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The Lamb As Effigy
''The Lamb as Effigy'' (also referred to in extended form as ''The Lamb as Effigy or Three Hundred and Fifty XOXOXOS for a Spark Union With My Darling Divine'') is the second and final studio album by American experimental rock band Sprain. It was released on September 1, 2023 via The Flenser. The album was promoted with three singles; "Man Proposes, God Disposes", "Privilege of Being", and "We Think So Ill of You", and was planned to be followed by short series of concerts, of which only one took place before Sprain's disbandment in October 2023. Background Sprain was formed in Los Angeles by frontman Alex Kent and bassist April Gerloff in early 2018 and self-released their eponymous debut EP later that year. Musically divergent from their later work, it contained a sound heavily influenced by slowcore bands such as Duster and especially Low, with Kent describing the EP as having an "adolescent slant", being written and recorded when Kent was 17 to 18 years old in the afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprain (band)
Sprain was an American experimental rock band from Los Angeles, California that formed in 2018. Its final lineup consisted of Alexander Gregory Kent (guitar, vocals, keyboards), April Gerloff (bass guitar), Sylvie Simmons (guitar), and Clint Dodson (drums). The band released two studio albums and one EP before abruptly disbanding in 2023, a month after the release of their second album '' The Lamb as Effigy''. History Following the disbandment of Hybrid Sheep Organizer, Alex Kent and several former members regrouped to record new material. Shortly afterwards, April Gerloff would join the sessions and many of these recordings would end up comprising their self-titled debut EP, released in August 2018. It was inspired by slowcore bands such as Low and Duster. After adding two new members, Max Pretzer on drums and Sylvie Simmons on second guitar, they started to work on their debut album. In December 2019, Sprain signed to The Flenser record label. The band's debut album, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre of music that emphasizes the use of sustained sounds, notes, or tone clusters called '' drones''. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism." Music containing drones can be found in many regional traditions across Asia, Australia, and Europe, but the genre label is generally reserved for music originating with the Western classical tradition. Elements of drone music have been incorporated in diverse genres such as rock, ambient, and electronic music. Overview Music that contains drones and is rhythmically still or very slow, called "drone music," For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock Albums By American Artists
Post-rock is a subgenre of experimental rock that emphasizes texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with electronics Electronics is a scientific and engineering discipline that studies and applies the principles of physics to design, create, and operate devices that manipulate electrons and other Electric charge, electrically charged particles. It is a subfield ... and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
