Alan Parsons
Alan Parsons (born 20 December 1948) is an English audio engineer, songwriter, musician, and record producer. Parsons was the sound engineer on albums including the Beatles' ''Abbey Road'' (1969) and '' Let It Be'' (1970), Pink Floyd's ''The Dark Side of the Moon'' (1973), and the eponymous debut album by Ambrosia in 1975. Parsons's own group, the Alan Parsons Project, as well as his subsequent solo recordings, have also been commercially successful. He has been nominated for 14 Grammy Awards, with his first win occurring in 2019 for Best Immersive Audio Album for '' Eye in the Sky'' (35th Anniversary Edition). Music career After getting a job working in the tape duplication department at EMI, Parsons heard the master tape for the Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'', and decided to try talking his way into a job at Abbey Road Studios. In October 1967, at the age of 18, Parsons went to work as an assistant engineer at Abbey Road. He was a tape operator duri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Alan Parsons Project
The Alan Parsons Project was a British rock music, rock duo formed in London in 1975. Its core membership consisted of producer, audio engineer, musician and composer Alan Parsons, and singer, songwriter and pianist Eric Woolfson. They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistently. The Alan Parsons Project released eleven studio albums over a 15-year career, the most successful ones being ''I Robot (album), I Robot'' (1977), ''The Turn of a Friendly Card'' (1980) and ''Eye in the Sky (album), Eye in the Sky'' (1982). Many of their albums are concept album, conceptual in nature and focus on science fiction, supernatural, literature, literary and sociological themes. Among the group's most popular songs are "I Wouldn't Want to Be Like You", "Games People Play (The Alan Parsons Project song), Games People Play", "Time (The Alan Par ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willesden
Willesden () is an area of north-west London, situated 5 miles (8 km) north-west of Charing Cross. It is historically a parish in the county of Middlesex that was incorporated as the Municipal Borough of Willesden in 1933; it has formed part of the London Borough of Brent in Greater London since 1965. Dollis Hill is also sometimes referred to as being part of Willesden. With its close proximity to affluent neighbourhoods Brondesbury Park, Queen's Park, London, Queen's Park and Kensal Rise, the area surrounding Willesden Green tube station, Willesden Green station has seen increased gentrification in the past several years, with rapidly rising property prices. ''The Daily Telegraph'' described Willesden Green as one of London's "new middle class" areas. The area has a population of 44,295, as of United Kingdom 2011 Census, 2021, including the Willesden Green, Dollis Hill and Dudden Hill wards. Willesden Green has one of the city's highest Irish people, Irish populations, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ambrosia (album)
''Ambrosia'' is the debut album by Ambrosia. It was released in 1975 on 20th Century Fox Records. It spawned the top 20 chart single " Holdin' on to Yesterday" as well as the minor hit "Nice, Nice, Very Nice". The latter sets to music the lyrics to a poem in Kurt Vonnegut's ''Cat's Cradle''. The album was nominated for a Grammy Award for Best Engineered Recording (other than Classical). Alan Parsons was the mixdown engineer for Ambrosia's first album and the producer for their second. Track listing Personnel ;Ambrosia * David Pack – guitar, lead and backing vocals, keyboards on "Lover Arrive" * Christopher North – keyboards, backing vocals * Joe Puerta – bass, lead and backing vocals * Burleigh Drummond – drums, backing vocals, percussion, bassoon ;Additional musicians * Daniel Kobialka – violin * James Newton Howard – synthesizer programming ;Production * Producer: Freddie Piro *Engineers Engineers, as practitioners of engineering, are professionals w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dynamic Range Compression
Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or ''compressing'' an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, sound reinforcement system, live sound reinforcement and some instrument amplifiers. A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high #Ratio, ratio and, generally, a short #Attack and release, attack time. Compression is used to improve performance and clarity in public address ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Limiter
In electronics, a limiter is a circuit that allows signals below a specified input power or level to pass unaffected while attenuating (lowering) the peaks of stronger signals that exceed this threshold. Limiting is a type of dynamic range compression. Clipping is an extreme version of limiting. Limiting is any process by which the amplitude of a signal is prevented from exceeding a predetermined value. Limiters are common as a safety device in live sound and broadcast applications to prevent sudden volume peaks from occurring. Limiters are also used as protective features in some components of sound reinforcement systems (e.g., powered mixing boards and power amplifiers) and in some bass amplifiers, to prevent unwanted distortion or loudspeaker damage. Types Limiting can refer to a range of treatments designed to limit the maximum level of a signal. Treatments in order of decreasing severity range from clipping, in which a signal is passed through normally but sheared o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chris Thomas (record Producer)
