short for "bamboo marimba". This instrument, a lamellophone, consisted of sections of bamboo with one end closed, and a tongue cut in the side, tuned to the same pitch as the resonating chamber of the stopped bamboo se ...
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Kraftwerk
Kraftwerk (, ) is a Germany, German Electronic music, electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk was among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn (album), Autobahn'' (1974), ''Trans-Europe Express (album), Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the rele ...
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Lead Vocalist
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal e ...
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Rototom
The rototom is a shell-less drum developed by Al Payson and Michael Colgrass that is able to change pitch by rotating its drumhead around a threaded metal ring. Unlike many types of drums, rototoms are designed to have a variable definite pitch leading composers to write specific notes for them as pitched percussion instruments. They are also often used to extend the tom range of a standard drum kit. Description Tuning Rototoms can be tuned quickly by rotating the drumhead, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drumhead. Sizes Drum company Remo has historically offered rototoms in seven diameters: , , , , , , and . However, as of 2023, Remo only offers rototoms ranging from a 6 to 10 inch diameter as part of a set that includes a mounting rail and stand. All other sizes have been discontinued. Each one is tun ...
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