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Thorpe Hall (Peterborough)
Thorpe Hall at Longthorpe in the city of Peterborough, Cambridgeshire, is a Grade I listed building, built by Peter Mills between 1653 and 1656, for the Lord Chief Justice, Oliver St John. The house is unusual in being one of the very few mansions built during the Commonwealth period. After a period as a hospital, it is currently used as a Sue Ryder hospice. While parliamentary soldiers were in Peterborough in 1643 during the English Civil War, they ransacked the cathedral. Parliament disposed of Church property to raise money for the army and navy and the parliamentarian Oliver St John bought the lease to the manor of Longthorpe and built Thorpe Hall. In 1654 it was described by the author John Evelyn as "a stately place...built out of the ruins of the Bishop's Palace and cloisters." A symmetrical composition in ashlar, rusticated quoins, with square, groups of rusticated chimney shafts; the north and south elevations are identical, three dormers, casements under pediment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longthorpe
Longthorpe is an area of the city of Peterborough, in the ceremonial county of Cambridgeshire, England. Located west from the city centre, the area covers . For electoral purposes it forms part of Peterborough West ward. A 1st century Roman fort was established at Longthorpe, it may have been as early as around AD 44–48 but was certainly present by 61–62. The first phase covered , this was later replaced by another fort measuring . The ecclesiastical parish was formed in 1850 from the parish of Saint John the Baptist. The church of Saint Botolph is a plain building of coarse rubble, dating from the 13th century, consisting of chancel, nave, aisles and a western bell cote, containing one bell. In the chancel is a piscina and aumbry, two other brackets and a piscina are in the south aisle and two brackets in the north aisle. The church was restored in 1869 and will seat about 200 persons. The register dates from the year 1837; the earlier register is included i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quoin (architecture)
Quoins ( or ) are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner. According to one 19th-century encyclopedia, these imply strength, permanence, and expense, all reinforcing the onlooker's sense of a structure's presence. Stone quoins are used on stone or brick buildings. Brick quoins may appear on brick buildings, extending from the facing brickwork in such a way as to give the appearance of generally uniformly cut ashlar blocks of stone larger than the bricks. Where quoins are decorative and non-load-bearing a wider variety of materials is used, including timber, stucco, or other cement render. Techniques Ashlar blocks In a traditional, often decorative use, large rectangular ashlar stone blocks or replicas are laid horizontally at the corners. This results in an alternate, quoining pattern. Alternate cornerstones Courses of large and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Stone
Nicholas Stone (1586/87 – 24 August 1647) was an England, English sculpture, sculptor and architect. In 1619 he was appointed master-mason to James I of England, James I, and in 1626 to Charles I of England, Charles I. During his career he was the mason responsible for not only the building of Inigo Jones' Banqueting House, Whitehall, but the execution of elaborate funerary monuments for some of the most prominent of his era that were avant-garde by English standards. As an architect he worked in the Baroque style providing England with some of its earliest examples of the style that was not to find favour in the country for another sixty years, and then only fleetingly. He worked in a context where most sculptors in stone were "mason-sculptors", in modern terms combining sculpture with architecture. The quality of his sculptural work is variable, probably because much of it was done by his workshop colleagues. Netherlandish influence was dominant in English sculptu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leeds Castle
Leeds Castle is a castle in Kent, England, southeast of Maidstone. It is built on islands in a lake formed by the River Len to the east of the village of Leeds and is a historic Grade I listed estate. A castle has existed on the site since 857. In the 13th century, it came into the hands of King Edward I, for whom it became a favourite residence; in the 16th century, Henry VIII used it as a dwelling for his first wife, Catherine of Aragon. The present castle dates mostly from the early 19th century. Its last private owner, Olive, Lady Baillie, left the castle in trust to open it to the public. It has been open since 1976. History Medieval and Tudor From 857, the site was owned by a Saxon chief called Led or Leed who built a wooden structure on two islands in the middle of the River Len. In 1119, Robert de Crevecoeur rebuilt it in stone as a Norman stronghold and Leeds Castle descended through the de Crevecoeur family until the 1260s. What form this Norman str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urns
An urn is a vase, often with a cover, with a typically narrowed neck above a rounded body and a footed pedestal. Describing a vessel as an "urn", as opposed to a vase or other terms, generally reflects its use rather than any particular shape or origin. The term is especially often used for funerary urns, vessels used in burials, either to hold the cremated ashes or as grave goods, but is used in many other contexts. Large sculpted vases are often called urns, whether placed outdoors, in gardens or as architectural ornaments on buildings, or kept inside. In catering, large vessels for serving tea or coffee are often called "tea-urns", even when they are metal cylinders of purely functional design. Urns are also a common reference in thought experiments in probability wherein marbles or balls of different colors are used to represent different results and the urn represents the "container" of the whole set of possible states. Funerary Funerary urns (also called cinerary ur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balustrade
A baluster () is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a guard railing, coping, or ornamental detail is known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. In the UK, there are different height requirements for domestic and commercial balustrades, as outlined in Approved Document K. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the , from , from ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In classical architecture, the frieze is the wide central section of an entablature and may be plain in the Ionic order, Ionic or Corinthian order, Corinthian orders, or decorated with bas-reliefs. Patera (architecture), Paterae are also usually used to decorate friezes. Even when neither column (architecture), columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the molding (decorative), moldings of the cornice (architecture), cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painting, painted, sculpture, sculpted or even calligraphy, calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; , also called an epistyle; ) is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan order, it only consists of a plain face, crowned with a fill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un- fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century '' Etymologiae'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modillion
A modillion is an ornate bracket, more horizontal in shape and less imposing than a corbel. They are often seen underneath a Cornice (architecture), cornice which helps to support them. Modillions are more elaborate than dentils (literally translated as small teeth). All three are selectively used as adjectival historic past participles (''corbelled, modillioned, dentillated'') as to what co-supports or simply adorns any high structure of a building, such as a terrace of a roof (a flat area of a roof), parapet, pediment/entablature, balcony, cornice band or roof cornice. Modillions occur classically under a Corinthian order, Corinthian or a Composite order, Composite cornice but may support any type of eaves cornice. They may be carved or plain. See also * Glossary of architecture Gallery Abbaye Ste Foy à Conques (25) - Frises et corbeaux du chevet.jpg, Modillions carved with animal heads in the Abbaye Ste Foy in Conques (France). 20130809 dublin036.JPG, Trinity College, in Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are a form of gable in classical architecture, usually of a triangular shape. Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns.Summerson, 130 In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples. But large pediments were rare on other types of building before Renaissance architecture. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The cornice continues round the top of the pediment, as well as below it; the rising sides are often called the "raking cornice". The tympanum is the triangular area within the pediment, which is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