Christopher P. Thomas (born 13 January 1947 in Perivale, Middlesex, England) is an English record producer who has worked extensively with the Beatles, Pink Floyd, Procol Harum, Roxy Music, Badfinger, Elton John, Paul McCartney, Pete Townshend, Pulp and the Pretenders. He has also produced breakthrough albums for the Sex Pistols, the Climax Blues Band, the Pretenders and INXS. Early life Thomas was classically trained on the violin and piano as a child and he began playing bass in London pop bands, turning down at one point the opportunity to play with Jimi Hendrix and Mitch Mitchell before Hendrix had struck fame. After several years, Thomas decided that he had little interest in making a career as a performing musician. In a 1998 interview, he stated "I realized that being in a band you were dependent on all these other people, and I also knew that if I'd ever been successful in a band, I would've wanted to stay in the studio and just make the records; I wasn't that interes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Hollies
The Hollies are an English rock and pop band formed in Manchester in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Singer Allan Clarke and rhythm guitarist/singer Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north, in east Lancashire. Nash left the group in 1968 to co-form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. As well as Clarke and Nash other members have included lead guitarist Tony Hicks, rhythm guitarist Terry Sylvester (who replaced Nash), bassists Eric Haydock and Bernie Calvert, and drummers Don Rathbone and Bobby Elliott. The Hollies enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hits that included " Just One Look", " Here I Go Again" (both 1964), " I'm Alive" (1965; their first of two UK number on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Red Rose Speedway
''Red Rose Speedway'' is the second studio album by the English-American Rock music, rock band Paul McCartney and Wings, Wings, although credited to "Paul McCartney and Wings". It was released through Apple Records on 4 May 1973, preceded by its lead single, the Sentimental ballad, ballad "My Love (Paul McCartney and Wings song), My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album ''Wild Life (Wings album), Wild Life''. Before recording the album, Wings recruited lead guitarist Henry McCullough and released their debut single, "Give Ireland Back to the Irish", which was banned by the BBC for its political message. Recording sessions for the album took place throughout 1972 at five recording studios in London. The group also recorded ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wild Life (Wings Album)
''Wild Life'' is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971 (additional overdubs were added during sessions in October 1971), at EMI Studios (now Abbey Road Studios) by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album ''Ram'', and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction. Recording In July 1971, with a fresh set of McCartney tunes, the newly formed Wings recorded the album in slightly more than a week with the mindset that it had to be instant and raw in order to capture the freshness and vitality of a live studio recording. It was claimed at the time that five of the eight songs were re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paul McCartney And Wings
Paul McCartney and Wings, often billed simply as Wings, was a British-American Rock music, rock band formed in 1971 in London by former The Beatles, Beatle Paul McCartney; his wife Linda McCartney on keyboards; session drummer Denny Seiwell; and former Moody Blues guitarist Denny Laine. They were noted for their commercial successes, musical eclecticism, and frequent personnel changes. They went through three lead guitarists and four drummers. The core trio of the McCartneys and Laine, however, remained intact throughout the group's existence. Created following the McCartneys' 1971 album ''Ram (album), Ram'', the band's first two albums, ''Wild Life (Wings album), Wild Life'' (1971) and ''Red Rose Speedway'' (1973) (the latter featuring guitarist Henry McCullough), were viewed as artistic disappointments beside Paul's work with the Beatles. After the release of Live and Let Die (song), the title track of the James Bond film ''Live and Let Die (film), Live and Let Die'', McCullo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Get Back Sessions
''Let It Be'' is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, nearly a month after the official announcement of the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. Its rehearsals started at Twickenham Film Studios on 2 January 1969 as part of a planned television documentary showcasing the Beatles' return to live performance. The filmed rehearsals were marked by ill feeling, leading to George Harrison's temporary departure from the group. As a condition of his return, the members reconvened at their own Apple Studio, and recruited guest keyboardist Billy Preston. Together, they performed a single public concert on the studio's rooftop on 30 January, from which three of the album's tracks were drawn. In April, t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |